and therefore the external parts are cold and shake with fear.
Q. Why doth a radish root help digestion and yet itself remaineth undigested? A. Because the substance consisteth of divers parts; for there are some thin parts in it, which are fit to digest meat, the which being dissolved, there doth remain some thick and close substance in it, which the heat cannot digest.
Q. Why do such as cleave wood, cleave it easier in the length than athwart? A. Because in the wood there is a grain, whereby, if it be cut in length, in the very cutting, one part naturally separateth from another.
Q. What is the reason, that if a spear be stricken on the end, the sound cometh sooner to one who standeth near, than to him who striketh? A. Because, as hath been said, there is a certain long grain in wood, directly forward, filled with air, but on the other side there is none, and therefore a beam or spear being stricken on the end, the air which is hidden receiveth a sound in the aforesaid grain which serveth for its passage; and, seeing the sound cannot go easily out of it is carried into the ear of him who is opposite; as those passages do not go from side to side, a sound cannot be distinctly heard there.
Q. Why are the thighs and calves of the legs of men flesh, seeing the legs of beasts are not so? A. Because men only go upright; and therefore nature hath given the lower parts corpulency, and taken it away from the upper; and thus she hath made the buttocks, the thighs, and calves of the legs fleshy.
Q. Why are the sensible powers in the heart; yet if the hinder part of the brain be hurt, the memory suffereth by it; if the forepart, the imagination; if the middle, the cogitative part? A. It is because the brain is appointed by nature to cool the blood of the heart; whereof it is, that in divers of its parts it serveth the powers and instruments with their heart, for every action of the soul doth not proceed from one measure of heat.
* * * * *
THE PROBLEMS OF
ALEXANDER APHRODISEUS
Q. Why doth the sun make a man black and dirt white, wax soft and dirt hard? A. By reason of the disposition of the substance that doth suffer. All humours, phlegm excepted, when heated above measure, do seem black about the skin; and dirt, being full either of saltpetre, or salt liquor, when the sun hath consumed its dregs and filth, doth become white again. When the sun hath stirred up and drawn the humidity of the wax, it is softened; but in the dirt, the sun doth consume the humidity, which is very much and makes it hard.
Q. Why are round ulcers hard to be cured? A. Because they are bred of a sharp choler, which eats and gnaws; and because it doth run, dropping and gnawing, it makes a round ulcer; for which reason it requires dry medicines, as physicians assert.
Q. Why is honey sweet to all men, but to such as have jaundice? A. Because they have much bitter choler all over their bodies, which abounds in the tongue; whence it happens when they eat honey the humours are stirred, and the taste itself, by the bitterness of choler, causes an imagination that the honey is bitter.
Q. Why doth water cast on serpents, cause them to fly? A. Because they are dry and cold by nature, having but little blood, and therefore fly from excessive coldness.
Q. Why doth an egg break if roasted, and not if boiled? A. When moisture comes near the fire, it is heated very much, and so breeds wind, which being put up in little room, forces its way out, and breaks the shell: the like happens in tubs or earthen vessels when new wine is put into them; too much phlegm breaks the shell of an egg in roasting; it is the same with earthen pots too much heated; wherefore some people wet an egg when they intend to roast it. Hot water, by its softness, doth dissipate its humidity by little and little, and dissolves it through the thinness and passages of the shell.
Q. Why do men wink in the act of copulation, and find a little alteration in all other senses? A. Because, being overcome by the effect of that pleasure, they do comprehend it the better.
Q. Why have children gravel breeding in their bladders, and old men in their kidneys and veins? A. Because children have straight passages in their kidneys, and an earthly thick humour is thrust with violence by the urine to the bladder, which hath wide conduits or passages, that give room for the urine and humour whereof gravel is engendered, which waxes thick, and seats itself, as the manner of it is. In old men it is the reverse, for they have wide passages of the veins, back and kidneys, that the urine may pass away, and the earthly humour congeal and sink down; the colour of the gravel shows the humour whereof the stone comes.
Q. Why is it, if the stone do congeal and wax hard through heat, we use not contrary things to dissolve it by coldness, but light things, as parsley, fennel and the like? A. It is thought, to fall out by an excessive scorching heat, by which the stones do crumble into sand, as in the manner of earthen vessels, which, when they are overheated or roasted, turn to sand. And by this means it happens that small stones are avoided, together with sand, in making water. Sometimes cold drink thrusts out the stone, the kidneys being stretched and casting it out by a great effort; thus easing the belly of its burden. Besides, it often happens that immoderate heat of the kidneys, or of the veins of the back (through which the stone doth grow) is quenched with coldness.
Q. Why is the curing of an ulcer or bile in the kidneys or bladder very hard? A. Because the urine being sharp, doth ulcerate the sore. Ulcers are worse to cure in the bladder than in the kidneys, because urine stays in the former, but runs away from the latter.
Q. Why do chaff and straw keep water hot, but make snow cold? A. Because the nature of chaff wants a manifest quantity; seeing, therefore that of its own nature, it can easily be mingled, and consumed by that which it is annexed onto, it easily assumes the same nature, and being put into hot things, it is easily hot, heats again, and keeps hot; and on the contrary, being made cold by the snow, and making the snow cold it keeps in its coldness.
Q. Why have we oftentimes a pain in making water? A. Because sharp choler issuing out, and pricking the bladder of the urine, doth provoke and stir up the whole body to ease the part offended, and to expel the humour moderately. This doth happen most of all unto children, because they have moist excrements by reason of their often drinking.
Q. Why have some medicines of one kind contrary effects, as experience proves; for mastich doth expel, dissolve and also knit; and vinegar cools and heats? A. Because there are some small invisible bodies in them, not in confusion, but by interposition; as sand moistened doth clog together and seem to be but one body, though indeed there are many small bodies in sand. And since this is so, it is not absurd that the contrary qualities and virtues should be hidden in mastich, and that nature hath given that virtue to these bodies.
Q. Why do nurses rock and move their children when they would rock them to sleep? A. To the end that the humours being scattered by moving, may move the brains; but those of more years cannot endure this.
Q. Why doth oil, being drunk, cause one to vomit, and especially yellow choler? A. Because being light, and ascending upwards it provoketh the nutriment in the stomach, and lifteth it up; and so, the stomach being grieved, summoneth the ejective virtue to vomit, and especially choler, because that is light and consisteth of subtle parts, and therefore the sooner carried upward; for when it is mingled with any moist thing, it runneth into the highest room.
Q. Why doth not oil mingle with moist things? A. Because, being pliant, soft and thick in itself, it cannot be divided into parts, and so cannot be mingled; neither if it be put on the earth can it enter into it.
Q. Why are water and oil frozen in cold weather, and wine and vinegar not? A. Because that oil being without quality, and fit to be compounded with anything, is cold quickly and so extremely that it is most cold. Water being cold of nature, doth easily freeze when it is made colder than its own nature. Wine being hot, and of subtle parts, suffereth no freezing.
Q. Why do contrary things in quality bring forth the same effect? A. That which is moist is hardened and bound alike by heat and cold. Snow and liquid do freeze with cold; a plaster and gravel in the bladder are made dry with heat. The effect indeed is the same, but by two divers actions; the heat doth consume and eat the abundance of moisture; but the cold stopping and shutting with its over much thickness, doth wring out the filthy humidity, like as a sponge wrung with the hand doth cast out the water which it hath in the pores and small passages.
