stouter than I, came up and enquired whether I was a foreigner. I answered affirmatively, and he politely asked me how I liked Paris. I praised Paris very warmly. But at that moment a very stout lady, brilliant with diamonds, entered the box near us. Her enormous size astonished me, and, like a fool, I said to the gentleman:
“Who is that fat sow?”
“She is the wife of this fat pig.”
“Ah! I beg your pardon a thousand times!”
But my stout gentleman cared nothing for my apologies, and very far from being angry he almost choked with laughter. This was the happy result of the practical and natural philosophy which Frenchmen cultivate so well, and which insures the happiness of their existence under an appearance of frivolity!
I was confused, I was in despair, but the stout gentleman continued to laugh heartily. At last he left the pit, and a minute afterwards I saw him enter the box and speak to his wife. I was keeping an eye on them without daring to look at them openly, and suddenly the lady, following the example of her husband, burst into a loud laugh. Their mirth making me more uncomfortable, I was leaving the pit, when the husband called out to me, “Sir! Sir!”
“I could not go away without being guilty of impoliteness, and I went up to their box. Then, with a serious countenance and with great affability, he begged my pardon for having laughed so much, and very graciously invited me to come to his house and sup with them that same evening. I thanked him politely, saying that I had a previous engagement. But he renewed his entreaties, and his wife pressing me in the most engaging manner I told them, in order to prove that I was not trying to elude their invitation, that I was expected to sup at Silvia’s house.
“In that case I am certain,” said the gentleman, “of obtaining your release if you do not object. Allow me to go myself to Silvia.”
It would have been uncourteous on my part to resist any longer. He left the box and returned almost immediately with my friend Baletti, who told me that his mother was delighted to see me making such excellent acquaintances, and that she would expect to see me at dinner the next day. He whispered to me that my new acquaintance was M. de Beauchamp, Receiver-General of Taxes.
As soon as the performance was over, I offered my hand to madame, and we drove to their mansion in a magnificent carriage. There I found the abundance or rather the profusion which in Paris is exhibited by the men of finance; numerous society, high play, good cheer, and open cheerfulness. The supper was not over till one o’clock in the morning. Madame’s private carriage drove me to my lodgings. That house offered me a kind welcome during the whole of my stay in Paris, and I must add that my new friends proved very useful to me. Some persons assert that foreigners find the first fortnight in Paris very dull, because a little time is necessary to get introduced, but I was fortunate enough to find myself established on as good a footing as I could desire within twenty-four hours, and the consequence was that I felt delighted with Paris, and certain that my stay would prove an agreeable one.
The next morning Patu called and made me a present of his prose panegyric on the Marechal de Saxe. We went out together and took a walk in the Tuileries, where he introduced me to Madame du Boccage, who made a good jest in speaking of the Marechal de Saxe.
“It is singular,” she said, “that we cannot have a ‘De profundis’ for a man who makes us sing the ‘Te Deum’ so often.”
As we left the Tuileries, Patu took me to the house of a celebrated actress of the opera, Mademoiselle Le Fel, the favourite of all Paris, and member of the Royal Academy of Music. She had three very young and charming children, who were fluttering around her like butterflies.
“I adore them,” she said to me.
“They deserve adoration for their beauty,” I answered, “although they have all a different cast of countenance.”
“No wonder! The eldest is the son of the Duke d’Anneci, the second of Count d’Egmont, and the youngest is the offspring of Maison-Rouge, who has just married the Romainville.”
“Ah! pray excuse me, I thought you were the mother of the three.”
“You were not mistaken, I am their mother.”
As she said these words she looked at Patu, and both burst into hearty laughter which did not make me blush, but which shewed me my blunder.
I was a, novice in Paris, and I had not been accustomed to see women encroach upon the privilege which men alone generally enjoy. Yet mademoiselle Le Fel was not a bold-faced woman; she was even rather ladylike, but she was what is called above prejudices. If I had known the manners of the time better, I should have been aware that such things were every-day occurrences, and that the noblemen who thus sprinkled their progeny everywhere were in the habit of leaving their children in the hands of their mothers, who were well paid. The more fruitful, therefore, these ladies were, the greater was their income.
My want of experience often led me into serious blunders, and Mademoiselle Le Fel would, I have no doubt, have laughed at anyone telling her that I had some wit, after the stupid mistake of which I had been guilty.
Another day, being at the house of Lani, ballet-master of the opera, I saw five or six young girls of thirteen or fourteen years of age accompanied by their mothers, and all exhibiting that air of modesty which is the characteristic of a good education. I addressed a few gallant words to them, and they answered me with down-cast eyes. One of them having complained of the headache, I offered her my smelling- bottle, and one of her companions said to her,
“Very likely you did not sleep well last night.”
“Oh! it is not that,” answered the modest-looking Agnes, “I think I am in the family-way.”
On receiving this unexpected reply from a girl I had taken for a maiden, I said to her,
“I should never have supposed that you were married, madam.”
She looked at me with evident surprise for a moment, then she turned towards her friend, and both began to laugh immoderately. Ashamed, but for them more than myself, I left the house with a firm resolution never again to take virtue for granted in a class of women amongst whom it is so scarce. To look for, even to suppose, modesty, amongst the nymphs of the green room, is, indeed, to be very foolish; they pride themselves upon having none, and laugh at those who are simple enough to suppose them better than they are.
Thanks to my friend Patu, I made the acquaintance of all the women who enjoyed some reputation in Paris. He was fond of the fair sex, but unfortunately for him he had not a constitution like mine, and his love of pleasure killed him very early. If he had lived, he would have gone down to posterity in the wake of Voltaire, but he paid the debt of nature at the age of thirty.
I learned from him the secret which several young French literati employ in order to make certain of the perfection of their prose, when they want to write anything requiring as perfect a style as they can obtain, such as panegyrics, funeral orations, eulogies, dedications, etc. It was by surprise that I wrested that secret from Patu.
Being at his house one morning, I observed on his table several sheets of paper covered with dode-casyllabic blank verse.
I read a dozen of them, and I told him that, although the verses were very fine, the reading caused me more pain than pleasure.
“They express the same ideas as the panegyric of the Marechal de Saxe, but I confess that your prose pleases me a great deal more.”
“My prose would not have pleased you so much, if it had not been at first composed in blank verse.”
“Then you take very great trouble for nothing.”
“No trouble at all, for I have not the slightest difficulty in writing that sort of poetry. I write it as easily as prose.”
“Do you think that your prose is better when you compose it from your own poetry?”
“No doubt of it, it is much better, and I also secure the advantage that my prose is not full of half verses which flow from the pen of the writer without his being aware of it.”
“Is that a fault?”
“A great one and not to be forgiven. Prose intermixed with occasional verses is worse than prosaic poetry.”
“Is it true that the verses which, like parasites, steal into a funeral oration, must be sadly out of place?”
“Certainly. Take the example of Tacitus, who begins his history of Rome by these words: ‘Urbem Roman a principio reges habuere’. They form a very poor Latin hexameter, which the great historian certainly never made on purpose, and which he never remarked when he revised his work, for there is no doubt that, if he had observed it, he would have altered that sentence. Are not such verses considered a blemish in Italian prose?”
“Decidedly. But I must say that a great many poor writers have purposely inserted such verses into their prose, believing that they would make it more euphonious. Hence the tawdriness which is justly alleged against much Italian literature. But I suppose you are the only writer who takes so much pains.”
“The only one? Certainly not. All the authors who can compose blank verses very easily, as I can, employ them when they intend to make a fair copy of their prose. Ask Crebillon, the Abby de Voisenon, La Harpe, anyone you like, and they will all tell you the same thing. Voltaire was the first to have recourse to that art in the small pieces in which his prose is truly charming. For instance, the epistle to Madame du Chatelet, which is magnificent. Read it, and if you find a single hemistich in it I will confess myself in the wrong.”
I felt some curiosity about the matter, and I asked Crebillon about it. He told me that Fatu was right, but he added that he had never practised that art himself.
Patu wished very much to take me to the opera in order to witness the effect produced upon me by the performance, which must truly astonish an Italian. ‘Les Fetes Venitiennes’ was the title of the opera which was in vogue just then–a title full of interest for me. We went for our forty sous to the pit, in which, although the audience was standing, the company was excellent, for the opera was the favourite amusement of the Parisians.
After a symphony, very fine in its way and executed by an excellent orchestra, the curtain rises, and I see a beautiful scene representing the small St. Mark’s Square in Venice, taken from the Island of St. George, but I am shocked to see the ducal palace on my left, and the tall steeple on my right, that is to say the very reverse of reality. I laugh at this ridiculous mistake, and Patu, to whom I say why I am laughing, cannot help joining me. The music, very fine although in the ancient style, at first amused me on account of its novelty, but it soon wearied me. The melopaeia fatigued me by its constant and tedious monotony, and by the shrieks given out of season. That melopaeia, of the French replaces–at least they think so–the Greek melapaeia and our recitative which they dislike, but which they would admire if they understood Italian.
The action of the opera was limited to a day in the carnival, when the Venetians are in the habit of promenading masked in St. Mark’s Square. The stage was animated by gallants, procuresses, and women amusing themselves with all sorts of intrigues. The costumes were whimsical and erroneous, but the whole was amusing. I laughed very heartily, and it was truly a curious sight for a Venetian, when I saw the Doge followed by twelve Councillors appear on the stage, all dressed in the most ludicrous style, and dancing a ‘pas d’ensemble’. Suddenly the whole of the pit burst into loud applause at the appearance of a tall, well-made dancer, wearing a mask and an enormous black wig, the hair of which went half-way down his back, and dressed in a robe open in front and reaching to his heels. Patu said, almost reverently, “It is the inimitable Dupres.” I had heard of him before, and became attentive. I saw that fine figure coming forward with measured steps, and when the dancer had arrived in front of the stage, he raised slowly his rounded arms, stretched them gracefully backward and forward, moved his feet with precision and lightness, took a few small steps, made some battements and pirouettes, and disappeared like a butterfly. The whole had not lasted half a minute. The applause burst from every part of the house. I was astonished, and asked my friend the cause of all those bravos.
