companion, Beatty, who used to aid him with his purse at the university, met him about this time, decked out in the tarnished finery of a second-hand suit of green and gold, with a shirt and neckcloth of a fortnight’s wear.
Poor Goldsmith endeavored to assume a prosperous air in the eyes of his early associate. “He was practicing physic,” he said, “and _doing very well!_” At this moment poverty was pinching him to the bone in spite of his practice and his dirty finery. His fees were necessarily small, and ill paid, and he was fain to seek some precarious assistance from his pen. Here his quondam fellow-student, Dr. Sleigh, was again of service, introducing him to some of the booksellers, who gave him occasional, though starveling employment. According to tradition, however, his most efficient patron just now was a journeyman printer, one of his poor patients of Bankside, who had formed a good opinion of his talents, and perceived his poverty and his literary shifts. The printer was in the employ of Mr. Samuel Richardson, the author of Pamela, Clarissa, and Sir Charles Grandison; who combined the novelist and the publisher, and was in flourishing circumstances. Through the journeyman’s intervention Goldsmith is said to have become acquainted with Richardson, who employed him as reader and corrector of the press, at his printing establishment in Salisbury Court; an occupation which he alternated with his medical duties.
Being admitted occasionally to Richardson’s parlor, he began to form literary acquaintances, among whom the most important was Dr. Young, the author of Night Thoughts, a poem in the height of fashion. It is not probable, however, that much familiarity took place at the time between the literary lion of the day and the poor Aesculapius of Bankside, the humble corrector of the press. Still the communion with literary men had its effect to set his imagination teeming. Dr. Farr, one of his Edinburgh fellow-students, who was at London about this time, attending the hospitals and lectures, gives us an amusing account of Goldsmith in his literary character.
“Early in January he called upon me one morning before I was up, and, on my entering the room, I recognized my old acquaintance, dressed in a rusty, full-trimmed black suit, with his pockets full of papers, which instantly reminded me of the poet in Garrick’s farce of Lethe. After we had finished our breakfast he drew from his pocket part of a tragedy, which he said he had brought for my correction. In vain I pleaded inability, when he began to read; and every part on which I expressed a doubt as to the propriety was immediately blotted out. I then most earnestly pressed him not to trust to my judgment, but to take the opinion of persons better qualified to decide on dramatic compositions. He now told me he had submitted his productions, so far as he had written, to Mr. Richardson, the author of Clarissa, on which I peremptorily declined offering another criticism on the performance.”
From the graphic description given of him by Dr. Farr, it will be perceived that the tarnished finery of green and gold had been succeeded by a professional suit of black, to which, we are told, were added the wig and cane indispensable to medical doctors in those days. The coat was a second-hand one, of rusty velvet, with a patch on the left breast, which he adroitly covered with his three-cornered hat during his medical visits; and we have an amusing anecdote of his contest of courtesy with a patient who persisted in endeavoring to relieve him from the hat, which only made him press it more devoutly to his heart.
Nothing further has ever been heard of the tragedy mentioned by Dr. Farr; it was probably never completed. The same gentleman speaks of a strange Quixotic scheme which Goldsmith had in contemplation at the time, “of going to decipher the inscriptions on the _written mountains_,” though he was altogether ignorant of Arabic, or the language in which they might be supposed to be written. “The salary of three hundred pounds,” adds Dr. Farr, “which had been left for the purpose, was the temptation.” This was probably one of many dreamy projects with which his fervid brain was apt to teem. On such subjects he was prone to talk vaguely and magnificently, but inconsiderately, from a kindled imagination rather than a well-instructed judgment. He had always a great notion of expeditions to the East, and wonders to be seen and effected in the Oriental countries.
CHAPTER SEVEN
LIFE OP A PEDAGOGUE–KINDNESS TO SCHOOLBOYS–PERTNESS IN RETURN–EXPENSIVE CHARITIES–THE GRIFFITHS AND THE “MONTHLY REVIEW”–TOILS OF A LITERARY HACK–RUPTURE WITH THE GRIFFITHS
Among the most cordial of Goldsmith’s intimates in London during this time of precarious struggle were certain of his former fellow-students in Edinburgh. One of these was the son of a Dr. Milner, a dissenting minister, who kept a classical school of eminence at Peckham, in Surrey. Young Milner had a favorable opinion of Goldsmith’s abilities and attainments, and cherished for him that good will which his genial nature seems ever to have inspired among his school and college associates. His father falling ill, the young man negotiated with Goldsmith to take temporary charge of the school. The latter readily consented; for he was discouraged by the slow growth of medical reputation and practice, and as yet had no confidence in the coy smiles of the muse. Laying by his wig and cane, therefore, and once more wielding the ferule, he resumed the character of the pedagogue, and for some time reigned as vicegerent over the academy at Peckham. He appears to have been well treated by both Dr. Milner and his wife, and became a favorite with the scholars from his easy, indulgent good nature. He mingled in their sports, told them droll stories, played on the flute for their amusement, and spent his money in treating them to sweetmeats and other schoolboy dainties. His familiarity was sometimes carried too far; he indulged in boyish pranks and practical jokes, and drew upon himself retorts in kind, which, however, he bore with great good humor. Once, indeed, he was touched to the quick by a piece of schoolboy pertness. After playing on the flute, he spoke with enthusiasm of music, as delightful in itself, and as a valuable accomplishment for a gentleman, whereupon a youngster, with a glance at his ungainly person, wished to know if he considered himself a gentleman. Poor Goldsmith, feelingly alive to the awkwardness of his appearance and the humility of his situation, winced at this unthinking sneer, which long rankled in his mind.