Q. Why doth a shaking or quivering seize us oftentimes when any fearful matter doth happen, as a great noise or a crack made, the sudden downfall of water, or the fall of a large tree? A. Because that oftentimes the humours being digested and consumed by time and made thin and weak, all the heat vehemently, suddenly and sharply flying into the inward part of the body, consumeth the humours which cause the disease. So treacle hath this effect, and many such like, which are hot and dry when taken after connexion.
Q. Why do steel glasses shine so clearly? A. Because they are lined in the inside with white lead, whose nature is shining, and being put to glass, which is lucid and transparent, doth shine much more; and casts its beams through its passages, and without the body of the glass; and by that means the glass is very shining and clear.
Q. Why do we see ourselves in glasses and clear water? A. Because the quality of the sight, passing into the bright bodies by reflection, doth return again on the beam of the eyes, as the image of him who looketh on it.
Q. What is the reason that if you cast a stone in standing water which is near the surface of the earth, it causes many circles, and not if the water be deep in the earth? A. Because the stone, with the vehemence of the cast, doth agitate the water in every part of it, until it come to the bottom; and if there be a very great vehemence in the throw, the circle is still greater, the stone going down to the bottom causing many circles. For, first of all, it doth divide the outermost and superficial parts of the water in many parts, and so, always going down to the bottom, again dividing the water, it maketh another circle, and this is done successively until the stone resteth; and because the vehemence of the stone is slackened, still as it goes down, of necessity the last circle is less than the first, because by that and also by its force the water is divided.
Q. Why are such as are deaf by nature, dumb? A. Because they cannot speak and express that which they never hear. Some physicians do say, that there is one knitting and uniting of sinews belonging to the like disposition. But such as are dumb by accident are not deaf at all, for then there ariseth a local passion.
Q. Why doth itching arise when an ulcer doth wax whole and phlegm ceases? A. Because the part which is healed and made sound doth pursue the relic of the humours which remained there against nature, and which was the cause of the bile, and so going out through the skin, and dissolving itself, doth originally cause the itch.
Q. How comes a man to sneeze oftener and more vehemently than a beast? A. Because he uses more meats and drinks, and of more different sorts, and that more than is requisite; the which, when he cannot digest as he would, he doth gather together much air and spirit, by reason of much humidity; the spirits then very subtle, ascending into the head, often force a man to void them, and so provoke sneezing. The noise caused thereby proceeds from a vehement spirit or breath passing through the conduit of the nostrils, as belching doth from the stomach or farting by the fundament, the voice by the throat, and a sound by the ear.
Q. How come the hair and nails of dead people to grow? A. Because the flesh rotting, withering and falling away, that which was hidden about the root of the hair doth now appear as growing. Some say that it grows indeed, because carcasses are dissolved in the beginning to many excrements and superfluities by putrefaction. These going out at the uppermost parts of the body by some passages, do increase the growth of the hair.
Q. Why does not the hair of the feet soon grow grey? A. For this reason, because that through great motion they disperse and dissolve the superfluous phlegm that breeds greyness. The hair of the secrets grows very late, because of the place, and because that in carnal copulation it dissolves the phlegm also.
Q. Why, if you put hot burnt barley upon a horse’s sore, is the hair which grows upon the sore not white, but like the other hair? A. Because it hath the force of expelling; and doth drive away and dissolve the phlegm, as well as all other unprofitable matter that is gathered together through the weakness of the parts, or condity of the sore.
Q. Why doth the hair never grow on an ulcer or bile? A. Because man hath a thick skin, as is seen by the thickness of his hair; and if the scar be thicker than the skin itself, it stops the passages from whence the hair should grow. Horses have thinner skins, as is plain by their hair; therefore all passages are not stopped in their wounds and sores; and after the excrements which were gathered together have broken a passage through those small pores the hair doth grow.
Q. Why is Fortune painted with a double forehead, the one side bald and the other hairy? A. The baldness signifies adversity, and hairiness prosperity, which we enjoy when it pleaseth her.
Q. Why have some commended flattery? A. Because flattery setteth forth before our eyes what we ought to be, though not what we are.
Q. Wherefore should virtue be painted girded? A. To show that virtuous men should not be slothful, but diligent and always in action.
Q. Why did the ancients say it was better to fall into the hands of a raven than a flatterer? A. Because ravens do not eat us till we be dead, but flatterers devour us alive.
Q. Why have choleric men beards before others? A. Because they are hot, and their pores large.
Q. How comes it that such as have the hiccups do ease themselves by holding their breath? A. The breath retained doth heat the interior parts of the body, and the hiccups proceeds from cold.
Q. How comes it that old men remember well what they have seen and done in their youth, and forget such things as they see and do in their old age? A. Things learned in youth take deep root and habitude in a person, but those learned in age are forgotten because the senses are then weakened.
Q. What kind of covetousness is best? A. That of time when employed as it ought to be.
Q. Why is our life compared to a play? A. Because the dishonest do occupy the place of the honest, and the worst sort the room of the good.
Q. Why do dolphins, when they appear above the water, denote a storm or tempest approaching? A. Because at the beginning of a tempest there do arise from the bottom of the sea, certain hot exhalations and vapours which heat the dolphins, causing them to rise up for cold air.
Q. Why did the Romans call Fabius Maximus the target of the people, and Marcellus the sword? A. Because the one adapted himself to the service of the commonwealth, and the other was very eager to revenge the injuries of his country; and yet they were in the senate joined together, because the gravity of the one would moderate the courage and boldness of the other.
Q. Why doth the shining of the moon hurt the head? A. Because it moves the humours of the brain, and cannot afterwards dissolve them.
Q. If water do not nourish, why do men drink it? A. Because water causeth the nutriment to spread through the body.
Q. Why is sneezing good? A. Because it purgeth the brain as milk is purged by the cough.
Q. Why is hot water lighter than cold? A. Because boiling water has less ventosity and is more light and subtle, the earthly and heavy substance being separated from it.
Q. How comes marsh and pond water to be bad? A. By reason they are phlegmatic, and do corrupt in summer; the fineness of water is turned into vapours, and the earthiness doth remain.
Q. Why are studious and learned men soonest bald? A. It proceeds from a weakness of the spirits, or because warmth of digestion cause phlegm to abound in them.
Q. Why doth much watching make the brain feeble? A. Because it increases choler, which dries and extenuates the body.
Q. Why are boys apt to change their voices about fourteen years of age? A. Because that then nature doth cause a great and sudden change of voice; experience proves this to be true; for at that time we may see that women’s paps do grow great, do hold and gather milk, and also those places that are above their hips, in which the young fruit would remain. Likewise men’s breasts and shoulders, which then can bear great and heavy burdens; also their stones in which their seed may increase and abide, and in their privy members, to let out the seed with ease. Further all the body is made bigger and dilated, as the alteration and change of every part doth testify, and the harshness of the voice and hoarseness; for the rough artery, the wind pipe, being made wide in the beginning, and the exterior and outward part being unequal to the throat, the air going out the rough, unequal and uneven pipe doth then become unequal and sharp, and after, hoarse, something like unto the voice of a goat, wherefore it has its name called Bronchus. The same doth also happen to them unto whose rough artery distillation doth follow; it happens by reason of the drooping humidity that a slight small skin filled unequally causes the uneven going forth of the spirit and air. Understand, that the windpipe of goats is such by reason of the abundance of humidity. The like doth happen unto all such as nature hath given a rough artery, as unto cranes. After the age of fourteen they leave off that voice, because the artery is made wider and reacheth its natural evenness and quality.