“We applaud the grace of Dupres and, the divine harmony of his movements. He is now sixty years of age, and those who saw him forty years ago say that he is always the same.”
“What! Has he never danced in a different style?”
“He could not have danced in a better one, for his style is perfect, and what can you want above perfection?”
“Nothing, unless it be a relative perfection.”
“But here it is absolute. Dupres always does the same thing, and everyday we fancy we see it for the first time. Such is the power of the good and beautiful, of the true and sublime, which speak to the soul. His dance is true harmony, the real dance, of which you have no idea in Italy.”
At the end of the second act, Dupres appeared again, still with a mask, and danced to a different tune, but in my opinion doing exactly the same as before. He advanced to the very footlights, and stopped one instant in a graceful attitude. Patu wanted to force my admiration, and I gave way. Suddenly everyone round me exclaimed,–
“Look! look! he is developing himself!”
And in reality he was like an elastic body which, in developing itself, would get larger. I made Patu very happy by telling him that Dupres was truly very graceful in all his movements. Immediately after him we had a female dancer, who jumped about like a fury, cutting to right and left, but heavily, yet she was applauded ‘con furore’.
“This is,” said Patu, “the famous Camargo. I congratulate you, my friend, upon having arrived in Paris in time to see her, for she has accomplished her twelfth lustre.”
I confessed that she was a wonderful dancer.
“She is the first artist,” continued my friend, “who has dared to spring and jump on a French stage. None ventured upon doing it before her, and, what is more extraordinary, she does not wear any drawers.”
“I beg your pardon, but I saw….”
“What? Nothing but her skin which, to speak the truth, is not made of lilies and roses.”
“The Camargo,” I said, with an air of repentance, “does not please me. I like Dupres much better.”
An elderly admirer of Camargo, seated on my left, told me that in her youth she could perform the ‘saut de basque’ and even the ‘gargouillade’, and that nobody had ever seen her thighs, although she always danced without drawers.
“But if you never saw her thighs, how do you know that she does not wear silk tights?”
“Oh! that is one of those things which can easily be ascertained. I see you are a foreigner, sir.”
“You are right.”
But I was delighted at the French opera, with the rapidity of the scenic changes which are done like lightning, at the signal of a whistle–a thing entirely unknown in Italy. I likewise admired the start given to the orchestra by the baton of the leader, but he disgusted me with the movements of his sceptre right and left, as if he thought that he could give life to all the instruments by the mere motion of his arm. I admired also the silence of the audience, a thing truly wonderful to an Italian, for it is with great reason that people complain of the noise made in Italy while the artists are singing, and ridicule the silence which prevails through the house as soon as the dancers make their appearance on the stage. One would imagine that all the intelligence of the Italians is in their eyes. At the same time I must observe that there is not one country in the world in which extravagance and whimsicalness cannot be found, because the foreigner can make comparisons with what he has seen elsewhere, whilst the natives are not conscious of their errors. Altogether the opera pleased me, but the French comedy captivated me. There the French are truly in their element; they perform splendidly, in a masterly manner, and other nations cannot refuse them the palm which good taste and justice must award to their superiority. I was in the habit of going there every day, and although sometimes the audience was not composed of two hundred persons, the actors were perfect. I have seen ‘Le Misanthrope’, ‘L’Avare’, ‘Tartufe’, ‘Le Joueur’, ‘Le Glorieux’, and many other comedies; and, no matter how often I saw them. I always fancied it was the first time. I arrived in Paris to admire Sarrazin, La Dangeville, La Dumesnil, La Gaussin, La Clairon, Preville, and several actresses who, having retired from the stage, were living upon their pension, and delighting their circle of friends. I made, amongst others, the acquaintance of the celebrated Le Vasseur. I visited them all with pleasure, and they related to me several very curious anecdotes. They were generally most kindly disposed in every way.
One evening, being in the box of Le Vasseur, the performance was composed of a tragedy in which a very handsome actress had the part of a dumb priestess.
“How pretty she is!” I said.
“Yes, charming,” answered Le Vasseur, “She is the daughter of the actor who plays the confidant. She is very pleasant in company, and is an actress of good promise.”
“I should be very happy to make her acquaintance.”
“Oh! well; that is not difficult. Her father and mother are very worthy people, and they will be delighted if you ask them to invite you to supper. They will not disturb you; they will go to bed early, and will let you talk with their daughter as long as you please. You are in France, sir; here we know the value of life, and try to make the best of it. We love pleasure, and esteem ourselves fortunate when we can find the opportunity of enjoying life.”
“That is truly charming, madam; but how could I be so bold as to invite myself to supper with worthy persons whom I do not know, and who have not the slightest knowledge of me?”
“Oh, dear me! What are you saying? We know everybody. You see how I treat you myself. After the performance, I shall be happy to introduce you, and the acquaintance will be made at once.”
“I certainly must ask you to do me that honour, but another time.”
“Whenever you like.”
CHAPTER VII
My Blunders in the French Language, My Success, My Numerous Acquaintances–Louis XV.–My Brother Arrives in Paris.
All the Italian actors in Paris insisted upon entertaining me, in order to shew me their magnificence, and they all did it in a sumptuous style. Carlin Bertinazzi who played Harlequin, and was a great favourite of the Parisians, reminded me that he had already seen me thirteen years before in Padua, at the time of his return from St. Petersburg with my mother. He offered me an excellent dinner at the house of Madame de la Caillerie, where he lodged. That lady was in love with him. I complimented her upon four charming children whom I saw in the house. Her husband, who was present, said to me;
“They are M. Carlin’s children.”
“That may be, sir, but you take care of them, and as they go by your name, of course they will acknowledge you as their father.”
“Yes, I should be so legally; but M. Carlin is too honest a man not to assume the care of his children whenever I may wish to get rid of them. He is well aware that they belong to him, and my wife would be the first to complain if he ever denied it.”
The man was not what is called a good, easy fellow, far from it; but he took the matter in a philosophical way, and spoke of it with calm, and even with a sort of dignity. He was attached to Carlin by a warm friendship, and such things were then very common in Paris amongst people of a certain class. Two noblemen, Boufflers and Luxembourg, had made a friendly exchange of each other’s wives, and each had children by the other’s wife. The young Boufflers were called Luxembourg, and the young Luxembourg were called Boufflers. The descendants of those tiercelets are even now known in France under those names. Well, those who were in the secret of that domestic comedy laughed, as a matter of course, and it did not prevent the earth from moving according to the laws of gravitation.
The most wealthy of the Italian comedians in Paris was Pantaloon, the father of Coraline and Camille, and a well-known usurer. He also invited me to dine with his family, and I was delighted with his two daughters. The eldest, Coraline, was kept by the Prince of Monaco, son of the Duke of Valentinois, who was still alive; and Camille was enamoured of the Count of Melfort, the favourite of the Duchess of Chartres, who had just become Duchess of Orleans by the death of her father-in-law.
Coraline was not so sprightly as Camille, but she was prettier. I began to make love to her as a young man of no consequence, and at hours which I thought would not attract attention: but all hours belong by right to the established lover, and I therefore found myself sometimes with her when the Prince of Monaco called to see her. At first I would bow to the prince and withdraw, but afterwards I was asked to remain, for as a general thing princes find a tete-a- tete with their mistresses rather wearisome. Therefore we used to sup together, and they both listened, while it was my province to eat, and to relate stories.
I bethought myself of paying my court to the prince, and he received my advances very well. One morning, as I called on Coraline, he said to me,
“Ah! I am very glad to see you, for I have promised the Duchess of Rufe to present you to her, and we can go to her immediately.”
Again a duchess! My star is decidedly in the ascendant. Well, let us go! We got into a ‘diable’, a sort of vehicle then very fashionable, and at eleven o’clock in the morning we were introduced to the duchess.
Dear reader, if I were to paint it with a faithful pen, my portrait of that lustful vixen would frighten you. Imagine sixty winters heaped upon a face plastered with rouge, a blotched and pimpled complexion, emaciated and gaunt features, all the ugliness of libertinism stamped upon the countenance of that creature relining upon the sofa. As soon as she sees me, she exclaims with rapid joy,
“Ah! this is a good-looking man! Prince, it is very amiable on your part to bring him to me. Come and sit near me, my fine fellow!”
I obeyed respectfully, but a noxious smell of musk, which seemed to me almost corpse-like, nearly upset me. The infamous duchess had raised herself on the sofa and exposed all the nakedness of the most disgusting bosom, which would have caused the most courageous man to draw back. The prince, pretending to have some engagement, left us, saying that he would send his carriage for me in a short time.
As soon as we were alone, the plastered skeleton thrust its arms forward, and, without giving me time to know what I was about, the creature gave me a horrible kiss, and then one of her hands began to stray with the most bare-faced indecency.
“Let me see, my fine cock,” she said, “if you have a fine . . .”
I was shuddering, and resisted the attempt.
“Well, well! What a baby you are!” said the disgusting Messaline; “are you such a novice?”
“No, madam; but….”
“But what?”
“I have….”
“Oh, the villain!” she exclaimed, loosing her hold; “what was I going to expose myself to!”