As usual, while in Dr. Milner’s employ, his benevolent feelings were a heavy tax upon his purse, for he never could resist a tale of distress, and was apt to be fleeced by every sturdy beggar; so that, between his charity and his munificence, he was generally in advance of his slender salary. “You had better, Mr. Goldsmith, let me take care of your money,” said Mrs. Milner one day, “as I do for some of the young gentlemen.”–“In truth, madam, there is equal need!” was the good-humored reply.
Dr. Milner was a man of some literary pretensions, and wrote occasionally for the “Monthly Review,” of which a bookseller, by the name of Griffiths, was proprietor. This work was an advocate for Whig principles, and had been in prosperous existence for nearly eight years. Of late, however, periodicals had multiplied exceedingly, and a formidable Tory rival had started up in the “Critical Review,” published by Archibald Hamilton, a bookseller, and aided by the powerful and popular pen of Dr. Smollett. Griffiths was obliged to recruit his forces. While so doing he met Goldsmith, a humble occupant of a seat at Dr. Milner’s table, and was struck with remarks on men and books which fell from him in the course of conversation. He took occasion to sound him privately as to his inclination and capacity as a reviewer, and was furnished by him with specimens of his literary and critical talents. They proved satisfactory. The consequence was that Goldsmith once more changed his mode of life, and in April, 1757, became a contributor to the “Monthly Review,” at a small fixed salary, with board and lodging, and accordingly took up his abode with Mr. Griffiths, at the sign of the Dunciad, Paternoster Row. As usual we trace this phase of his fortunes in his semi-fictitious writings; his sudden transmutation of the pedagogue into the author being humorously set forth in the case of “George Primrose,” in the Vicar of “Wakefield.” “Come,” says George’s adviser, “I see you are a lad of spirit and some learning; what do you think of commencing author like me? You have read in books, no doubt, of men of genius starving at the trade; at present I’ll show you forty very dull fellows about town that live by it in opulence. All honest, jog-trot men, who go on smoothly and dully, and write history and politics, and are praised: men, sir, who, had they been bred cobblers, would all their lives only have mended shoes, but never made them.” “Finding” (says George) “that there is no great degree of gentility affixed to the character of an usher, I resolved to accept his proposal; and having the highest respect for literature, hailed the _antiqua mater_ of Grub Street with reverence. I thought it my glory to pursue a track which Dryden and Otway trod before me. Alas, Dryden struggled with indigence all his days; and Otway, it is said, fell a victim to famine in his thirty-fifth year, being strangled by a roll of bread, which he devoured with the voracity of a starving man.”
In Goldsmith’s experience the track soon proved a thorny one. Griffiths was a hard business man, of shrewd, worldly good sense, but little refinement or cultivation. He meddled, or rather muddled with literature, too, in a business way, altering and modifying occasionally the writings of his contributors, and in this he was aided by his wife, who, according to Smollett, was “an antiquated female critic and a dabbler in the ‘Review.'” Such was the literary vassalage to which Goldsmith had unwarily subjected himself. A diurnal drudgery was imposed on him, irksome to his indolent habits, and attended by circumstances humiliating to his pride. He had to write daily from nine o’clock until two, and often throughout the day; whether in the vein or not, and on subjects dictated by his taskmaster, however foreign to his taste; in a word, he was treated as a mere literary hack. But this was not the worst; it was the critical supervision of Griffiths and his wife which grieved him: the “illiterate, bookselling Griffiths,” as Smollett called them, “who presumed to revise, alter, and amend the articles contributed to their ‘Review.’ Thank heaven,” crowed Smollett, “the ‘Critical Review’ is not written under the restraint of a bookseller and his wife. Its principal writers are independent of each other, unconnected with booksellers, and unawed by old women!”
This literary vassalage, however, did not last long. The bookseller became more and more exacting. He accused his hack writer of idleness; of abandoning his writing-desk and literary workshop at an early hour of the day; and of assuming a tone and manner _above his situation_. Goldsmith, in return, charged him with impertinence; his wife with meanness and parsimony in her household treatment of him, and both of literary meddling and marring. The engagement was broken off at the end of five months, by mutual consent, and without any violent rupture, as it will be found they afterward had occasional dealings with each other.