Q. Why do hard dens, hollow and high places, send back the likeness and sound of the voice? A. Because that in such places also by reflection do return back the image of a sound, for the voice doth beat the air, and the air the place, which the more it is beaten the more it doth bear, and therefore doth cause the more vehement sound of the voice; moist places, and as it were, soft, yielding to the stroke, and dissolving it, give no sound again; for according to the quantity of the stroke, the quality and quantity of the voice is given, which is called an echo. Some do idly fable that she is a goddess; some say that Pan was in love with her, which without doubt is false. He was some wise man, who did first desire to search out the cause of the voice, and as they who love, and cannot enjoy that love, are grieved, so in like manner was he very sorry until he found out the solution of that cause; as Endymion also, who first found out the course of the moon, watching all night, and observing her course, and searching her motion, did sleep in the daytime, and that she came to him when he was asleep, because she did give the philosopher the solution of the course herself. They say also that he was a shepherd, because that in the desert and high places, he did mark the course of the moon. And they gave him also the pipe because that the high places are blown with wind, or else because he sought out the consonancy of figures. Prometheus also, being a wise man, sought the course of the star, which is called the eagle in the firmament, his nature and place; and when he was, as it were, wasted with the desire of learning, then at last he rested, when Hercules did resolve unto him all doubts with his wisdom.
Q. Why do not swine cry when they are carried with their snouts upwards? A. Because that of all other beasts they bend more to the earth. They delight in filth, and that they seek, and therefore in the sudden change of their face, they be as it were strangers, and being amazed with so much light do keep that silence; some say the windpipe doth close together by reason of the straitness of it.
Q. Why do swine delight in dirt? A. As physicians do say, they are naturally delighted with it, because they have a great liver, in which desire it, as Aristotle saith, the wideness of their snout is the case, for he that hath smelling which doth dissolve itself, and as it were strive with stench.
Q. Why do many beasts when they see their friends, and a lion and a bull beat their sides when they are angry? A. Because they have the marrow of their backs reaching to the tail, which hath the force of motion in it, the imagination acknowledging that which is known to them, as it were with the hand, as happens to men, doth force them to move their tails. This doth manifestly show some secret force to be within them, which doth acknowledge what they ought. In the anger of lions and bulls, nature doth consent to the mind, and causeth it to be greatly moved, as men do sometimes when they are angry, beating their hands on other parts; when the mind cannot be revenged on that which doth hurt, it presently seeks out some other source, and cures the malady with a stroke or blow.
Q. How come steel glasses to be better for the sight than any other kind? A. Because steel is hard, and doth present unto us more substantially the air that receiveth the light.
Q. How doth love show its greater force by making the fool to become wise, or the wise to become a fool? A. In attributing wisdom to him that has it not; for it is harder to build than to pull down; and ordinarily love and folly are but an alteration of the mind.
Q. How comes much labour and fatigue to be bad for the sight? A. Because it dries the blood too much.
Q. Why is goat’s milk reckoned best for the stomach? A. Because it is thick, not slimy, and they feed on wood and boughs rather than on grass.
Q. Why do grief and vexation bring grey hairs? A. Because they dry, which bringeth on greyness.
Q. How come those to have most mercy who have the thickest blood? A. Because the blood which is fat and thick makes the spirits firm and constant, wherein consists the force of all creatures.
Q. Whether it is hardest, to obtain a person’s love, or to keep it when obtained? A. It is hardest to keep it, by reason of the inconstancy of man, who is quickly angry, and soon weary of a thing; hard to be gained and slippery to keep.
Q. Why do serpents shun the herb rue? A. Because they are cold, dry and full of sinews, and that herb is of a contrary nature.
Q. Why is a capon better to eat than a cock? A. Because a capon loses not his moisture by treading of the hens.
Q. Why is our smell less in winter than in summer? A. Because the air is thick, and less moveable.
Q. Why does hair burn so quickly? A. Because it is dry and cold.
Q. Why is love compared to a labyrinth? A. Because the entry and coming in is easy, and the going out almost impossible or hard.
* * * * *
PART IV
DISPLAYING THE SECRETS OF
NATURE
RELATING TO
PHYSIOGNOMY
* * * * *
CHAPTER I
SECTION 1.–_Of Physiognomy, showing what it is, and whence it is derived._
Physiognomy is an ingenious science, or knowledge of nature, by which the inclinations and dispositions of every creature are understood, and because some of the members are uncompounded, and entire of themselves, as the tongue, the heart, etc., and some are of a mixed nature, as the eyes, the nose and others, we therefore say that there are signs which agree and live together, which inform a wise man how to make his judgment before he be too rash to deliver it to the world.
Nor is it to be esteemed a foolish or idle art, seeing it is derived from the superior bodies; for there is no part of the face of man but what is under the peculiar influence or government, not only of the seven planets but also of the twelve signs of Zodiac; and the dispositions, vices, virtues and fatality, either of a man or woman are plainly foretold, if the person pretending to the knowledge thereof be an artist, which, that my readers may hereby attain it I shall set these things in a clearer light.
The reader should remember that the forehead is governed by Mars; the right eye is under the domination of Sol; the left is ruled by the Moon; the right ear is under Jupiter; the left, Saturn, the rule of the nose is claimed by Venus, which, by the way, is one reason that in all unlawful venereal encounters, the nose is too subject to bear the scars that are gotten in those wars; and nimble Mercury, the significator of eloquence claims the dominion of the mouth, and that very justly.
Thus have the seven planets divided the face among them, but not with so absolute a way but that the twelve signs of the Zodiac do also come in with a part (see the engraving) and therefore the sign Cancer presides in the upper part of the forehead, and Leo attends upon the right eyebrow, as Saggittarius does upon the right eye, and Libra upon the right ear, upon the left eyebrow you will find Aquarius; and Gemini and Aries taking care of the left ear; Taurus rules in the middle of the forehead, and Capricorn the chin; Scorpio takes upon him the protection of the nose; Virgo claims the precedence of the right cheek, Pisces the left. And thus the face of man is cantoned out amongst the signs and planets; which being carefully attended to, will sufficiently inform the artist how to pass a judgment. For according to the sign or planet ruling so also is the judgment to be of the part ruled, which all those that have understanding know easily how to apply.
[Illustration]
In the judgment that is to be made from physiognomy, there is a great difference betwixt a man and a woman; the reason is, because in respect of the whole composition men more fully comprehend it than women do, as may evidently appear by the manner and method we shall give. Wherefore the judgments which we shall pass in every chapter do properly concern a man, as comprehending the whole species, and but improperly the woman, as being but a part thereof, and derived from the man, and therefore, whoever is called to give judgment on such a face, ought to be wary about all the lines and marks that belong to it, respect being also had to the sex, for when we behold a man whose face is like unto a woman’s and we pass a judgment upon it, having diligently observed it, and not on the face only, but on other parts of the body, as hands, etc., in like manner we also behold the face of a woman, who in respect to her flesh and blood is like unto a man, and in the disposure also of the greatest part of the body. But does physiognomy give the same judgment on her, as it does of a man that is like unto her? By no means, but far otherwise, in regard that the conception of the woman is much different from that of a man, even in those respects which are said to be common. Now in those common respects two parts are attributed to a man, and a third part to a woman.