I availed myself of the opportunity, snatched my hat, and took to my heels, afraid lest the door-keeper should stop me.
I took a coach and drove to Coraline’s, where I related the adventure. She laughed heartily, and agreed with me that the prince had played me a nasty trick. She praised the presence of mind with which I had invented an impediment, but she did not give me an opportunity of proving to her that I had deceived the duchess.
Yet I was not without hope, and suspected that she did not think me sufficiently enamoured of her.
Three or four days afterwards, however, as we had supper together and alone, I told her so many things, and I asked her so clearly to make me happy or else to dismiss me, that she gave me an appointment for the next day.
“To-morrow,” she said, “the prince goes to Versailles, and he will not return until the day after; we will go together to the warren to hunt ferrets, and have no doubt we shall come back to Paris pleased with one another.”
“That is right.”
The next day at ten o’clock we took a coach, but as we were nearing the gate of the city a vis-a-vis, with servants in a foreign livery came tip to us, and the person who was in it called out, “Stop! Stop!”
The person was the Chevalier de Wurtemburg, who, without deigning to cast even one glance on me, began to say sweet words to Coraline, and thrusting his head entirely out of his carriage he whispered to her. She answered him likewise in a whisper; then taking my hand, she said to me, laughingly,
“I have some important business with this prince; go to the warren alone, my dear friend, enjoy the hunt, and come to me to-morrow.”
And saying those words she got out, took her seat in the vis-a-vis, and I found myself very much in the position of Lot’s wife, but not motionless.
Dear reader, if you have ever been in such a predicament you will easily realize the rage with which I was possessed: if you have never been served in that way, so much the better for you, but it is useless for me to try to give you an idea of my anger; you would not understand me.
I was disgusted with the coach, and I jumped out of it, telling the driver to go to the devil. I took the first hack which happened to pass, and drove straight to Patu’s house, to whom I related my adventure, almost foaming with rage. But very far from pitying me or sharing my anger, Patu, much wiser, laughed and said,
“I wish with all my heart that the same thing might happen to me; for you are certain of possessing our beautiful Coraline the very first time you are with her.”
“I would not have her, for now I despise her heartily.” “Your contempt ought to have come sooner. But, now that is too late to discuss the matter, I offer you, as a compensation, a dinner at the Hotel du Roule.”
“Most decidedly yes; it is an excellent idea. Let us go.”
The Hotel du Roule was famous in Paris, and I had not been there yet. The woman who kept it had furnished the place with great elegance, and she always had twelve or fourteen well-chosen nymphs, with all the conveniences that could be desired. Good cooking, good beds, cleanliness, solitary and beautiful groves. Her cook was an artist, and her wine-cellar excellent. Her name was Madame Paris; probably an assumed name, but it was good enough for the purpose. Protected by the police, she was far enough from Paris to be certain that those who visited her liberally appointed establishment were above the middle class. Everything was strictly regulated in her house and every pleasure was taxed at a reasonable tariff. The prices were six francs for a breakfast with a nymph, twelve for dinner, and twice that sum to spend a whole night. I found the house even better than its reputation, and by far superior to the warren.
We took a coach, and Patu said to the driver,
“To Chaillot.”
“I understand, your honour.”
After a drive of half an hour, we stopped before a gate on which could be read, “Hotel du Roule.”
The gate was closed. A porter, sporting long mustachioes, came out through a side-door and gravely examined us. He was most likely pleased with our appearance, for the gate was opened and we went in. A woman, blind of one eye, about forty years old, but with a remnant of beauty, came up, saluted us politely, and enquired whether we wished to have dinner. Our answer being affirmative, she took us to a fine room in which we found fourteen young women, all very handsome, and dressed alike in muslin. As we entered the room, they rose and made us a graceful reverence; they were all about the same age, some with light hair, some with dark; every taste could be satisfied. We passed them in review, addressing a few words to each, and made our choice. The two we chose screamed for joy, kissed us with a voluptuousness which a novice might have mistaken for love, and took us to the garden until dinner would be ready. That garden was very large and artistically arranged to minister to the pleasures of love. Madame Paris said to us,
“Go, gentlemen, enjoy the fresh air with perfect security in every way; my house is the temple of peace and of good health.”
The girl I had chosen was something like Coraline, and that made me find her delightful. But in the midst of our amorous occupations we were called to dinner. We were well served, and the dinner had given us new strength, when our single-eyed hostess came, watch in hand, to announce that time was up. Pleasure at the “Hotel du Roule” was measured by the hour.
I whispered to Patu, and, after a few philosophical considerations, addressing himself to madame la gouvernante, he said to her,
“We will have a double dose, and of course pay double.”
“You are quite welcome, gentlemen.”
We went upstairs, and after we had made our choice a second time, we renewed our promenade in the garden. But once more we were disagreeably surprised by the strict punctuality of the lady of the house. “Indeed! this is too much of a good thing, madam.”
“Let us go up for the third time, make a third choice, and pass the whole night here.”
“A delightful idea which I accept with all my heart.”
“Does Madame Paris approve our plan?”
“I could not have devised a better one, gentlemen; it is a masterpiece.”
When we were in the room, and after we had made a new choice, the girls laughed at the first ones who had not contrived to captivate us, and by way of revenge these girls told their companions that we were lanky fellows.
This time I was indeed astonished at my own choice. I had taken a true Aspasia, and I thanked my stars that I had passed her by the first two times, as I had now the certainty of possessing her for fourteen hours. That beauty’s name was Saint Hilaire; and under that name she became famous in England, where she followed a rich lord the year after. At first, vexed because I had not remarked her before, she was proud and disdainful; but I soon proved to her that it was fortunate that my first or second choice had not fallen on her, as she would now remain longer with me. She then began to laugh, and shewed herself very agreeable.
That girl had wit, education and talent-everything, in fact, that is needful to succeed in the profession she had adopted. During the supper Patu told me in Italian that he was on the point of taking her at the very moment I chose her, and the next morning he informed me that he had slept quietly all night. The Saint Hilaire was highly pleased with me, and she boasted of it before her companions. She was the cause of my paying several visits to the Hotel du Roule, and all for her; she was very proud of my constancy.
Those visits very naturally cooled my ardour for Coraline. A singer from Venice, called Guadani, handsome, a thorough musician, and very witty, contrived to captivate her affections three weeks after my quarrel with her. The handsome fellow, who was a man only in appearance, inflamed her with curiosity if not with love, and caused a rupture with the prince, who caught her in the very act. But Coraline managed to coax him back, and, a short time after, a reconciliation took place between them, and such a good one, that a babe was the consequence of it; a girl, whom the prince named Adelaide, and to whom he gave a dowry. After the death of his father, the Duke of Valentinois, the prince left her altogether and married Mlle. de Brignole, from Genoa. Coraline became the mistress of Count de la Marche, now Prince de Conti. Coraline is now dead, as well as a son whom she had by the count, and whom his father named Count de Monreal.
Madame la Dauphine was delivered of a princess, who received the title of Madame de France.
In the month of August the Royal Academy had an exhibition at the Louvre, and as there was not a single battle piece I conceived the idea of summoning my brother to Paris. He was then in Venice, and he had great talent in that particular style. Passorelli, the only painter of battles known in France, was dead, and I thought that Francois might succeed and make a fortune. I therefore wrote to M. Grimani and to my brother; I persuaded them both, but Francois did not come to Paris till the beginning of the following year.
Louis XV., who was passionately fond of hunting, was in the habit of spending six weeks every year at the Chateau of Fontainebleau. He always returned to Versailles towards the middle of November. That trip cost him, or rather cost France, five millions of francs. He always took with him all that could contribute to the amusement of the foreign ambassadors and of his numerous court. He was followed by the French and the Italian comedians, and by the actors and actresses of the opera.
During those six weeks Fontainebleau was more brilliant than Versailles; nevertheless, the artists attached to the theatres were so numerous that the Opera, the French and Italian Comedies, remained open in Paris.
Baletti’s father, who had recovered his health, was to go to Fontainebleau with Silvia and all his family. They invited me to accompany them, and to accept a lodging in a house hired by them.
It was a splendid opportunity; they were my friends, and I accepted, for I could not have met with a better occasion to see the court and all the foreign ministers. I presented myself to M. de Morosini, now Procurator at St. Mark’s, and then ambassador from the Republic to the French court.
The first night of the opera he gave me permission to accompany him; the music was by Lulli. I had a seat in the pit precisely under the private box of Madame de Pompadour, whom I did not know. During the first scene the celebrated Le Maur gave a scream so shrill and so unexpected that I thought she had gone mad. I burst into a genuine laugh, not supposing that any one could possibly find fault with it. But a knight of the Order of the Holy Ghost, who was near the Marquise de Pompadour, dryly asked me what country I came from. I answered, in the same tone,
“From Venice.”
“I have been there, and have laughed heartily at the recitative in your operas.”
“I believe you, sir, and I feel certain that no one ever thought of objecting to your laughing.”
My answer, rather a sharp one, made Madame de Pompadour laugh, and she asked me whether I truly came from down there.
“What do you mean by down there?”
“I mean Venice.”
“Venice, madam, is not down there, but up there.”
That answer was found more singular than the first, and everybody in the box held a consultation in order to ascertain whether Venice was down or up. Most likely they thought I was right, for I was left alone. Nevertheless, I listened to the opera without laughing; but as I had a very bad cold I blew my nose often. The same gentleman addressing himself again to me, remarked that very likely the windows of my room did not close well. That gentleman, who was unknown to me was the Marechal de Richelieu. I told him he was mistaken, for my windows were well ‘calfoutrees’. Everyone in the box burst into a loud laugh, and I felt mortified, for I knew my mistake; I ought to have said ‘calfeutrees’. But these ‘eus’ and ‘ous’ cause dire misery to all foreigners.