Though Goldsmith was now nearly thirty years of age, he had produced nothing to give him a decided reputation. He was as yet a mere writer for bread. The articles he had contributed to the “Review” were anonymous, and were never avowed by him. They have since been, for the most part, ascertained; and though thrown off hastily, often treating on subjects of temporary interest, and marred by the Griffith interpolations, they are still characterized by his sound, easy, good sense, and the genial graces of his style. Johnson observed that Goldsmith’s genius flowered late; he should have said it flowered early, but was late in bringing its fruit to maturity.
CHAPTER EIGHT
NEWBERY, OF PICTURE-BOOK MEMORY–HOW TO KEEP UP APPEARANCES–MISERIES OF AUTHORSHIP–A POOR RELATION–LETTER TO HODSON
Being now known in the publishing world, Goldsmith began to find casual employment in various quarters; among others he wrote occasionally for the “Literary Magazine,” a production set on foot by Mr. John Newbery, bookseller, St. Paul’s Churchyard, renowned in nursery literature throughout the latter half of the last century for his picture-books for children. Newbery was a worthy, intelligent, kind-hearted man, and a seasonable though cautious friend to authors, relieving them with small loans when in pecuniary difficulties, though always taking care to be well repaid by the labor of their pens. Goldsmith introduces him in a humorous yet friendly manner in his novel of the Vicar of Wakefield. “This person was no other than the philanthropic bookseller in St. Paul’s Churchyard, who has written so many little books for children; he called himself their friend; but he was the friend of all mankind. He was no sooner alighted but he was in haste to be gone; for he was ever on business of importance, and was at that time actually compiling materials for the history of one Mr. Thomas Trip. I immediately recollected this good-natured man’s red-pimpled face.”
Besides his literary job work, Goldsmith also resumed his medical practice, but with very trifling success. The scantiness of his purse still obliged him to live in obscure lodgings somewhere in the vicinity of Salisbury Square, Fleet Street; but his extended acquaintance and rising importance caused him to consult appearances. He adopted an expedient, then very common, and still practiced in London among those who have to tread the narrow path between pride and poverty; while he burrowed in lodgings suited to his means, he “hailed,” as it is termed, from the Temple Exchange Coffeehouse near Temple Bar. Here he received his medical calls; hence he dated his letters, and here he passed much of his leisure hours, conversing with the frequenters of the place. “Thirty pounds a year,” said a poor Irish painter, who understood the art of shifting, “is enough to enable a man to live in London without being contemptible. Ten pounds will find him in clothes and linen; he can live in a garret on eighteen pence a week; hail from a coffee-house, where, by occasionally spending threepence, he may pass some hours each day in good company; he may breakfast on bread and milk for a penny; dine for sixpence; do without supper; and on _clean-shirt-day_ he may go abroad and pay visits.”
Goldsmith seems to have taken a leaf from this poor devil’s manual in respect to the coffee-house at least. Indeed, coffee-houses in those days were the resorts of wits and literati, where the topics of the day were gossiped over, and the affairs of literature and the drama discussed and criticised. In this way he enlarged the circle of his intimacy, which now embraced several names of notoriety.
Do we want a picture of Goldsmith’s experience in this part of his career? we have it in his observations on the life of an author in the “Inquiry into the State of Polite Learning,” published some years afterward.
“The author, unpatronized by the great, has naturally recourse to the bookseller. There cannot, perhaps, be imagined a combination more prejudicial to taste than this. It is the interest of the one to allow as little for writing, and for the other to write as much as possible; accordingly tedious compilations and periodical magazines are the result of their joint endeavors. In these circumstances the author bids adieu to fame; writes for bread; and for that only imagination is seldom called in. He sits down to address the venal muse with the most phlegmatic apathy; and, as we are told of the Russian, courts his mistress by falling asleep in her lap.”
Again. “Those who are unacquainted with the world are apt to fancy the man of wit as leading a very agreeable life. They conclude, perhaps, that he is attended with silent admiration, and dictates to the rest of mankind with all the eloquence of conscious superiority. Very different is his present situation. He is called an author, and all know that an author is a thing only to be laughed at. His person, not his jest, becomes the mirth of the company. At his approach the most fat, unthinking face brightens into malicious meaning. Even aldermen laugh, and avenge on him the ridicule which was lavished on their forefathers…. The poet’s poverty is a standing topic of contempt. His writing for bread is an unpardonable offense. Perhaps of all mankind an author in these times is used most hardly. We keep him poor, and yet revile his poverty. We reproach him for living by his wit, and yet allow him no other means to live. His taking refuge in garrets and cellars has of late been violently objected to him, and that by men who, I hope, are more apt to pity than insult his distress. Is poverty a careless fault? No doubt he knows how to prefer a bottle of champagne to the nectar of the neighboring ale-house, or a venison pasty to a plate of potatoes. Want of delicacy is not in him, but in those who deny him the opportunity of making an elegant choice. Wit certainly is the property of those who have it, nor should we be displeased if it is the only property a man sometimes has. We must not underrate him who uses it for subsistence, and flees from the ingratitude of the age even to a bookseller for redress.”…
“If the author be necessary among us, let us treat him with proper consideration as a child of the public, not as a rent-charge on the community. And indeed a child of the public he is in all respects; for while so well able to direct others, how incapable is he frequently found of guiding himself. His simplicity exposes him to all the insidious approaches of cunning; his sensibility, to the slightest invasions of contempt. Though possessed of fortitude to stand unmoved the expected bursts of an earthquake, yet of feelings so exquisitely poignant as to agonize under the slightest disappointment. Broken rest, tasteless meals, and causeless anxieties shorten life, and render it unfit for active employments; prolonged vigils and intense application still further contract his span, and make his time glide insensibly away.”