Wherefore it being our intention to give you an exact account, according to the rule of physiognomy of all and every part of the members of the body, we will begin with the head, as it hath relation only to man and woman, and not to any other creature, that the work may be more obvious to every reader.
* * * * *
CHAPTER II
_Of the Judgment of Physiognomy._
Hair that hangs down without curling, if it be of a fair complexion, thin and soft withal, signifies a man to be naturally faint-hearted, and of a weak body, but of a quiet and harmless disposition. Hair that is big, and thick and short withal, denotes a man to be of a strong constitution, secure, bold, deceitful and for the most part, unquiet and vain, lusting after beauty, and more foolish than wise, though fortune may favour him. He whose hair is partly curled and partly hanging down, is commonly wise or a very great fool, or else as very a knave as he is a fool. He whose hair grows thick on his temples and his brow, one may certainly at first sight conclude that such a man is by nature simple, vain, luxurious, lustful, credulous, clownish in his speech and conversation and dull in his apprehension. He whose hair not only curls very much, but bushes out, and stands on end, if the hair be white or of a yellowish colour, he is by nature proud and bold, dull of apprehension, soon angry, and a lover of venery, and given to lying, malicious and ready to do any mischief. He whose hair arises in the corners of the temples, and is gross and rough withal, is a man highly conceited of himself, inclined to malice, but cunningly conceals it, is very courtly and a lover of new fashions. He who hath much hair, that is to say, whose hair is thick all over his head, is naturally vain and very luxurious, of a good digestion, easy of belief, and slow of performance, of a weak memory and for the most part unfortunate. He whose hair is of a reddish complexion, is for the most part, if not always, proud, deceitful, detracting and full of envy. He whose hair is extraordinarily fair, is for the most part a man fit for the most praiseworthy enterprises, a lover of honour, and much more inclined to do good than evil; laborious and careful to perform whatsoever is committed to his care, secret in carrying on any business, and fortunate. Hair of a yellowish colour shows a man to be good conditioned, and willing to do anything, fearful, shamefaced and weak of body, but strong in the abilities of the mind, and more apt to remember, than to avenge an injury. He whose hair is of a brownish colour, and curled not too much nor too little, is a well-disposed man, inclined to that which is good, a lover of peace, cleanliness and good manners. He whose hair turns grey or hoary in the time of his youth, is generally given to women, vain, false, unstable, and talkative. [Note. That whatever signification the hair has in men, it has the same in women also.]
The forehead that riseth in a round, signifies a man liberally merry, of a good understanding, and generally inclined to virtue. He whose forehead is fleshy, and the bone of the brow jutting out, and without wrinkles, is a man much inclined to suits of law, contentious, vain, deceitful, and addicted to follow ill courses. He whose forehead is very low and little, is of a good understanding, magnanimous, but extremely bold and confident, and a great pretender to love and honour. He whose forehead seems sharp, and pointed up in the corners of his temples, so that the bone seems to jut forth a little, is a man naturally weak and fickle, and weak in the intellectuals. He whose brow upon the temples is full of flesh, is a man of a great spirit, proud, watchful and of a gross understanding. He whose brow is full of wrinkles, and has as it were a seam coming down the middle of the forehead, so that a man may think he has two foreheads, is one that is of a great spirit, a great wit, void of deceit, and yet of a hard fortune. He who has a full, large forehead, and a little round withal, destitute of hair, or at least that has little on it is bold, malicious, full of choler and apt to transgress beyond all bounds, and yet of a good wit and very apprehensive. He whose forehead is long and high and jutting forth, and whose face is figured, almost sharp and peaked towards the chin, is one reasonably honest, but weak and simple, and of a hard fortune.
Those eyebrows that are much arched, whether in man or woman, and which by frequent motion elevate themselves, show the person to be proud, high-spirited, vain-glorious, bold and threatening, a lover of beauty, and indifferently inclined to either good or evil. He whose eyelids bend down when he speaks to another or when he looks upon him, and who has a kind of skulking look, is by nature a penurious wretch, close in all his actions, of a very few words, but full of malice in his heart. He whose eyebrows are thick, and have but little hair upon them, is but weak in his intellectuals, and too credulous, very sincere, sociable, and desirous of good company. He whose eyebrows are folded, and the hair thick and bending downwards, is one that is clownish and unlearned, heavy, suspicious, miserable, envious, and one that will cheat and cozen you if he can. He whose eyebrows have but short hair and of a whitish colour is fearful and very easy of belief, and apt to undertake anything. Those, on the other side, whose eyebrows are black, and the hair of them thin, will do nothing without great consideration, and are bold and confident of the performance of what they undertake; neither are they apt to believe anything without reason for so doing.
If the space between the eyebrows be of more than the ordinary distance, it shows the person to be hard-hearted, envious, close, cunning, apprehensive, greedy of novelties, of a vain fortune, addicted to cruelty more than love. But those men whose eyebrows are at a lesser distance from each other, are for the most part of a dull understanding; yet subtle enough in their dealings, and of an uncommon boldness, which is often attended with great felicity; but that which is most commendable in them is, that they are most sure and constant in their friendship.
Great and full eyes in either man or woman, show the person to be for the most part slothful, bold, envious, a bad concealer of secrets, miserable, vain, given to lying, and yet a bad memory, slow in invention, weak in his intellectuals, and yet very much conceited of that little knack of wisdom he thinks himself master of. He whose eyes are hollow in his head, and therefore discerns well at a great distance, is one that is suspicious, malicious, furious, perverse in his conversation, of an extraordinary memory, bold, cruel, and false, both in words and deeds, threatening, vicious, luxurious, proud, envious and treacherous; but he whose eyes are, as it were, starting out of his head, is a simple, foolish person, shameless, very fertile and easy to be persuaded either to vice or virtue. He who looks studiously and acutely, with his eyes and eyelids downwards, denotes thereby to be of a malicious nature, very treacherous, false, unfaithful, envious, miserable, impious towards God, and dishonest towards men. He whose eyes are small and conveniently round, is bashful and weak, very credulous, liberal to others, and even in his conversation. He whose eyes look asquint, is thereby denoted to be a deceitful person, unjust, envious, furious, a great liar, and as the effect of all that is miserable. He who hath a wandering eye and which is rolling up and down, is for the most part a vain, simple, deceitful, lustful, treacherous, or high-minded man, an admirer of the fair sex, and one easy to be persuaded to virtue or vice. He or she whose eyes are twinkling, and which move forward or backward, show the person to be luxurious, unfaithful and treacherous, presumptuous, and hard to believe anything that is spoken. If a person has any greenness mingled with the white of his eye, such is commonly silly, and often very false, vain and deceitful, unkind to his friends, a great concealer of his own secrets, and very choleric. Those whose eyes are every way rolling up and down, or they who seldom move their eyes, and when they do, as it were, draw their eyes inwardly and accurately fasten them upon some object, such are by their inclinations very malicious, vain-glorious, slothful, unfaithful, envious, false and contentious. They whose eyes are addicted to blood-shot, are naturally proud, disdainful, cruel, without shame, perfidious and much inclined to superstition. But he whose eyes are neither too little nor too big, and inclined to black, do signify a man mild, peaceable, honest, witty, and of a good understanding; and one that, when need requires, will be serviceable to his friends.