Half an hour afterwards M. de Richelieu asked me which of the two actresses pleased me most by her beauty.
“That one, sir.”
“But she has ugly legs.”
“They are not seen, sir; besides, whenever I examine the beauty of a woman, ‘la premiere chose que j’ecarte, ce sont les jambes’.”
That word said quite by chance, and the double meaning of which I did not understand, made at once an important personage of me, and everybody in the box of Madame de Pompadour was curious to know me. The marshal learned who I was from M. de Morosini, who told me that the duke would be happy to receive me. My ‘jeu de mots’ became celebrated, and the marshal honoured me with a very gracious welcome. Among the foreign ministers, the one to whom I attached myself most was Lord Keith, Marshal of Scotland and ambassador of the King of Prussia. I shall have occasion to speak of him.
The day after my arrival in Fontainebleau I went alone to the court, and I saw Louis XV., the handsome king, go to the chapel with the royal family and all the ladies of the court, who surprised me by their ugliness as much as the ladies of the court of Turin had astonished me by their beauty. Yet in the midst of so many ugly ones I found out a regular beauty. I enquired who she was.
“She is,” answered one of my neighbours, “Madame de Brionne, more remarkable by her virtue even than by her beauty. Not only is there no scandalous story told about her, but she has never given any opportunity to scandal-mongers of inventing any adventure of which she was the heroine.”
“Perhaps her adventures are not known.”
“Ah, monsieur! at the court everything is known.”
I went about alone, sauntering through the apartments, when suddenly I met a dozen ugly ladies who seemed to be running rather than walking; they were standing so badly upon their legs that they appeared as if they would fall forward on their faces. Some gentleman happened to be near me, curiosity impelled me to enquire where they were coming from, and where they were going in such haste.
“They are coming from the apartment of the queen who is going to dine, and the reason why they walk so badly is that their shoes have heels six inches high, which compel them to walk on their toes and with bent knees in order to avoid falling on their faces.”
“But why do they not wear lower heels?”
“It is the fashion.”
“What a stupid fashion!”
I took a gallery at random, and saw the king passing along, leaning with one arm on the shoulder of M. d’Argenson. “Oh, base servility!” I thought to myself. “How can a man make up his mind thus to bear the yoke, and how can a man believe himself so much above all others as to take such unwarrantable liberties!”
Louis XV. had the most magnificent head it was possible to see, and he carried it with as much grace as majesty. Never did even the most skilful painter succeed in rendering justice to the expression of that beautiful head, when the king turned it on one side to look with kindness at anyone. His beauty and grace compelled love at once. As I saw him, I thought I had found the ideal majesty which I had been so surprised not to find in the king of Sardinia, and I could not entertain a doubt of Madame de Pompadour having been in love with the king when she sued for his royal attention. I was greatly mistaken, perhaps, but such a thought was natural in looking at the countenance of Louis XV.
I reached a splendid room in which I saw several courtiers walking about, and a table large enough for twelve persons, but laid out only for one.
“For whom is this table?”
“For the queen. Her majesty is now coming in.”
It was the queen of France, without rouge, and very simply dressed; her head was covered with a large cap; she looked old and devout. When she was near the table, she graciously thanked two nuns who were placing a plate with fresh butter on it. She sat down, and immediately the courtiers formed a semicircle within five yards of the table; I remained near them, imitating their respectful silence.
Her majesty began to eat without looking at anyone, keeping her eyes on her plate. One of the dishes being to her taste, she desired to be helped to it a second time, and she then cast her eyes round the circle of courtiers, probably in order to see if among them there was anyone to whom she owed an account of her daintiness. She found that person, I suppose, for she said,
“Monsieur de Lowendal!”
At that name, a fine-looking man came forward with respectful inclination, and said,
“Your majesty?”
“I believe this is a fricassee of chickens.”
“I am of the same opinion, madam.”
After this answer, given in the most serious tone, the queen continued eating, and the marshal retreated backward to his original place. The queen finished her dinner without uttering a single word, and retired to her apartments the same way as she had come. I thought that if such was the way the queen of France took all her meals, I would not sue for the honour of being her guest.
I was delighted to have seen the famous captain who had conquered Bergen-op-Zoom, but I regretted that such a man should be compelled to give an answer about a fricassee of chickens in the serious tone of a judge pronouncing a sentence of death.
I made good use of this anecdote at the excellent dinner Silvia gave to the elite of polite and agreeable society.
A few days afterwards, as I was forming a line with a crowd of courtiers to enjoy the ever new pleasure of seeing the king go to mass, a pleasure to which must be added the advantage of looking at the naked and entirely exposed arms and bosoms of Mesdames de France, his daughters, I suddenly perceived the Cavamacchia, whom I had left in Cesena under the name of Madame Querini. If I was astonished to see her, she was as much so in meeting me in such a place. The Marquis of Saint Simon, premier ‘gentilhomme’ of the Prince de Conde, escorted her.
“Madame Querini in Fontainebleau?”
“You here? It reminds me of Queen Elizabeth saying,
“‘Pauper ubique facet.'”
“An excellent comparison, madam.”
“I am only joking, my dear friend; I am here to see the king, who does not know me; but to-morrow the ambassador will present me to his majesty.”
She placed herself in the line within a yard or two from me, beside the door by which the king was to come. His majesty entered the gallery with M. de Richelieu, and looked at the so-called Madame Querini. But she very likely did not take his fancy, for, continuing to walk on, he addressed to the marshal these remarkable words, which Juliette must have overheard,
“We have handsomer women here.”
In the afternoon I called upon the Venetian ambassador. I found him in numerous company, with Madame Querini sitting on his right. She addressed me in the most flattering and friendly manner; it was extraordinary conduct on the part of a giddy woman who had no cause to like me, for she was aware that I knew her thoroughly, and that I had mastered her vanity; but as I understood her manoeuvring I made up my mind not to disoblige her, and even to render her all the good offices I could; it was a noble revenge.
As she was speaking of M. Querini, the ambassador congratulated her upon her marriage with him, saying that he was glad M. Querini had rendered justice to her merit, and adding,
“I was not aware of your marriage.”
“Yet it took place more than two years since,” said Juliette.
“I know it for a fact,” I said, in my turn; “for, two years ago, the lady was introduced as Madame Querini and with the title of excellency by General Spada to all the nobility in Cesena, where I was at that time.”
“I have no doubt of it,” answered the ambassador, fixing his eyes upon me, “for Querini has himself written to me on the subject.”
A few minutes afterwards, as I was preparing to take my leave, the ambassador, under pretense of some letters the contents of which he wished to communicate to me, invited me to come into his private room, and he asked me what people generally thought of the marriage in Venice.
“Nobody knows it, and it is even rumoured that the heir of the house of Querini is on the point of marrying a daughter of the Grimani family; but I shall certainly send the news to Venice.”
“What news?”
“That Juliette is truly Madame Querini, since your excellency will present her as such to Louis XV.”
“Who told you so?”
“She did.”
“Perhaps she has altered her mind.”
I repeated to the ambassador the words which the king had said to M. de Richelieu after looking at Juliette.
“Then I can guess,” remarked the ambassador, “why Juliette does not wish to be presented to the king.”
I was informed some time afterwards that M. de Saint Quentin, the king’s confidential minister, had called after mass on the handsome Venetian, and had told her that the king of France had most certainly very bad taste, because he had not thought her beauty superior to that of several ladies of his court. Juliette left Fontainebleau the next morning.
In the first part of my Memoirs I have spoken of Juliette’s beauty; she had a wonderful charm in her countenance, but she had already used her advantages too long, and her beauty was beginning to fade when she arrived in Fontainebleau.
I met her again in Paris at the ambassador’s, and she told me with a laugh that she had only been in jest when she called herself Madame Querini, and that I should oblige her if for the future I would call her by her real name of Countess Preati. She invited me to visit her at the Hotel de Luxembourg, where she was staying. I often called on her, for her intrigues amused me, but I was wise enough not to meddle with them.
She remained in Paris four months, and contrived to infatuate M. Ranchi, secretary of the Venetian Embassy, an amiable and learned man. He was so deeply in love that he had made up his mind to marry her; but through a caprice which she, perhaps, regretted afterwards, she ill-treated him, and the fool died of grief. Count de Canes. ambassador of Maria Theresa, had some inclination for her, as well as the Count of Zinzendorf. The person who arranged these transient and short-lived intrigues was a certain Guasco, an abbe not over-favoured with the gifts of Plutus. He was particularly ugly, and had to purchase small favours with great services.
But the man whom she really wished to marry was Count Saint Simon. He would have married her if she had not given him false addresses to make enquiries respecting her birth. The Preati family of Verona denied all knowledge of her, as a matter of course, and M. de Saint Simon, who, in spite of all his love, had not entirely lost his senses, had the courage to abandon her. Altogether, Paris did not prove an ‘el dorado’ for my handsome countrywoman, for she was obliged to pledge her diamonds, and to leave them behind her. After her return to Venice she married the son of the Uccelli, who sixteen years before had taken her out of her poverty. She died ten years ago.
I was still taking my French lessons with my good old Crebillon; yet my style, which was full of Italianisms, often expressed the very reverse of what I meant to say. But generally my ‘quid pro quos’ only resulted in curious jokes which made my fortune; and the best of it is that my gibberish did me no harm on the score of wit: on the contrary, it procured me fine acquaintances.