While poor Goldsmith was thus struggling with the difficulties and discouragements which in those days beset the path of an author, his friends in Ireland received accounts of his literary success and of the distinguished acquaintances he was making. This was enough to put the wise heads at Lissoy and Ballymahon in a ferment of conjectures. With the exaggerated notions of provincial relatives concerning the family great man in the metropolis, some of Goldsmith’s poor kindred pictured him to themselves seated in high places, clothed in purple and fine linen, and hand and glove with the givers of gifts and dispensers of patronage. Accordingly, he was one day surprised at the sudden apparition, in his miserable lodging, of his younger brother Charles, a raw youth of twenty-one, endowed with a double share of the family heedlessness, and who expected to be forthwith helped into some snug by-path to fortune by one or other of Oliver’s great friends. Charles was sadly disconcerted on learning that, so far from being able to provide for others, his brother could scarcely take care of himself. He looked round with a rueful eye on the poet’s quarters, and could not help expressing his surprise and disappointment at finding him no better off. “All in good tune, my dear boy,” replied poor Goldsmith, with infinite good-humor; “I shall be richer by-and-by. Addison, let me tell you, wrote his poem of the Campaign in a garret in the Haymarket, three stones high, and you see I am not come to that yet, for I have only got to the second story.”
Charles Goldsmith did not remain long to embarrass his brother in London. With the same roving disposition and inconsiderate temper of Oliver, he suddenly departed in a humble capacity to seek his fortune in the West Indies, and nothing was heard of him for above thirty years, when, after having been given up as dead by his friends, he made his reappearance in England.
Shortly after his departure Goldsmith wrote a letter to his brother-in-law, Daniel Hodson, Esq., of which the following is an extract; it was partly intended, no doubt, to dissipate any further illusions concerning his fortunes which might float on the magnificent imagination of his friends in Ballymahon.
“I suppose you desire to know my present situation. As there is nothing in it at which I should blush, or which mankind could censure, I see no reason for making it a secret. In short, by a very little practice as a physician, and a very little reputation as a poet, I make a shift to live. Nothing is more apt to introduce us to the gates of the muses than poverty; but it were well if they only left us at the door. The mischief is they sometimes choose to give us their company to the entertainment; and want, instead of being gentleman-usher, often turns master of the ceremonies.
“Thus, upon learning I write, no doubt you imagine I starve; and the name of an author naturally reminds you of a garret. In this particular I do not think proper to undeceive my friends. But, whether I eat or starve, live in a first floor or four pairs of stairs high, I still remember them with ardor; nay, my very country comes in for a share of my affection. Unaccountable fondness for country, this _maladie du pais_, as the French call it! Unaccountable that he should still have an affection for a place, who never, when in it, received above common civility; who never brought anything out of it except his brogue and his blunders. Surely my affection is equally ridiculous with the Scotchman’s, who refused to be cured of the itch because it made him unco’ thoughtful of his wife and bonny Inverary.
“But now, to be serious: let me ask myself what gives me a wish to see Ireland again. The country is a fine one, perhaps? No. There are good company in Ireland? No. The conversation there is generally made up of a smutty toast or a bawdy song; the vivacity supported by some humble cousin, who had just folly enough to earn his dinner. Then, perhaps, there’s more wit and learning among the Irish? Oh, Lord, no! There has been more money spent in the encouragement of the Padareen mare there one season than given in rewards to learned men since the time of Usher. All their productions in learning amount to perhaps a translation, or a few tracts in divinity; and all their productions in wit to just nothing at all. Why the plague, then, so fond of Ireland? Then, all at once, because you, my dear friend, and a few more who are exceptions to the general picture, have a residence there. This it is that gives me all the pangs I feel in separation. I confess I carry this spirit sometimes to the souring the pleasures I at present possess. If I go to the opera, where Signora Columba pours out all the mazes of melody, I sit and sigh for Lissoy fireside, and Johnny Armstrong’s ‘Last Good-night’ from Peggy Golden. If I climb Hampstead Hill, than where nature never exhibited a more magnificent prospect, I confess it fine; but then I had rather be placed on the little mount before Lissoy gate, and there take in, to me, the most pleasing horizon in nature.