A long and thin nose, denotes a man bold, furious, angry, vain, easy to be persuaded either to good or evil, weak and credulous. A long nose extended, the tip of it bending downwards, shows the person to be wise, discreet, secret and officious, honest, faithful and one that will not be over-reached in bargaining.
A bottle-nose is what denotes a man to be impetuous in the obtaining of his desires, also a vain, false, luxurious, weak and uncertain man; apt to believe and easy to be persuaded. A broad nose in the middle, and less towards the end, denotes a vain, talkative person, a liar, and one of hard fortune. He who hath a long and great nose is an admirer of the fair sex, and well accomplished for the wars of Venus, but ignorant of the knowledge of anything that is good, extremely addicted to vice; assiduous in the obtaining what he desires, and very secret in the prosecution of it; and though very ignorant, would fain be thought very knowing.
A nose very sharp on the tip of it, and neither too long nor too short, too thick nor too thin, denotes the person, if a man, to be of a fretful disposition, always pining and peevish; and if a woman, a scold, or contentious, wedded to her own humours, of a morose and dogged carriage, and if married, a plague to her husband. A nose very round at the end of it, and having but little nostrils, shows the person to be munificent and liberal, true to his trust, but withal, very proud, credulous and vain. A nose very long and thin at the end of it, and something round, withal, signifies one bold in his discourse, honest in his dealings, patient in receiving, and slow in offering injuries, but yet privately malicious. He whose nose is naturally more red than any other part of his face, is thereby denoted to be covetous, impious, luxurious, and an enemy to goodness. A nose that turns up again, and is long and full at the tip of it, shows the person that has it to be bold, proud, covetous, envious, luxurious, a liar and deceiver, vain, glorious, unfortunate and contentious. He whose nose riseth high in the middle, is prudent and polite, and of great courage, honourable in his actions, and true to his word. A nose big at the end shows a person to be of a peaceable disposition, industrious and faithful, and of a good understanding. A very wide nose, with wide nostrils, denotes a man dull of apprehension, and inclined more to simplicity than wisdom, and withal vain, contentious and a liar.
When the nostrils are close and thin, they denote a man to have but little testicles, and to be very desirous of the enjoyment of women, but modest in his conversation. But he whose nostrils are great and wide, is usually well hung and lustful; but withal of an envious, bold and treacherous disposition and though dull of understanding, yet confident enough.
A great and wide mouth shows a man to be bold, warlike, shameless and stout, a great liar and as great a talker, also a great eater, but as to his intellectuals, he is very dull, being for the most part very simple.
A little mouth shows the person to be of a quiet and pacific temper, somewhat reticent, but faithful, secret, modest, bountiful, and but a little eater.
He whose mouth smells of a bad breath, is one of a corrupted liver and lungs, is oftentimes vain, wanton, deceitful, of indifferent intellect, envious, covetous, and a promise-breaker. He that has a sweet breath, is the contrary.
The lips, when they are very big and blubbering, show a person to be credulous, foolish, dull and stupid, and apt to be enticed to anything. Lips of a different size denote a person to be discreet, secret in all things, judicious and of a good wit, but somewhat hasty. To have lips, well coloured and more thin than thick, shows a person to be good-humoured in all things and more easily persuaded to good than evil. To have one lip bigger than the other, shows a variety of fortunes, and denotes the party to be of a dull, sluggish temper, but of a very indifferent understanding, as being much addicted to folly.
When the teeth are small, and but weak in performing their office, and especially if they are short and few, though they show the person to be of a weak constitution, yet they denote him to be of a meek disposition, honest, faithful and secret in whatsoever he is intrusted with. To have some teeth longer and shorter than others, denotes a person to be of a good apprehension, but bold, disdainful, envious and proud. To have the teeth very long, and growing sharp towards the end, if they are long in chewing, and thin, denotes the person to be envious, gluttonous, bold, shameless, unfaithful and suspicious. When the teeth look very brown or yellowish, whether they be long or short, it shows the person to be of a suspicious temper, envious, deceitful and turbulent. To have teeth strong and close together, shows the person to be of a long life, a desirer of novelties, and things that are fair and beautiful, but of a high spirit, and one that will have his humour in all things; he loves to hear news, and to repeat it afterwards, and is apt to entertain anything on his behalf. To have teeth thin and weak, shows a weak, feeble man, and one of a short life, and of a weak apprehension; but chaste, shame-faced, tractable and honest.
A tongue to be too swift of speech shows a man to be downright foolish, or at best but a very vain wit. A stammering tongue, or one that stumbles in the mouth, signifies a man of a weak understanding, and of a wavering mind, quickly in a rage, and soon pacified. A very thick and rough tongue denotes a man to be apprehensive, subtle and full of compliments, yet vain and deceitful, treacherous, and prone to impiety. A thin tongue shows a man of wisdom and sound judgment, very ingenious and of an affable disposition, yet somewhat timorous and too credulous.
A great and full voice in either sex shows them to be of a great spirit, confident, proud and wilful. A faint and weak voice, attended with but little breath, shows a person to be of good understanding, a nimble fancy, a little eater, but weak of body, and of a timorous disposition. A loud and shrill voice, which sounds clearly denotes a person provident, sagacious, true and ingenious, but withal capricious, vain, glorious and too credulous. A strong voice when a man sings denotes him to be of a strong constitution, and of a good understanding, a nimble fancy, a little eater, but weak of body, and of a timorous disposition.
A strong voice when a man sings, denotes him to be of a strong constitution, and of a good understanding, neither too penurious nor too prodigal, also ingenious and an admirer of the fair sex. A weak and trembling voice shows the owner of it to be envious, suspicious, slow in business, feeble and fearful. A loud, shrill and unpleasant voice, signifies one bold and valiant, but quarrelsome and injurious and altogether wedded to his own humours, and governed by his own counsels. A rough and hoarse voice, whether in speaking or singing, declares one to be a dull and heavy person, of much guts and little brains. A full and yet mild voice, and pleasing to the hearer, shows the person to be of a quiet and peaceable disposition (which is a great virtue and rare to be found in a woman), and also very thrifty and secret, not prone to anger, but of a yielding temper. A voice beginning low or in the bass, and ending high in the treble, denotes a person to be violent, angry, bold and secure.
A thick and full chin abounding with too much flesh, shows a man inclined to peace, honest and true to his trust, but slow in invention, and easy to be drawn either to good or evil. A peaked chin and reasonably full of flesh, shows a person to be of a good understanding, a high spirit and laudable conversation. A double chin shows a peaceable disposition, but dull of apprehension, vain, credulous, a great supplanter, and secret in all his actions. A crooked chin, bending upwards, and peaked for want of flesh, is by the rules of physiognomy, according to nature, a very bad man, being proud, imprudent, envious, threatening, deceitful, prone to anger and treachery, and a great thief.