Several ladies of the best society begged me to teach them Italian, saying that it would afford them the opportunity of teaching me French; in such an exchange I always won more than they did.
Madame Preodot, who was one of my pupils, received me one morning; she was still in bed, and told me that she did not feel disposed to have a lesson, because she had taken medicine the night previous. Foolishly translating an Italian idiom, I asked her, with an air of deep interest, whether she had well ‘decharge’?
“Sir, what a question! You are unbearable.”
I repeated my question; she broke out angrily again.
“Never utter that dreadful word.”
“You are wrong in getting angry; it is the proper word.”
“A very dirty word, sir, but enough about it. Will you have some breakfast?”
“No, I thank you. I have taken a ‘cafe’ and two ‘Savoyards’.”
“Dear me! What a ferocious breakfast! Pray, explain yourself.”
“I say that I have drunk a cafe and eaten two Savoyards soaked in it, and that is what I do every morning.”
“You are stupid, my good friend. A cafe is the establishment in which coffee is sold, and you ought to say that you have drunk ‘use tasse de cafe'”
“Good indeed! Do you drink the cup? In Italy we say a ‘caffs’, and we are not foolish enough to suppose that it means the coffee-house.”
“He will have the best of it! And the two ‘Savoyards’, how did you swallow them?”
“Soaked in my coffee, for they were not larger than these on your table.”
“And you call these ‘Savoyards’? Say biscuits.”
“In Italy, we call them ‘Savoyards’ because they were first invented in Savoy; and it is not my fault if you imagined that I had swallowed two of the porters to be found at the corner of the streets–big fellows whom you call in Paris Savoyards, although very often they have never been in Savoy.”
Her husband came in at that moment, and she lost no time in relating the whole of our conversation. He laughed heartily, but he said I was right. Her niece arrived a few minutes after; she was a young girl about fourteen years of age, reserved, modest, and very intelligent. I had given her five or six lessons in Italian, and as she was very fond of that language and studied diligently she was beginning to speak.
Wishing to pay me her compliments in Italian, she said to me,
“‘Signore, sono in cantata di vi Vader in bona salute’.”
“I thank you, mademoiselle; but to translate ‘I am enchanted’, you must say ‘ho pacer’, and for to see you, you must say ‘di vedervi’.”
“I thought, sir, that the ‘vi’ was to be placed before.”
“No, mademoiselle, we always put it behind.”
Monsieur and Madame Preodot were dying with laughter; the young lady was confused, and I in despair at having uttered such a gross absurdity; but it could not be helped. I took a book sulkily, in the hope of putting a stop to their mirth, but it was of no use: it lasted a week. That uncouth blunder soon got known throughout Paris, and gave me a sort of reputation which I lost little by little, but only when I understood the double meanings of words better. Crebillon was much amused with my blunder, and he told me that I ought to have said after instead of behind. Ah! why have not all languages the same genius! But if the French laughed at my mistakes in speaking their language, I took my revenge amply by turning some of their idioms into ridicule.
“Sir,” I once said to a gentleman, “how is your wife?”
“You do her great honour, sir.”
“Pray tell me, sir, what her honour has to do with her health?”
I meet in the Bois de Boulogne a young man riding a horse which he cannot master, and at last he is thrown. I stop the horse, run to the assistance of the young man and help him up.
“Did you hurt yourself, sir?”
“Oh, many thanks, sir, au contraire.”
“Why au contraire! The deuce! It has done you good? Then begin again, sir.”
And a thousand similar expressions entirely the reverse of good sense. But it is the genius of the language.
I was one day paying my first visit to the wife of President de N—-, when her nephew, a brilliant butterfly, came in, and she introduced me to him, mentioning my name and my country.
“Indeed, sir, you are Italian?” said the young man. “Upon my word, you present yourself so gracefully that I would have betted you were French.”
“Sir, when I saw you, I was near making the same mistake; I would have betted you were Italian.”
Another time, I was dining at Lady Lambert’s in numerous and brilliant company. Someone remarked on my finger a cornelian ring on which was engraved very beautifully the head of Louis XV. My ring went round the table, and everybody thought that the likeness was striking.
A young marquise, who had the reputation of being a great wit, said to me in the most serious tone,
“It is truly an antique?”
“The stone, madam, undoubtedly.”
Everyone laughed except the thoughtless young beauty, who did not take any notice of it. Towards the end of the dinner, someone spoke of the rhinoceros, which was then shewn for twenty-four sous at the St. Germain’s Fair.
“Let us go and see it!” was the cry.
We got into the carriages, and reached the fair. We took several turns before we could find the place. I was the only gentleman; I was taking care of two ladies in the midst of the crowd, and the witty marquise was walking in front of us. At the end of the alley where we had been told that we would find the animal, there was a man placed to receive the money of the visitors. It is true that the man, dressed in the African fashion, was very dark and enormously stout, yet he had a human and very masculine form, and the beautiful marquise had no business to make a mistake. Nevertheless, the thoughtless young creature went up straight to him and said,
“Are you the rhinoceros, sir?”
“Go in, madam, go in.”
We were dying with laughing; and the marquise, when she had seen the animal, thought herself bound to apologize to the master; assuring him that she had never seen a rhinoceros in her life, and therefore he could not feel offended if she had made a mistake.
One evening I was in the foyer of the Italian Comedy, where between the acts the highest noblemen were in the habit of coming, in order to converse and joke with the actresses who used to sit there waiting for their turn to appear on the stage, and I was seated near Camille, Coraline’s sister, whom I amused by making love to her. A young councillor, who objected to my occupying Camille’s attention, being a very conceited fellow, attacked me upon some remark I made respecting an Italian play, and took the liberty of shewing his bad temper by criticizing my native country. I was answering him in an indirect way, looking all the time at Camille, who was laughing. Everybody had congregated around us and was attentive to the discussion, which, being carried on as an assault of wit, had nothing to make it unpleasant.
But it seemed to take a serious turn when the young fop, turning the conversation on the police of the city, said that for some time it had been dangerous to walk alone at night through the streets of Paris.
“During the last month,” he added, “the Place de Greve has seen the hanging of seven men, among whom there were five Italians. An extraordinary circumstance.”
“Nothing extraordinary in that,” I answered; “honest men generally contrive to be hung far away from their native country; and as a proof of it, sixty Frenchmen have been hung in the course of last year between Naples, Rome, and Venice. Five times twelve are sixty; so you see that it is only a fair exchange.”
The laughter was all on my side, and the fine councillor went away rather crestfallen. One of the gentlemen present at the discussion, finding my answer to his taste, came up to Camille, and asked her in a whisper who I was. We got acquainted at once.
It was M. de Marigni, whom I was delighted to know for the sake of my brother whose arrival in Paris I was expecting every day. M. de Marigni was superintendent of the royal buildings, and the Academy of Painting was under his jurisdiction. I mentioned my brother to him, and he graciously promised to protect him. Another young nobleman, who conversed with me, invited me to visit him. It was the Duke de Matalona.
I told him that I had seen him, then only a child, eight years before in Naples, and that I was under great obligations to his uncle, Don Lelio. The young duke was delighted, and we became intimate friends.
My brother arrived in Paris in the spring of 1751, and he lodged with me at Madame Quinson’s. He began at once to work with success for private individuals; but his main idea being to compose a picture to be submitted to the judgment of the Academy, I introduced him to M. de Marigni, who received him with great distinction, and encouraged him by assuring him of his protection. He immediately set to work with great diligence.
M. de Morosini had been recalled, and M. de Mocenigo had succeeded him as ambassador of the Republic. M. de Bragadin had recommended me to him, and he tendered a friendly welcome both to me and to my brother, in whose favour he felt interested as a Venetian, and as a young artist seeking to build up a position by his talent.
M. de Mocenigo was of a very pleasant nature; he liked gambling although he was always unlucky at cards; he loved women, and he was not more fortunate with them because he did not know how to manage them. Two years after his arrival in Paris he fell in love with Madame de Colande, and, finding it impossible to win her affections, he killed himself.
Madame la Dauphine was delivered of a prince, the Duke of Burgundy, and the rejoicings indulged in at the birth of that child seem to me incredible now, when I see what the same nation is doing against the king. The people want to be free; it is a noble ambition, for mankind are not made to be the slaves of one man; but with a nation populous, great, witty, and giddy, what will be the end of that revolution? Time alone can tell us.
The Duke de Matalona procured me the acquaintance of the two princes, Don Marc Antoine and Don Jean Baptiste Borghese, from Rome, who were enjoying themselves in Paris, yet living without display. I had occasion to remark that when those Roman princes were presented at the court of France they were only styled “marquis:” It was the same with the Russian princes, to whom the title of prince was refused when they wanted to be presented; they were called “knees,” but they did not mind it, because that word meant prince. The court of France has always been foolishly particular on the question of titles, and is even now sparing of the title of monsieur, although it is common enough everywhere every man who was not titled was called Sieur. I have remarked that the king never addressed his bishops otherwise than as abbes, although they were generally very proud of their titles. The king likewise affected to know a nobleman only when his name was inscribed amongst those who served him.
Yet the haughtiness of Louis XV. had been innoculated into him by education; it was not in his nature. When an ambassador presented someone to him, the person thus presented withdrew with the certainty of having been seen by the king, but that was all. Nevertheless, Louis XV. was very polite, particularly with ladies, even with his mistresses, when in public. Whoever failed in respect towards them in the slightest manner was sure of disgrace, and no king ever possessed to a greater extent the grand royal virtue which is called dissimulation. He kept a secret faithfully, and he was delighted when he knew that no one but himself possessed it.