“Before Charles came hither my thoughts sometimes found refuge from severer studies among my friends in Ireland. I fancied strange revolutions at home; but I find it was the rapidity of my own motion that gave an imaginary one to objects really at rest. No alterations there. Some friends, he tells me, are still lean, but very rich; others very fat, but still very poor. Nay, all the news I hear of you is, that you sally out in visits among the neighbors, and sometimes make a migration from the blue bed to the brown. I could from my heart wish that you and she (Mrs. Hodson), and Lissoy and Ballymahon, and all of you, would fairly make a migration into Middlesex; though, upon second thoughts, this might be attended with a few inconveniences. Therefore, as the mountain will not come to Mohammed, why Mohammed shall go to the mountain; or, to speak plain English, as you cannot conveniently pay me a visit, if next summer I can contrive to be absent six weeks from London, I shall spend three of them among my friends in Ireland. But first, believe me, my design is purely to visit, and neither to cut a figure nor levy contributions; neither to excite envy nor solicit favor; in fact, my circumstances are adapted to neither. I am too poor to be gazed at, and too rich to need assistance.”
CHAPTER NINE
HACKNEY AUTHORSHIP–THOUGHTS OF LITERARY SUICIDE–RETURN TO PECKHAM–ORIENTAL PROJECTS–LITERARY ENTERPRISE TO RAISE FUNDS–LETTER TO EDWARD WELLS–TO ROBERT BRYANTON–DEATH OF UNCLE CONTARINE–LETTER TO COUSIN JANE
For some time Goldsmith continued to write miscellaneously for reviews and other periodical publications, but without making any decided hit, to use a technical term. Indeed, as yet he appeared destitute of the strong excitement of literary ambition, and wrote only on the spur of necessity and at the urgent importunity of his bookseller. His indolent and truant disposition, ever averse from labor and delighting in holiday, had to be scourged up to its task; still it was this very truant disposition which threw an unconscious charm over everything he wrote; bringing with it honeyed thoughts and pictured images which had sprung up in his mind in the sunny hours of idleness: these effusions, dashed off on compulsion in the exigency of the moment, were published anonymously; so that they made no collective impression on the public, and reflected no fame on the name of their author.
In an essay published some time subsequently in the “Bee,” Goldsmith adverts, in his own humorous way, to his impatience at the tardiness with which his desultory and unacknowledged essays crept into notice. “I was once induced,” says he, “to show my indignation against the public by discontinuing my efforts to please; and was bravely resolved, like Raleigh, to vex them by burning my manuscripts in a passion. Upon reflection, however, I considered what set or body of people would be displeased at my rashness. The sun, after so sad an accident, might shine next morning as bright as usual; men might laugh and sing the next day, and transact business as before; and not a single creature feel any regret but myself. Instead of having Apollo in mourning or the Muses in a fit of the spleen; instead of having the learned world apostrophizing at my untimely decease; perhaps all Grub Street might laugh at my fate, and self-approving dignity be unable to shield me from ridicule.”
Circumstances occurred about this time to give a new direction to Goldsmith’s hopes and schemes. Having resumed for a brief period the superintendence of the Peckham school during a fit of illness of Dr. Milner, that gentleman, in requital for his timely services, promised to use his influence with a friend, an East India director, to procure him a medical appointment in India.
There was every reason to believe that the influence of Dr. Milner would be effectual; but how was Goldsmith to find the ways and means of fitting himself out for a voyage to the Indies? In this emergency he was driven to a more extended exercise of the pen than he had yet attempted. His skirmishing among books as a reviewer, and his disputatious ramble among the schools and universities and literati of the Continent, had filled his mind with facts and observations which he now set about digesting into a treatise of some magnitude, to be entitled “An Inquiry into the Present State of Polite Learning in Europe.” As the work grew on his hands his sanguine temper ran ahead of his labors. Feeling secure of success in England, he was anxious to forestall the piracy of the Irish press; for as yet, the Union not having taken place, the English law of copyright did not extend to the other side of the Irish Channel. He wrote, therefore, to his friends in Ireland, urging them to circulate his proposals for his contemplated work, and obtain subscriptions payable in advance; the money to be transmitted to a Mr. Bradley, an eminent bookseller in Dublin, who would give a receipt for it and be accountable for the delivery of the books. The letters written by him on this occasion are worthy of copious citation as being full of character and interest. One was to his relative and college intimate, Edward Wells, who had studied for the bar, but was now living at ease on his estate at Roscommon. “You have quitted,” writes Goldsmith, “the plan of life which you once intended to pursue, and given up ambition for domestic tranquillity. I cannot avoid feeling some regret that one of my few friends has declined a pursuit in which he had every reason to expect success. I have often let my fancy loose when you were the subject, and have imagined you gracing the bench, or thundering at the bar: while I have taken no small pride to myself, and whispered to all that I could come near, that this was my cousin. Instead of this, it seems, you are merely contented to be a happy man; to be esteemed by your acquaintances; to cultivate your paternal acres; to take unmolested a nap under one of your own hawthorns or in Mrs. Wells’ bedchamber, which, even a poet must confess, is rather the more comfortable place of the two. But, however your resolutions may be altered with regard to your situation in life, I persuade myself they are unalterable with respect to your friends in it. I cannot think the world has taken such entire possession of that heart (once so susceptible of friendship) as not to have left a corner there for a friend or two, but I flatter myself that even I have a place among the number. This I have a claim to from the similitude of our dispositions; or setting that aside, I can demand it as a right by the most equitable law of nature; I mean that of retaliation; for indeed you have more than your share in mine. I am a man of few professions; and yet at this very instant I cannot avoid the painful apprehension that my present professions (which speak not half my feelings) should be considered only as a pretext to cover a request, as I have a request to make. No, my dear Ned, I know you are too generous to think so, and you know me too proud to stoop to unnecessary insincerity–I have a request, it is true, to make; but as I know to whom I am a petitioner, I make it without diffidence or confusion. It is in short, this, I am going to publish a book in London,” etc. The residue of the letter specifies the nature of the request, which was merely to aid in circulating his proposals and obtaining subscriptions. The letter of the poor author, however, was unattended to and unacknowledged by the prosperous Mr. Wells, of Roscommon, though in after years he was proud to claim relationship to Dr. Goldsmith, when he had risen to celebrity.