The hair of young men usually begins to grow down upon their chins at fifteen years of age, and sometimes sooner. These hairs proceed from the superfluity of heat, the fumes whereof ascend to their chin, like smoke to the funnel of a chimney; and because it cannot find an open passage by which it may ascend higher, it vents itself forth in the hairs which are called the beard. There are very few, or almost no women at all, that have hairs on their cheeks; and the reason is, that those humours which cause hair to grow on the cheeks of a man are by a woman evacuated in the monthly courses, which they have more or less, according to the heat or coldness of their constitution, and the age and motion of the moon, of which we have spoken at large in the first part of this book. Yet sometimes women of a hot constitution have hair to be seen on their cheeks, but more commonly on their lips, or near their mouths, where the heat most aboundeth. And where this happens, such women are much addicted to the company of men, and of a strong and manly constitution. A woman who hath little hair on her cheeks, or about her mouth and lips, is of a good complexion, weak constitution, shamefaced, mild and obedient, whereas a woman of a more hot constitution is quite otherwise. But in a man, a beard well composed and thick of hair, signifies a man of good nature, honest, loving, sociable and full of humanity; on the contrary, he that hath but a little beard, is for the most part proud, pining, peevish and unsociable. They who have no beards, have always shrill and a strange kind of squeaking voices, and are of a weak constitution, which is apparent in the case of eunuchs, who, after they are deprived of their virility are transformed from the nature of men into the condition of women.
Great and thick ears are a certain sign of a foolish person, or a bad memory and worse understanding. But small and thin ears show a person to be of a good wit, grave, sweet, thrifty, modest, resolute, of a good memory, and one willing to serve his friend. He whose ears are longer than ordinary, is thereby signified to be a bold man, uncivil, vain, foolish, serviceable to another more than to himself, and a man of small industry, but of a great stomach.
A face apt to sweat on every motion, shows a person to be of a very hot constitution, vain and luxurious, of a good stomach, but of a bad understanding, and a worse conversation. A very fleshy face shows the person to be of a fearful disposition, but a merry heart, and withal bountiful and discreet, easy to be entreated, and apt to believe everything. A lean face, by the rules of physiognomy, denotes the person to be of a good understanding, but somewhat capricious and disdainful in his conversation. A little and round face, shows a person to be simple, very fearful, of a bad memory, and a clownish disposition. A plump face, full of carbuncles, shows a man to be a great drinker of wine, vain, daring, and soon intoxicated. A face red or high coloured, shows a man much inclined to choler, and one that will be soon angry and not easily pacified. A long and lean face, shows a man to be both bold, injurious and deceitful. A face every way of a due proportion, denotes an ingenious person, one fit for anything and very much inclined to what is good. One of a broad, full, fat face is, by the rules of physiognomy, of a dull, lumpish, heavy constitution, and that for one virtue has three vices. A plain, flat face, without any rising shows a person to be very wise, loving and courtly in his carriage, faithful to his friend and patient in adversity. A face sinking down a little, with crosses in it, inclining to leanness, denotes a person to be very laborious, but envious, deceitful, false, quarrelsome, vain and silly, and of a dull and clownish behaviour. A face of a handsome proportion, and more inclining to fat than lean, shows a person just in his actions, true to his word, civil, and respectful in his behaviour, of an indifferent understanding, and of an extraordinary memory. A crooked face, long and lean, denotes a man endued with as bad qualities as the face is with ill features. A face broad about the brows, and sharper and less as it grows towards the chin, shows a man simple and foolish in managing his affairs, vain in his discourse, envious in his nature, deceitful, quarrelsome and rude in his conversation. A face well-coloured, full of good features, and of an exact symmetry, and a just proportion in all its parts, and which is delightful to look upon, is commonly the index of a fairer mind and shows a person to be well disposed; but withal declares that virtue is not so impregnably seated there, but that by strong temptations (especially by the fair sex) it may be supplanted and overcome by vice. A pale complexion, shows the person not only to be fickle, but very malicious, treacherous, false, proud, presumptuous, and extremely unfaithful. A face well-coloured, shows the person to be of a praiseworthy disposition and a sound complexion, easy of belief, and respectful to his friend, ready to do a courtesy, and very easy to be drawn to anything.
A great head, and round, withal, denotes the person to be secret, and of great application in carrying on business, and also ingenious and of a large imaginative faculty and invention; and likewise laborious, constant and honest. The head whose gullet stands forth and inclines towards the earth, signifies a person thrifty, wise, peaceable, secret, of a retired temper, and constant in the management of his affairs. A long head and face, and great, withal, denotes a vain, foolish, idle and weak person, credulous and very envious. To have one’s head always shaking and moving from side to side, denotes a shallow, weak person, unstable in all his actions, given to lying, a great deceiver, a great talker, and prodigal in all his fortunes. A big head and broad face, shows a man to be very courageous, a great hunter after women, very suspicious, bold and shameless. He who hath a very big head, but not so proportionate as it ought to be to the body, if he hath a short neck and crooked gullet is generally a man of apprehension, wise, secret, ingenious, of sound judgment, faithful, true and courteous to all. He who hath a little head, and long, slender throat, is for the most part a man very weak, yet apt to learn, but unfortunate in his actions. And so much shall suffice with respect to judgment from the head and face.
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CHAPTER III
_Of Judgments drawn from several other parts of Man’s Body._
In the body of man the head and feet are the principal parts, being the index which heaven has laid open to every one’s view to make a judgment therefrom, therefore I have been the larger in my judgment from the several parts thereof. But as to the other parts, I shall be much more brief as not being so obvious to the eyes of men; yet I would proceed in order.
The throat, if it be white, whether it be fat or lean, shows a man to be vain-glorious, timorous, wanton, and very much subject to choler. If the throat be so thin and lean that the veins appear, it shows a man to be weak, slow, and a dull and heavy constitution.
A long neck shows one to have a long and slender foot, and that the person is stiff and inflexible either to good or evil. A short neck shows one to be witty and ingenious, but deceitful and inconstant, well skilled in the use of arms, and yet cares not to use them, but is a great lover of peace and quietness.
A lean shoulder bone, signifies a man to be weak, timorous, peaceful, not laborious, and yet fit for any employment. He whose shoulder bones are of a great bigness is commonly, by the rule of physiognomy, a strong man, faithful but unfortunate; somewhat dull of understanding, very laborious, a great eater and drinker, and one equally contented in all conditions. He whose shoulder bone seems to be smooth, is by the rule of nature, modest in his look, and temperate in all his actions, both at bed and board. He whose shoulder bone bends, and is crooked inwardly, is commonly a dull person and deceitful.
Long arms, hanging down and touching the knees, though such arms are rarely seen, denotes a man liberal, but withal vain-glorious, proud and inconstant. He whose arms are very short in respect to the stature of his body, is thereby signified to be a man of high and gallant spirit, of a graceful temper, bold and warlike. He whose arms are full of bones, sinews and flesh, is a great desirer of novelties and beauties, and one that is very credulous and apt to believe anything. He whose arms are very hairy, whether they be lean or fat, is for the most part a luxurious person, weak in body and mind, very suspicious and malicious withal. He whose arms have no hair on them at all, is of a weak judgment, very angry, vain, wanton, credulous, easily deceived himself, yet a great deceiver of others, no fighter, and very apt to betray his dearest friends.