The Chevalier d’Eon is a proof of this, for the king alone knew and had always known that the chevalier was a woman, and all the long discussions which the false chevalier had with the office for foreign affairs was a comedy which the king allowed to go on, only because it amused him.
Louis XV. was great in all things, and he would have had no faults if flattery had not forced them upon him. But how could he possibly have supposed himself faulty in anything when everyone around him repeated constantly that he was the best of kings? A king, in the opinion of which he was imbued respecting his own person, was a being of a nature by far too superior to ordinary men for him not to have the right to consider himself akin to a god. Sad destiny of kings! Vile flatterers are constantly doing everything necessary to reduce them below the condition of man.
The Princess of Ardore was delivered about that time of a young prince. Her husband, the Neapolitan ambassador, entreated Louis XV. to be god-father to the child; the king consented and presented his god-son with a regiment; but the mother, who did not like the military career for her son, refused it. The Marshal de Richelieu told me that he had never known the king laugh so heartily as when he heard of that singular refusal.
At the Duchess de Fulvie’s I made the acquaintance of Mdlle. Gaussin, who was called Lolotte. She was the mistress of Lord Albemarle, the English ambassador, a witty and very generous nobleman. One evening he complained of his mistress praising the beauty of the stars which were shining brightly over her head, saying that she ought to know he could not give them to her. If Lord Albemarle had been ambassador to the court of France at the time of the rupture between France and England, he would have arranged all difficulties amicably, and the unfortunate war by which France lost Canada would not have taken place. There is no doubt that the harmony between two nations depends very often upon their respective ambassadors, when there is any danger of a rupture.
As to the noble lord’s mistress, there was but one opinion respecting her. She was fit in every way to become his wife, and the highest families of France did not think that she needed the title of Lady Albemarle to be received with distinction; no lady considered it debasing to sit near her, although she was well known as the mistress of the English lord. She had passed from her mother’s arms to those of Lord Albemarle at the age of thirteen, and her conduct was always of the highest respectability. She bore children whom the ambassador acknowledged legally, and she died Countess d’Erouville. I shall have to mention her again in my Memoirs.
I had likewise occasion to become acquainted at the Venetian Embassy with a lady from Venice, the widow of an English baronet named Wynne. She was then coming from London with her children, where she had been compelled to go in order to insure them the inheritance of their late father, which they would have lost if they had not declared themselves members of the Church of England. She was on her way back to Venice, much pleased with her journey. She was accompanied by her eldest daughter–a young girl of twelve years, who, notwithstanding her youth, carried on her beautiful face all the signs of perfection.
She is now living in Venice, the widow of Count de Rosenberg, who died in Venice ambassador of the Empress-Queen Maria Theresa. She is surrounded by the brilliant halo of her excellent conduct and of all her social virtues. No one can accuse her of any fault, except that of being poor, but she feels it only because it does not allow her to be as charitable as she might wish.
The reader will see in the next chapter how I managed to embroil myself with the French police.
CHAPTER VIII
My Broil With Parisian Justice–Mdlle. Vesian
The youngest daughter of my landlady, Mdlle. Quinson, a young girl between fifteen and sixteen years of age, was in the habit of often coming to my room without being called. It was not long before I discovered that she was in love with me, and I should have thought myself ridiculous if I had been cruel to a young brunette who was piquant, lively, amiable, and had a most delightful voice.
During the first four or five months nothing but childish trifles took place between us; but one night, coming home very late and finding her fast asleep on my bed, I did not see the necessity of waking her up, and undressing myself I lay down beside her…. She left me at daybreak.
Mimi had not been gone three hours when a milliner came with a charming young girl, to invite herself and her friend to breakfast; I thought the young girl well worth a breakfast, but I was tired and wanted rest, and I begged them both to withdraw. Soon after they had left me, Madame Quinson came with her daughter to make my bed. I put my dressing-gown on, and began to write.
“Ah! the nasty hussies!” exclaims the mother.
“What is the matter, madam?”
“The riddle is clear enough, sir; these sheets are spoiled.”
“I am very sorry, my dear madam, but change them, and the evil will be remedied at once.”
She went out of the room, threatening and grumbling,
“Let them come again, and see if I don’t take care of them!”
Mimi remained alone with me, and I addressed her some reproaches for her imprudence. But she laughed, and answered that Love had sent those women on purpose to protect Innocence! After that, Mimi was no longer under any restraint, she would come and share my bed whenever she had a fancy to do so, unless I sent her back to her own room, and in the morning she always left me in good time. But at the end of four months my beauty informed me that our secret would soon be discovered.
“I am very sorry,” I said to her, “but I cannot help it.”
“We ought to think of something.”
“Well, do so.”
“What can I think of? Well, come what will; the best thing I can do is not to think of it.”
Towards the sixth month she had become so large, that her mother, no longer doubting the truth, got into a violent passion, and by dint of blows compelled her to name the father. Mimi said I was the guilty swain, and perhaps it was not an untruth.
With that great discovery Madame Quinson burst into my room in high dudgeon. She threw herself on a chair, and when she had recovered her breath she loaded me with insulting words, and ended by telling me that I must marry her daughter. At this intimation, understanding her object and wishing to cut the matter short, I told her that I was already married in Italy.
“Then why did you come here and get my daughter with child?”
“I can assure you that I did not mean to do so. Besides, how do you know that I am the father of the child?”
“Mimi says so, and she is certain of it.”
“I congratulate her; but I warn you, madam, that I am ready to swear that I have not any certainty about it.”
“What then?”
“Then nothing. If she is pregnant, she will be confined.”
She went downstairs, uttering curses and threats: the next day I was summoned before the commissary of the district. I obeyed the summons, and found Madame Quinson fully equipped for the battle. The commissary, after the preliminary questions usual in all legal cases, asked me whether I admitted myself guilty towards the girl Quinson of the injury of which the mother, there present personally, complained.
“Monsieur le Commissaire, I beg of you to write word by word the answer which I am going to give you.”
“Very well.”
“I have caused no injury whatever to Mimi, the plaintiff’s daughter, and I refer you to the girl herself, who has always had as much friendship for me as I have had for her.”
“But she declares that she is pregnant from your doings.”
“That may be, but it is not certain.”
“She says it is certain, and she swears that she has never known any other man.”
“If it is so, she is unfortunate; for in such a question a man cannot trust any woman but his own wife.”
“What did you give her in order to seduce her?”
“Nothing; for very far from having seduced her, she has seduced me, and we agreed perfectly in one moment; a pretty woman does not find it very hard to seduce me.”
“Was she a virgin?”
“I never felt any curiosity about it either before or after; therefore, sir, I do not know.”
“Her mother claims reparation, and the law is against you.”
“I can give no reparation to the mother; and as for the law I will obey it when it has been explained to me, and when I am convinced that I have been guilty against it.”
“You are already convinced. Do you imagine that a man who gets an honest girl with child in a house of which he is an inmate does not transgress the laws of society?”
“I admit that to be the case when the mother is deceived; but when that same mother sends her daughter to the room of a young man, are we not right in supposing that she is disposed to accept peacefully all the accidents which may result from such conduct?”
“She sent her daughter to your room only to wait on you.”
“And she has waited on me as I have waited on her if she sends her to my room this evening, and if it is agreeable to Mimi, I will certainly serve her as well as I can; but I will have nothing to do with her against her will or out of my room, the rent of which I have always paid punctually.”
“You may say what you like, but you must pay the fine.”
“I will say what I believe to be just, and I will pay nothing; for there can be no fine where there is no law transgressed. If I am sentenced to pay I shall appeal even to the last jurisdiction and until I obtain justice, for believe me, sir, I know that I am not such an awkward and cowardly fellow as to refuse my caresses to a pretty woman who pleases me, and comes to provoke them in my own room, especially when I feel myself certain of the mother’s agreement.”
I signed the interrogatory after I had read it carefully, and went away. The next day the lieutenant of police sent for me, and after he had heard me, as well as the mother and the daughter, he acquitted me and condemned Madame Quinson in costs. But I could not after all resist the tears of Mimi, and her entreaties for me to defray the expenses of her confinement. She was delivered of a boy, who was sent to the Hotel Dieu to be brought up at the nation’s expense. Soon afterwards Mimi ran away from her mother’s house, and she appeared on the stage at St. Laurent’s Fair. Being unknown, she had no difficulty in finding a lover who took her for a maiden. I found her very pretty on the stage.
“I did not know,” I said to her, “that you were a musician.”
“I am a musician about as much as all my companions, not one of whom knows a note of music. The girls at the opera are not much more clever, and in spite of that, with a good voice and some taste, one can sing delightfully.”
I advised her to invite Patu to supper, and he was charmed with her. Some time afterwards, however, she came to a bad end, and disappeared.
The Italian comedians obtained at that time permission to perform parodies of operas and of tragedies. I made the acquaintance at that theatre of the celebrated Chantilly, who had been the mistress of the Marechal de Saxe, and was called Favart because the poet of that name had married her. She sang in the parody of ‘Thetis et Pelee’, by M. de Fontelle, the part of Tonton, amidst deafening applause. Her grace and talent won the love of a man of the greatest merit, the Abbe de Voisenon, with whom I was as intimate as with Crebillon. All the plays performed at the Italian Comedy, under the name of Madame Favart, were written by the abbe, who became member of the Academie after my departure from Paris. I cultivated an acquaintance the value of which I could appreciate, and he honoured me with his friendship. It was at my suggestions that the Abbe de Voisenon conceived the idea of composing oratorios in poetry; they were sung for the first time at the Tuileries, when the theatres were closed in consequence of some religious festival. That amiable abbe, who had written several comedies in secret, had very poor health and a very small body; he was all wit and gracefulness, famous for his shrewd repartees which, although very cutting, never offended anyone. It was impossible for him to have any enemies, for his criticism only grazed the skin and never wounded deeply. One day, as he was returning from Versailles, I asked him the news of the court.