Another of Goldsmith’s letters was to Robert Bryanton, with whom he had long ceased to be in correspondence. “I believe,” writes he, “that they who are drunk, or out of their wits, fancy everybody else in the same condition. Mine is a friendship that neither distance nor tune can efface, which is probably the reason that, for the soul of me, I can’t avoid thinking yours of the same complexion; and yet I have many reasons for being of a contrary opinion, else why, in so long an absence, was I never made a partner in your concerns? To hear of your success would have given me the utmost pleasure; and a communication of your very disappointments would divide the uneasiness I too frequently feel for my own. Indeed, my dear Bob, you don’t conceive how unkindly you have treated one whose circumstances afford him few prospects of pleasure, except those reflected from the happiness of his friends. However, since you have not let me hear from you, I have in some measure disappointed your neglect by frequently thinking of you. Every day or so I remember the calm anecdotes of your life, from the fireside to the easy-chair; recall the various adventures that first cemented our friendship; the school, the college, or the tavern; preside in fancy over your cards; and am displeased at your bad play when the rubber goes against you, though not with all that agony of soul as when I was once your partner. Is it not strange that two of such like affections should be so much separated, and so differently employed as we are? You seem placed at the center of fortune’s wheel, and, let it revolve ever so fast, are insensible of the motion. I seem to have been tied to the circumference, and whirled disagreeably round, as if on a whirligig.”
He then runs into a whimsical and extravagant tirade about his future prospects. The wonderful career of fame and fortune that awaits him, and after indulging in all kinds of humorous gasconades, concludes: “Let me, then, stop my fancy to take a view of my future self–and, as the boys say, light down to see myself on horseback. Well, now that I am down, where the d–l _is I_? Oh gods! gods! here in a garret, writing for bread, and expecting to be dunned for a milk score!”
He would, on this occasion, have doubtless written to his uncle Contarine, but that generous friend was sunk into a helpless, hopeless state from which death soon released him.
Cut off thus from the kind co-operation of his uncle, he addresses a letter to his daughter Jane, the companion of his schoolboy and happy days, now the wife of Mr. Lawder. The object was to secure her interest with her husband in promoting the circulation of his proposals. The letter is full of character.