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CHAPTER IV
_Of Palmistry, showing the various Judgments drawn from the Hand._
Being engaged in this fourth part to show what judgment may be drawn, according to physiognomy, from the several parts of the body, and coming in order to speak of the hands, it has put me under the necessity of saying something about palmistry, which is a judgment made of the conditions, inclinations, and fortunes of men and women, from the various lines and characters nature has imprinted in their hands, which are almost as serious as the hands that have them.
The reader should remember that one of the lines of the hand, and which indeed is reckoned the principal, is called the line of life; this line encloses the thumb, separating it from the hollow of the hand. The next to it, which is called the natural line, takes its beginning from the rising of the forefinger, near the line of life, and reaches to the table line, and generally makes a triangle. The table line, commonly called the line of fortune, begins under the little finger, and ends near the middle finger. The girdle of Venus, which is another line so called begins near the first joint of the little finger, and ends between the fore-finger and the middle finger. The line of death is that which plainly appears in a counter line to that of life, and is called the sister line, ending usually as the other ends; for when the line of life is ended, death comes, and it can go no farther. There are lines in the fleshy parts, as in the ball of the thumb, which is called the mount of Venus; under each of the fingers are also mounts, which are governed by several planets; and the hollow of the hand is called the plain of Mars.
I proceed to give judgment from these several lines:–In palmistry, the left hand is chiefly to be regarded, because therein the lines are most visible, and have the strictest communication with the heart and brain. In the next place, observe the line of life, and if it be fair, extended to its full length, and not broken with an intermixture of cross lines, it shows long life and health, and it is the same if a double line appears, as there sometimes does. When the stars appear in this line, it is a signification of great losses and calamities; if on it there be the figures of two O’s or a Q, it threatens the person with blindness; if it wraps itself about the table line, then does it promise wealth and honour to be attended by prudence and industry. If the line be cut and jagged at the upper end, it denotes much sickness; if this line be cut by any lines coming from the mount of Venus, it declares the person to be unfortunate in love and business also, and threatens him with sudden death. A cross below the line of life and the table line, shows the person to be very liberal and charitable, one of a noble spirit. Let us now see the signification of the table line.
The table line, when broad and of a lively colour, shows a healthful constitution, and a quiet contented mind, and a courageous spirit, but if it has crosses towards the little finger, it threatens the party with much affliction by sickness. If the line be double, or divided into three parts at any of the extremities, it shows the person to be of a generous temper, and of a good fortune to support it; but if this line be forked at the end, it threatens the person shall suffer by jealousies and doubts, and loss of riches gotten by deceit. If three points such as these
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are found in it, they denote the person prudent and liberal, a lover of learning, and of a good temper, if it spreads towards the fore and middle finger and ends blunt, it denotes preferment. Let us now see what is signified by the middle line. This line has in it oftentimes (for there is scarce a hand in which it varies not) divers very significant characters. Many small lines between this and the table line threaten the party with sickness, and also gives him hopes of recovery. A half cross branching into this line, declares the person shall have honour, riches, and good success in all his undertakings. A half moon denotes cold and watery distempers; but a sun or star upon this line, denotes prosperity and riches; this line, double in a woman, shows she will have several husbands, but no children.
[Illustration]
The line of Venus, if it happens to be cut or divided near the forefinger, threatens ruin to the party, and that it shall befall him by means of lascivious women and bad company. Two crosses upon the line, one being on the forefinger and the other bending towards the little finger, show the party to be weak, and inclined to modesty and virtue, indeed it generally denotes modesty in women; and therefore those who desire such, usually choose them by this standard.
The liver line, if it be straight and crossed by other lines, shows the person to be of a sound judgment, and a piercing understanding, but if it be winding, crooked and bending outward, it draws deceit and flattery, and the party is not to be trusted. If it makes a triangle or quadrangle, it shows the person to be of a noble descent, and ambitious of honour and promotion. If it happens that this line and the middle line begin near each other, it denotes a person to be weak in his judgment, if a man; but if a woman, in danger by hard labour.
The plain of Mars being in the hollow of the hand, most of the lines pass through it, which renders it very significant. This plain being crooked and distorted, threatens the party to fall by his enemies. When the lines beginning at the wrist are long within the plain, reaching to the brawn of the hand, that shows the person to be much given to quarrelling, often in broils and of a hot and fiery spirit, by which he suffers much damage. If deep and long crosses be in the middle of the plain, it shows the party shall obtain honour by martial exploits; but if it be a woman, she shall have several husbands and easy labour with her children.
The line of Death is fatal, when crosses or broken lines appear in it; for they threaten the person with sickness and a short life. A clouded moon appearing therein, threatens a child-bed woman with death. A bloody spot in the line, denotes a violent death. A star like a comet, threatens ruin by war, and death by pestilence. But if a bright sun appears therein, it promises long life and prosperity.
As for the lines of the wrist being fair, they denote good fortune; but if crossed and broken, the contrary.
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CHAPTER V
_Judgments according to Physiognomy, drawn from the several parts of the Body, from the Hands to the Feet._
A large and full breast, shows a man valiant and courageous, but withal proud and hard to deal with, quickly angry, and very apprehensive of an injury; he whose breast is narrow, and which riseth a little in the middle of it, is, by the best rule of physiognomy, of a clear spirit, of a great understanding, good in counsel, very faithful, clean both in mind and body, yet as an enemy to this, he is soon angry, and inclined long to keep it. He whose breast is somewhat hairy, is very luxurious, and serviceable to another. He who hath no hair upon his breast, is a man weak by nature, of a slender capacity and very timorous, but of a laudable life and conversation, inclined to peace, and much retired to himself.
The back of the chin bone, if the flesh be anything hairy and lean, and higher than any other part that is behind, signifies a man shameless, beastly and withal malicious. He whose back is large, big and fat, is thereby denoted to be a strong and stout man, but of a heavy disposition, vain, slow and full of deceit.
He or she whose belly is soft over all the body, is weak, lustful, and fearful upon little or no occasion, of a good understanding, and an excellent invention, but little eaters, faithful, but of various fortune, and meet with more adversity than prosperity. He whose flesh is rough and hard, is a man of strong constitution and very bold, but vain, proud and of a cruel temper. A person whose skin is smooth, fat and white, is a person, curious, vain-glorious, timorous, shame-faced, malicious, false, and too wise to believe all he hears.
A thigh, full of strong, bristly hair, and the hair inclined to curl, signifies one lustful, licentious, and fit for copulation. Thighs with but little hair, and those soft and slender, show the person to be reasonably chaste, and one that has no great desire to coition, and who will have but few children.
The legs of both men and women have a fleshy substance behind, which are called calves, which nature hath given them (as in our book of living creatures we have observed), in lieu of those long tails which other creatures have pendant behind. Now a great calf, and he whose legs are of great bone, and hair withal, denotes the person to be strong, bold, secure, dull in understanding and slow in business, inclined to procreation, and for the most part fortunate in his undertakings. Little legs, and but little hair on them, show the person to be weak, fearful, of a quick understanding, and neither luxurious at bed nor board. He whose legs do much abound with hair, shows he has great store in another place, and that he is lustful and luxurious, strong, but unstable in his resolution, and abounding with ill humours.