“The king is yawning,” he answered, “because he must come to the parliament to-morrow to hold a bed of justice.”
“Why is it called a bed of justice?”
“I do not know, unless it is because justice is asleep during the proceedings.”
I afterwards met in Prague the living portrait of that eminent writer in Count Francois Hardig, now plenipotentiary of the emperor at the court of Saxony.
The Abbe de Voisenon introduced me to Fontenelle, who was then ninety-three years of age. A fine wit, an amiable and learned man, celebrated for his quick repartees, Fontenelle could not pay a compliment without throwing kindness and wit into it. I told him that I had come from Italy on purpose to see him.
“Confess, sir,” he said to me, “that you have kept me waiting a very long time.”
This repartee was obliging and critical at the same time, and pointed out in a delicate and witty manner the untruth of my compliment. He made me a present of his works, and asked me if I liked the French plays; I told him that I had seen ‘Thetis et Pelee’ at the opera. That play was his own composition, and when I had praised it, he told me that it was a ‘tete pelee’.
“I was at the Theatre Francais last night,” I said, “and saw Athalie.”
“It is the masterpiece of Racine; Voltaire, has been wrong in accusing me of having criticized that tragedy, and in attributing to me an epigram, the author of which has never been known, and which ends with two very poor lines:
“Pour avoir fait pis qu’Esther,
Comment diable as-to pu faire”
I have been told that M. de Fontenelle had been the tender friend of Madame du Tencin, that M. d’Alembert was the offspring of their intimacy, and that Le Rond had only been his foster-father. I knew d’Alembert at Madame de Graffigny’s. That great philosopher had the talent of never appearing to be a learned man when he was in the company of amiable persons who had no pretension to learning or the sciences, and he always seemed to endow with intelligence those who conversed with him.
When I went to Paris for the second time, after my escape from The Leads of Venice, I was delighted at the idea of seeing again the amiable, venerable Fontenelle, but he died a fortnight after my arrival, at the beginning of the year 1757.
When I paid my third visit to Paris with the intention of ending my days in that capital, I reckoned upon the friendship of M. d’Alembert, but he died, like Fontenelle, a fortnight after my arrival, towards the end of 1783. Now I feel that I have seen Paris and France for the last time. The popular effervescence has disgusted me, and I am too old to hope to see the end of it.
Count de Looz, Polish ambassador at the French court, invited me in 1751 to translate into Italian a French opera susceptible of great transformations, and of having a grand ballet annexed to the subject of the opera itself. I chose ‘Zoroastre’, by M. de Cahusac. I had to adapt words to the music of the choruses, always a difficult task. The music remained very beautiful, of course, but my Italian poetry was very poor. In spite of that the generous sovereign sent me a splendid gold snuff-box, and I thus contrived at the same time to please my mother very highly.
It was about that time that Mdlle. Vesian arrived in Paris with her brother. She was quite young, well educated, beautiful, most amiable, and a novice; her brother accompanied her. Her father, formerly an officer in the French army, had died at Parma, his native city. Left an orphan without any means of support, she followed the advice given by her friends; she sold the furniture left by her father, with the intention of going to Versailles to obtain from the justice and from the generosity of the king a small pension to enable her to live. As she got out of the diligence, she took a coach, and desired to be taken to some hotel close by the Italian Theatre; by the greatest chance she was brought to the Hotel de Bourgogne, where I was then staying myself.
In the morning I was told that there were two young Italians, brother and sister, who did not appear very wealthy, in the next room to mine. Italians, young, poor and newly arrived, my curiosity was excited. I went to the door of their room, I knocked, and a young man came to open it in his shirt.
“I beg you to excuse me, sir,” he said to me, “if I receive you in such a state.”
“I have to ask your pardon myself. I only come to offer you my services, as a countryman and as a neighbour.”
A mattress on the floor told me where the young man had slept; a bed standing in a recess and hid by curtains made me guess where the sister was. I begged of her to excuse me if I had presented myself without enquiring whether she was up.
She answered without seeing me, that the journey having greatly tried her she had slept a little later than usual, but that she would get up immediately if I would excuse her for a short time.
“I am going to my room, mademoiselle, and I will come back when you send for me; my room is next door to your own.”
A quarter of an hour after, instead of being sent for, I saw a young and beautiful person enter my room; she made a modest bow, saying that she had come herself to return my visit, and that her brother would follow her immediately.
I thanked her for her visit, begged her to be seated, and I expressed all the interest I felt for her. Her gratitude shewed itself more by the tone of her voice than by her words, and her confidence being already captivated she told me artlessly, but not without some dignity, her short history or rather her situation, and she concluded by these words:
“I must in the course of the day find a less expensive lodging, for I only possess six francs.”
I asked her whether she had any letters of recommendation, and she drew out of her pocket a parcel of papers containing seven or eight testimonials of good conduct and honesty, and a passport.
“Is this all you have, my dear countrywoman?”
“Yes. I intend to call with my brother upon the secretary of war, and I hope he will take pity on me.”
“You do not know anybody here?”
“Not one person, sir; you are the first man in France to whom I have exposed my situation.”
“I am a countryman of yours, and you are recommended to me by your position as well as by your age; I wish to be your adviser, if you will permit me.”
“Ah, sir! how grateful I would be!”
“Do not mention it. Give me your papers, I will see what is to be done with them. Do not relate your history to anyone, and do not say one word about your position. You had better remain at this hotel. Here are two Louis which I will lend you until you are in a position to return them to me.”
She accepted, expressing her heart-felt gratitude.
Mademoiselle Vesian was an interesting brunette of sixteen. She had a good knowledge of French and Italian, graceful manners, and a dignity which endowed her with a very noble appearance. She informed me of her affairs without meanness, yet without that timidity which seems to arise from a fear of the person who listens being disposed to take advantage of the distressing position confided to his honour. She seemed neither humiliated nor bold; she had hope, and she did not boast of her courage. Her virtue was by no means ostentatious, but there was in her an air of modesty which would certainly have put a restraint upon anyone disposed to fail in respect towards her. I felt the effect of it myself, for in spite of her beautiful eyes, her fine figure, of the freshness of her complexion, her transparent skin, her negligee–in one word, all that can tempt a man and which filled me with burning desires, I did not for one instant lose control over myself; she had inspired me with a feeling of respect which helped me to master my senses, and I promised myself not only to attempt nothing against her virtue, but also not to be the first man to make her deviate from the right path. I even thought it better to postpone to another interview a little speech on that subject, the result of which might be to make me follow a different course.
“You are now in a city,” I said to her, “in which your destiny must unfold itself, and in which all the fine qualities which nature has so bountifully bestowed upon you, and which may ultimately cause your fortune, may likewise cause your ruin; for here, by dear countrywoman, wealthy men despise all libertine women except those who have offered them the sacrifice of their virtue. If you are virtuous, and are determined upon remaining so, prepare yourself to bear a great deal of misery; if you feel yourself sufficiently above what is called prejudice, if, in one word, you feel disposed to consent to everything, in order to secure a comfortable position, be very careful not to make a mistake. Distrust altogether the sweet words which every passionate man will address to you for the sake of obtaining your favours, for, his passion once satisfied, his ardour will cool down, and you will find yourself deceived. Be wary of your adorers; they will give you abundance of counterfeit coin, but do not trust them far. As far as I am concerned, I feel certain that I shall never injure you, and I hope to be of some use to you. To reassure you entirely on my account, I will treat you as if you were my sister, for I am too young to play the part of your father, and I would not tell you all this if I did not think you a very charming person.”
Her brother joined us as we were talking together. He was a good- looking young man of eighteen, well made, but without any style about him; he spoke little, and his expression was devoid of individuality. We breakfasted together, and having asked him as we were at table for what profession he felt an inclination, he answered that he was disposed to do anything to earn an honourable living.
“Have you any peculiar talent?”
“I write pretty well.”
“That is something. When you go out, mistrust everybody; do not enter any cafe, and never speak to anyone in the streets. Eat your meals in your room with your sister, and tell the landlady to give you a small closet to sleep in. Write something in French to-day, let me have it to-morrow morning, and we will see what can be done. As for you, mademoiselle, my books are at your disposal, I have your papers; to-morrow I may have some news to tell you; we shall not see each other again to-day, for I generally come home very late.” She took a few books, made a modest reverence, and told me with a charming voice that she had every confidence in me.
Feeling disposed to be useful to her, wherever I went during that day I spoke of nothing but of her and of her affairs; and everywhere men and women told me that if she was pretty she could not fail, but that at all events it would be right for her to take all necessary steps. I received a promise that the brother should be employed in some office. I thought that the best plan would be to find some influential lady who would consent to present Mdlle. Vesian to M. d’Argenson, and I knew that in the mean time I could support her. I begged Silvia to mention the matter to Madame de Montconseil, who had very great influence with the secretary of war. She promised to do so, but she wished to be acquainted with the young girl.
I returned to the hotel towards eleven o’clock, and seeing that there was a light still burning in the room of Mdlle. Vesian I knocked at her door. She opened it, and told me that she had sat up in the hope of seeing me. I gave her an account of what I had done. I found her disposed to undertake all that was necessary, and most grateful for my assistance. She spoke of her position with an air of noble indifference which she assumed in order to restrain her tears; she succeeded in keeping them back, but the moisture in her eyes proved all the efforts she was making to prevent them from falling. We had talked for two hours, and going from one subject to another I learned that she had never loved, and that she was therefore worthy of a lover who would reward her in a proper manner for the sacrifice of her virtue. It would have been absurd to think that marriage was to be the reward of that sacrifice; the young girl had not yet made what is called a false step, but she had none of the prudish feelings of those girls who say that they would not take such a step for all the gold in the universe, and usually give way before the slightest attack; all my young friend wanted was to dispose of herself in a proper and advantageous manner.