“If you should ask,” he begins, “why, in an interval of so many years, you never heard from me, permit me, madam, to ask the same question. I have the best excuse in recrimination. I wrote to Kilmore from Leyden in Holland, from Louvain in Flanders, and Rouen in France, but received no answer. To what could I attribute this silence but to displeasure or forgetfulness? Whether I was right in my conjecture I do not pretend to determine; but this I must ingenuously own that I have a thousand times in my turn endeavored to forget _them_, whom I could not but look upon as forgetting _me_. I have attempted to blot their names from my memory, and, I confess it, spent whole days in efforts to tear their image from my heart. Could I have succeeded, you had not now been troubled with this renewal of a discontinued correspondence; but, as every effort the restless make to procure sleep serves but to keep them waking, all my attempts contributed to impress what I would forget deeper on my imagination. But this subject I would willingly turn from, and yet, ‘for the soul of me,’ I can’t till I have said all. I was, madam, when I discontinued writing to Kilmore, in such circumstances that all my endeavors to continue your regards might be attributed to wrong motives. My letters might be looked upon as the petitions of a beggar, and not the offerings of a friend; while all my professions, instead of being considered as the result of disinterested esteem, might be ascribed to venal insincerity. I believe, indeed, you had too much generosity to place them in such a light, but I could not bear even the shadow of such a suspicion. The most delicate friendships are always most sensible of the slightest invasion, and the strongest jealousy is ever attendant on the warmest regard. I could not–I own I could not–continue a correspondence in which every acknowledgment for past favors might be considered as an indirect request for future ones; and where it might be thought I gave my heart from a motive of gratitude alone, when I was conscious of having bestowed it on much more disinterested principles. It is true, this conduct might have been simple enough; but yourself must confess it was in character. Those who know me at all, know that I have always been actuated by different principles from the rest of mankind: and while none regarded the interest of his friend more, no man on earth regarded his own less. I have often affected bluntness to avoid the imputation of flattery; have frequently seemed to overlook those merits too obvious to escape notice, and pretended disregard to those instances of good nature and good sense, which I could not fail tacitly to applaud; and all this lest I should be ranked among the grinning tribe, who say ‘very true’ to all that is said; who fill a vacant chair at a tea-table; whose narrow souls never moved in a wider circle than the circumference of a guinea; and who had rather be reckoning the money in your pocket than the virtue in your breast. All this, I say, I have done, and a thousand other very silly, though very disinterested, things in my time, and for all which no soul cares a farthing about me…. Is it to be wondered that he should once in his life forget you, who has been all his life forgetting himself? However, it is probable you may one of these days see me turned into a perfect hunks, and as dark and intricate as a mouse-hole. I have already given my landlady orders for an entire reform in the state of my finances. I declaim against hot suppers, drink less sugar in my tea, and check my grate with brickbats. Instead of hanging my room with pictures, I intend to adorn it with maxims of frugality. Those will make pretty furniture enough, and won’t be a bit too expensive; for I will draw them all out with my own hands, and my landlady’s daughter shall frame them with the parings of my black waistcoat. Each maxim is to be inscribed on a sheet of clean paper, and wrote with my best pen; of which the following will serve as a specimen. _Look sharp: Mind the main chance: Money is money now: If you have a thousand pounds you can put your hands by your sides, and say you are worth a thousand pounds every day of the year: Take a farthing from a hundred and it will be a hundred no longer._ Thus, which way soever I turn my eyes, they are sure to meet one of those friendly monitors; and as we are told of an actor who hung his room round with looking-glass to correct the defects of his person, my apartment shall be furnished in a peculiar manner, to correct the errors of my mind. Faith! madam, I heartily wish to be rich, if it were only for this reason, to say without a blush how much I esteem you. But, alas! I have many a fatigue to encounter before that happy times comes, when your poor old simple friend may again give a loose to the luxuriance of his nature; sitting by Kilmore fireside, recount the various adventures of a hard-fought life; laugh over the follies of the day; join his flute to your harpsichord; and forget that ever he starved in those streets where Butler and Otway starved before him. And now I mention those great names–my uncle! he is no more that soul of fire as when I once knew him. Newton and Swift grew dim with age as well as he. But what shall I say? His mind was too active an inhabitant not to disorder the feeble mansion of its abode: for the richest jewels soonest wear their settings. Yet who but the fool would lament his condition! He now forgets the calamities of life. Perhaps indulgent Heaven has given him a foretaste of that tranquillity here, which he so well deserves hereafter. But I must come to business; for business, as one of my maxims tells me, must be minded or lost. I am going to publish in London a book entitled ‘The Present State of Taste and Literature in Europe.’ The booksellers in Ireland republish every performance there without making the author any consideration. I would, in this respect, disappoint their avarice and have all the profits of my labor to myself. I must therefore request Mr. Lawder to circulate among his friends and acquaintances a hundred of my proposals which I have given the bookseller, Mr. Bradley, in Dame Street, directions to send to him. If, in pursuance of such circulation, he should receive any subscriptions, I entreat, when collected, they may be sent to Mr. Bradley, as aforesaid, who will give a receipt, and be accountable for the work, or a return of the subscription. If this request (which, if it be complied with, will in some measure be an encouragement to a man of learning) should be disagreeable or troublesome, I would not press it; for I would be the last man on earth to have my labors go a-begging; but if I know Mr. Lawder (and sure I ought to know him), he will accept the employment with pleasure. All I can say–if he writes a book, I will get him two hundred subscribers, and those of the best wits in Europe. Whether this request is complied with or not, I shall not be uneasy; but there is one petition I must make to him and to you, which I solicit with the warmest ardor, and in which I cannot bear a refusal. I mean, dear madam, that I may be allowed to subscribe myself, your ever affectionate and obliged kinsman, OLIVER GOLDSMITH. Now see how I blot and blunder, when I am asking a favor.”