The feet of either men or women, if broad and thick with flesh, and long in figure, especially if the skin feels hard, they are by nature of a strong constitution, and gross nutriment, but of weak intellect, which renders the understanding vain. But feet that are thin and lean, and of a soft skin, show the person to be but weak of body, but of a strong understanding and an excellent wit.
The soles of the feet do administer plain and evident signs, whereby the disposition and constitution of men and women may be known, as do the palms of their hands, as being full of lines, by which lines all the fortunes and misfortunes of men and women may be known, and their manners and inclinations made plainly to appear. But this in general we may take notice, as that many long lines and strokes do presage great affliction, and a very troublesome life, attended with much grief and toil, care, poverty, and misery; but short lines, if they are thick and full of cross lines, are yet worse in every degree. Those, the skin of whose soles is very thick and gross, are, for the most part, able, strong and venturous. Whereas, on the contrary, those the skin of whose soles of their feet is thin, are generally weak and timorous.
I shall now, before I conclude (having given an account of what judgments may be made by observing the several parts of the body, from the crown of the head to the soles of the feet), give an account of what judgments may be drawn by the rule of physiognomy from things extraneous which are found upon many, and which indeed to them are parts of the body, but are so far from being necessary parts that they are the deformity and burden of it, and speak of the habits of the body, as they distinguish persons.
_Of Crooked and Deformed Persons._
A crooked breast and shoulder, or the exuberance of flesh in the body either of man or woman, signifies the person to be extremely parsimonious and ingenious, and of a great understanding, but very covetous and scraping after the things of the world, attended also with a very bad memory, being also very deceitful and malicious; they are seldom in a medium, but either virtuous or extremely vicious. But if the person deformed hath an excrescence on his breast instead of on the back, he is for the most part of a double heart, and very mischievous.
_Of the divers Manners of going, and particular Posture both of Men and Women._
He or she that goes slowly, making great steps as they go, are generally persons of bad memory, and dull of apprehension, given to loitering, and not apt to believe what is told them. He who goes apace, and makes short steps, is most successful in all his undertakings, swift in his imagination, and humble in the disposition of his affairs. He who makes wide and uneven steps, and sidelong withal, is one of a greedy, sordid nature, subtle, malicious, and willing to do evil.
_Of the Gait or Motion in Men and Women._
Every man hath a certain gait or motion, and so in like manner hath every woman; for a man to be shaking his head, or using any light motion with his hands or feet, whether he stands or sits, or speaks, is always accompanied with an extravagant motion, unnecessary, superfluous and unhandsome. Such a man, by the rule of physiognomy is vain, unwise, unchaste, a detractor, unstable and unfaithful. He or she whose motion is not much when discoursing with any one, is for the most part wise and well bred, and fit for any employment, ingenious and apprehensive, frugal, faithful and industrious in business. He whose posture is forwards and backwards, or, as it were, whisking up and down, mimical, is thereby denoted to be a vain, silly person, of a heavy and dull wit, and very malicious. He whose motion is lame and limping, or otherwise imperfect, or that counterfeits an imperfection is denoted to be envious, malicious, false and detracting.
_Judgment drawn from the Stature of Man._
Physiognomy draws several judgments also from the stature of man, which take as followeth; if a man be upright and straight, inclined rather to leanness than fat, it shows him to be bold, cruel, proud, clamorous, hard to please, and harder to be reconciled when displeased, very frugal, deceitful, and in many things malicious. To be of tall stature and corpulent with it, denotes him to be not only handsome but valiant also, but of no extraordinary understanding, and which is worst of all, ungrateful and trepanning. He who is extremely tall and very lean and thin is a projecting man, that designs no good to himself, and suspects every one to be as bad as himself, importunate to obtain what he desires, and extremely wedded to his own humour. He who is thick and short, is vain, envious, suspicious, and very shallow of apprehension, easy of belief, but very long before he will forget an injury. He who is lean and short but upright withal, is, by the rules of physiognomy, wise and ingenious, bold and confident, and of a good understanding, but of a deceitful heart. He who stoops as he goes, not so much by age as custom, is very laborious, a retainer of secrets, but very incredulous and not easy to believe every vain report he hears. He that goes with his belly stretching forth, is sociable, merry, and easy to be persuaded.
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CHAPTER VI
_Of the Power of the Celestial Bodies over Men and Women._
Having spoken thus largely of Physiognomy, and the judgment given thereby concerning the dispositions and inclinations of men and women, it will be convenient here to show how all these things come to pass; and how it is that the secret inclinations and future fate of men and women may be known from the consideration of the several parts of the bodies. They arise from the power and dominion of superior powers to understand the twelve signs of the Zodiac, whose signs, characters and significations are as follows:–
[Illustration]
_Aries_, the Ram, which governs the head and face.
_Taurus_, the Bull, which governs the neck.
_Gemini_, the Twins, which governs the hands and arms.
_Cancer_, the Crab, governs the breast and stomach.
_Leo_, the Lion, governs the back and heart
_Virgo_, the Virgin, governs the belly and bowels.
_Libra_, the Balance, governs the veins and loins.
_Scorpio_, the Scorpion, governs the secret parts.
_Sagittary_, the Centaur, governs the thighs.
_Capricorn_, the Goat, governs the knees.
_Aquarius_, the Water-Bearer, governs the legs and ankles.
_Pisces_, the Fish, governs the feet.
It is here furthermore necessary to let the reader know, that the ancients have divided the celestial sphere into twelve parts, according to the number of these signs, which are termed houses; as in the first house, Aries, in the second Taurus, in the third Gemini, etc. And besides their assigning the twelve signs of the twelve houses, they allot to each house its proper business.
To the first house they give the signification of life.
The second house has the signification of wealth, substances, or riches.
The third is the mansion of brethren.
The fourth, the house of parentage.
The fifth is the house of children.
The sixth is the house of sickness or disease.
The seventh is the house of wedlock, and also of enemies, because oftentimes a wife or husband proves the worst enemy.
The eighth is the house of death.
The ninth is the house of religion.
The tenth is the signification of honours.
The eleventh of friendship.
The twelfth is the house of affliction and woe.
Now, astrologically speaking, a house is a certain place in the heaven or firmament, divided by certain degrees, through which the planets have their motion, and in which they have their residence and are situated. And these houses are divided by thirty degrees, for every sign has so many degrees. And these signs or houses are called the houses of such and such planets as make their residence therein, and are such as delight in them, and as they are deposited in such and such houses are said to be either dignified or debilitated. For though the planets in their several revolutions go through all the houses, yet there are some houses which they are more properly said to delight in. As for instance, Aries and Scorpio are the houses of Mars; Taurus and Libra of Venus; Gemini and Virgo of Mercury; Sagittarius and Pisces are the houses of Jupiter; Capricorn and Aquarius are the houses of Saturn; Leo is the house of the Sun; and Cancer is the house of the Moon.
Now to sum up the whole, and show how this concerns Physiognomy, is this:–as the body of man, as we have shown, is not only governed by the signs and planets, but every part is appropriated to one or another of them, so according to the particular influence of each sign and planet, so governing is the disposition, inclination, and nature of the person governed. For such and such tokens and marks do show a person to be born under such and such a planet; so according to the nature, power and influences of the planets, is the judgment to be made of that person. By which the reader may see that the judgments drawn from physiognomy are grounded upon a certain verity.