I could not help sighing as I listened to her very sensible remarks, considering the position in which she was placed by an adverse destiny. Her sincerity was charming to me; I was burning with desire. Lucie of Pasean came back to my memory; I recollected how deeply I had repented the injury I had done in neglecting a sweet flower, which another man, and a less worthy one, had hastened to pluck; I felt myself near a lamb which would perhaps become the prey of some greedy wolf; and she, with her noble feelings, her careful education, and a candour which an impure breath would perhaps destroy for ever, was surely not destined for a lot of shame. I regretted I was not rich enough to make her fortune, and to save her honour and her virtue. I felt that I could neither make her mine in an illegitimate way nor be her guardian angel, and that by becoming her protector I should do her more harm than good; in one word, instead of helping her out of the unfortunate position in which she was, I should, perhaps, only contribute to her entire ruin. During that time I had her near me, speaking to her in a sentimental way, and not uttering one single word of love; but I kissed her hand and her arms too often without coming to a resolution, without beginning a thing which would have too rapidly come to an end, and which would have compelled me to keep her for myself; in that case, there would have been no longer any hope of a fortune for her, and for me no means of getting rid of her. I have loved women even to madness, but I have always loved liberty better; and whenever I have been in danger of losing it fate has come to my rescue.
I had remained about four hours with Mdlle. Vesian, consumed by the most intense desires, and I had had strength enough to conquer them. She could not attribute my reserve to a feeling of modesty, and not knowing why I did not shew more boldness she must have supposed that I was either ill or impotent. I left her, after inviting her to dinner for the next day.
We had a pleasant dinner, and her brother having gone out for a walk after our meal we looked together out of the window from which we could see all the carriages going to the Italian Comedy. I asked her whether she would like to go; she answered me with a smile of delight, and we started at once.
I placed her in the amphitheatre where I left her, telling her that we would meet at the hotel at eleven o’clock. I would not remain with her, in order to avoid the questions which would have been addressed to me, for the simpler her toilet was the more interesting she looked.
After I had left the theatre, I went to sup at Silvia’s and returned to the hotel. I was surprised at the sight of an elegant carriage; I enquired to whom it belonged, and I was told that it was the carriage of a young nobleman who had supped with Mdlle. Vesian. She was getting on.
The first thing next morning, as I was putting my head out of the window, I saw a hackney coach stop at the door of the hotel; a young man, well dressed in a morning costume, came out of it, and a minute after I heard him enter the room of Mdlle. Vesian. Courage! I had made up my mind; I affected a feeling of complete indifference in order to deceive myself.
I dressed myself to go out, and while I was at my toilet Vesian came in and told me that he did not like to go into his sister’s room because the gentleman who had supped with her had just arrived.
“That’s a matter of course,” I said.
“He is rich and very handsome. He wishes to take us himself to Versailles, and promises to procure some employment for me.”
“I congratulate you. Who is he?”
“I do not know.”
I placed in an envelope the papers she had entrusted to me, and I handed them to him to return to his sister. I then went out. When I came home towards three o’clock, the landlady gave me a letter which had been left for me by Mdlle. Vesian, who had left the hotel.
I went to my room, opened the letter, and read the following lines:
“I return the money you have lent me with my best thanks. The Count de Narbonne feels interested in me, and wishes to assist me and my brother. I shall inform you of everything, of the house in which he wishes me to go and live, where he promises to supply me all I want. Your friendship is very dear to me, and I entreat you not to forget me. My brother remains at the hotel, and my room belongs to me for the month. I have paid everything.”
“Here is,” said I to myself, “a second Lucie de Pasean, and I am a second time the dupe of my foolish delicacy, for I feel certain that the count will not make her happy. But I wash my hands of it all.”
I went to the Theatre Francais in the evening, and enquired about Narbonne. The first person I spoke to told me,
“He is the son of a wealthy man, but a great libertine and up to his neck in debts.”
Nice references, indeed! For a week I went to all the theatres and public places in the hope of making the acquaintance of the count, but I could not succeed, and I was beginning to forget the adventure when one morning, towards eight o’clock Vesian calling on me, told me that his sister was in her room and wished to speak to me. I followed him immediately. I found her looking unhappy and with eyes red from crying. She told her brother to go out for a walk, and when he had gone she spoke to me thus:
“M. de Narbonne, whom I thought an honest man, because I wanted him to be such, came to sit by me where you had left me at the theatre; he told me that my face had interested him, and he asked me who I was. I told him what I had told you. You had promised to think of me, but Narbonne told me that he did not want your assistance, as he could act by himself. I believed him, and I have been the dupe of my confidence in him; he has deceived me; he is a villain.”
The tears were choking her: I went to the window so as to let her cry without restraint: a few minutes after, I came back and I sat down by her.
“Tell me all, my dear Vesian, unburden your heart freely, and do not think yourself guilty towards me; in reality I have been wrong more than you. Your heart would not now be a prey to sorrow if I had not been so imprudent as to leave you alone at the theatre.”
“Alas, sir! do not say so; ought I to reproach you because you thought me so virtuous? Well, in a few words, the monster promised to shew me every care, every attention, on condition of my giving him an undeniable, proof of my affection and confidence–namely, to take a lodging without my brother in the house of a woman whom he represented as respectable. He insisted upon my brother not living with me, saying that evil-minded persons might suppose him to be my lover. I allowed myself to be persuaded. Unhappy creature! How could I give way without consulting you? He told me that the respectable woman to whom he would take me would accompany me to Versailles, and that he would send my brother there so that we should be both presented to the war secretary. After our first supper he told me that he would come and fetch me in a hackney coach the next morning. He presented me with two louis and a gold watch, and I thought I could accept those presents from a young nobleman who shewed so much interest in me. The woman to whom he introduced me did not seem to me as respectable as he had represented her to be. I have passed one week with her without his doing anything to benefit my position. He would come, go out, return as he pleased, telling me every day that it would be the morrow, and when the morrow came there was always some impediment. At last, at seven o’clock this morning, the woman told me that the count was obliged to go into the country, that a hackney coach would bring me back to his hotel, and that he would come and see me on his return. Then, affecting an air of sadness, she told me that I must give her back the watch because the count had forgotten to pay the watchmaker for it. I handed it to her immediately without saying a word, and wrapping the little I possessed in my handkerchief I came back here, where I arrived half an hour since.”
“Do you hope to see him on his return from the country?”
“To see him again! Oh, Lord! why have I ever seen him?”
She was crying bitterly, and I must confess that no young girl ever moved me so deeply as she did by the expression of her grief. Pity replaced in my heart the tenderness I had felt for her a week before. The infamous proceedings of Narbonne disgusted me to that extent that, if I had known where to find him alone, I would immediately have compelled him to give me reparation. Of course, I took good care not to ask the poor girl to give me a detailed account of her stay in the house of Narbonne’s respectable procurers; I could guess even more than I wanted to know, and to insist upon that recital would have humiliated Mdlle. Vesian. I could see all the infamy of the count in the taking back of the watch which belonged to her as a gift, and which the unhappy girl had earned but too well. I did all I could to dry her tears, and she begged me to be a father to her, assuring me that she would never again do anything to render her unworthy of my friendship, and that she would always be guided by my advice.
“Well, my dear young friend, what you must do now is not only to forget the unworthy count and his criminal conduct towards you, but also the fault of which you have been guilty. What is done cannot be undone, and the past is beyond remedy; but compose yourself, and recall the air of cheerfulness which shone on your countenance a week ago. Then I could read on your face honesty, candour, good faith, and the noble assurance which arouses sentiment in those who can appreciate its charm. You must let all those feelings shine again on your features; for they alone can interest honest people, and you require the general sympathy more than ever. My friendship is of little importance to you, but you may rely upon it all the more because I fancy that you have now a claim upon it which you had not a week ago: Be quite certain, I beg, that I will not abandon you until your position is properly settled. I cannot at present tell you more; but be sure that I will think of you.”
“Ah, my friend! if you promise to think of me, I ask for no more. Oh! unhappy creature that I am; there is not a soul in the world who thinks of me.”
She was: so deeply moved that she fainted away. I came to her assistance without calling anyone, and when she had recovered her consciousness and some calm, I told her a hundred stories, true or purely imaginary, of the knavish tricks played in Paris by men who think of nothing but of deceiving young girls. I told her a few amusing instances in order to make her more cheerful, and at last I told her that she ought to be thankful for what had happened to her with Narbonne, because that misfortune would give her prudence for the future.
During that long tete-a-tete I had no difficulty in abstaining from bestowing any caresses upon her; I did not even take her hand, for what I felt for her was a tender pity; and I was very happy when at the end of two hours I saw her calm and determined upon bearing misfortune like a heroine.
She suddenly rose from her seat, and, looking at me with an air of modest trustfulness, she said to me,
“Are, you particularly engaged in any way to-day?”
“No, my dear:”
“Well, then, be good enough to take me somewhere out of Paris; to some place where I can breathe the fresh air freely; I shall then recover that appearance which you think I must have to interest in my favour those who will see me; and if I can enjoy a quiet sleep throughout the next night I feel I shall be happy again.”
“I am grateful to you for your confidence in me. We will go out as