CHAPTER TEN
ORIENTAL APPOINTMENT–AND DISAPPOINTMENT–EXAMINATION AT THE COLLEGE OF SURGEONS–HOW TO PROCURE A SUIT OF CLOTHES–FRESH DISAPPOINTMENT–A TALE OF DISTRESS–THE SUIT OF CLOTHES IN PAWN–PUNISHMENT FOR DOING AN ACT OF CHARITY–GAYETIES OF GREEN ARBOR COURT–LETTER TO HIS BROTHER–LIFE OF VOLTAIRE–SCROGGIN, AN ATTEMPT AT MOCK HEROIC POETRY
While Goldsmith was yet laboring at his treatise, the promise made him by Dr. Milner was carried into effect, and he was actually appointed physician and surgeon to one of the factories on the coast of Coromandel. His imagination was immediately on fire with visions of Oriental wealth and magnificence. It is true the salary did not exceed one hundred pounds, but then, as appointed physician, he would have the exclusive practice of the place, amounting to one thousand pounds per annum; with advantages to be derived from trade, and from the high interest of money–twenty per cent; in a word, for once in his life, the road to fortune lay broad and straight before him.
Hitherto, in his correspondence with his friends, he had said nothing of his India scheme; but now he imparted to them his brilliant prospects, urging the importance of their circulating his proposals and obtaining him subscriptions and advances on his forthcoming work, to furnish funds for his outfit.
In the meantime he had to task that poor drudge, his muse, for present exigencies. Ten pounds were demanded for his appointment-warrant. Other expenses pressed hard upon him. Fortunately, though as yet unknown to fame, his literary capability was known to “the trade,” and the coinage of his brain passed current in Grub Street. Archibald Hamilton, proprietor of the “Critical Review,” the rival to that of Griffiths, readily made him a small advance on receiving three articles for his periodical. His purse thus slenderly replenished, Goldsmith paid for his warrant; wiped off the score of his milkmaid; abandoned his garret, and moved into a shabby first floor in a forlorn court near the Old Bailey; there to await the time for his migration to the magnificent coast of Coromandel.
Alas! poor Goldsmith! ever doomed to disappointment. Early in the gloomy month of November, that mouth of fog and despondency in London, he learned the shipwreck of his hope. The great Coromandel enterprise fell through; or rather the post promised to him was transferred to some other candidate. The cause of this disappointment it is now impossible to ascertain. The death of his quasi patron, Dr. Milner, which happened about this time, may have had some effect in producing it; or there may have been some heedlessness and blundering on his own part; or some obstacle arising from his insuperable indigence; whatever may have been the cause, he never mentioned it, which gives some ground to surmise that he himself was to blame. His friends learned with surprise that he had suddenly relinquished his appointment to India, about which he had raised such sanguine expectations: some accused him of fickleness and caprice; others supposed him unwilling to tear himself from the growing fascinations of the literary society of London.
In the meantime, cut down in his hopes and humiliated in his pride by the failure of his Coromandel scheme, he sought, without consulting his friends, to be examined at the College of Physicians for the humble situation of hospital mate. Even here poverty stood in his way. It was necessary to appear in a decent garb before the examining committee; but how was he to do so? He was literally out at elbows as well as out of cash. Here again the muse, so often jilted and neglected by him, came to his aid. In consideration of four articles furnished to the “Monthly Review,” Griffiths, his old taskmaster, was to become his security to the tailor for a suit of clothes. Goldsmith said he wanted them but for a single occasion, on which depended his appointment to a situation in the army; as soon as that temporary purpose was served they would either be returned or paid for. The books to be reviewed were accordingly lent to him; the muse was again set to her compulsory drudgery; the articles were scribbled off and sent to the bookseller, and the clothes came in due time from the tailor.
From the records of the College of Surgeons, it appears that Goldsmith underwent his examination at Surgeons’ Hall, on the 21st of December, 1758.
Either from a confusion of mind incident to sensitive and imaginative persons on such occasions, or from a real want of surgical science, which last is extremely probable, he failed in his examination, and was rejected as unqualified. The effect of such a rejection was to disqualify him for every branch of public service, though he might have claimed a re-examination, after the interval of a few months devoted to further study. Such a re-examination he never attempted, nor did he ever communicate his discomfiture to any of his friends.
On Christmas day, but four days after his rejection by the College of Surgeons, while he was suffering under the mortification of defeat and disappointment, and hard pressed for means of subsistence, he was surprised by the entrance into his room of the poor woman of whom he hired his wretched apartment, and to whom he owed some small arrears of rent. She had a piteous tale of distress, and was clamorous in her afflictions. Her husband had been arrested in the night for debt, and thrown into prison. This was too much for the quick feelings of Goldsmith; he was ready at any time to help the distressed, but in this instance he was himself in some measure a cause of the distress. What was to be done? He had no money, it is true; but there hung the new suit of clothes in which he had stood his unlucky examination at Surgeons’ Hall. Without giving himself time for reflection, he sent it off to the pawnbroker’s, and raised thereon a sufficient sum to pay off his own debt, and to release his landlord from prison.
Under the same pressure of penury and despondency, he borrowed from a neighbor a pittance to relieve his immediate wants, leaving as a security the books which he had recently reviewed. In the midst of these straits and harassments, he received a letter from Griffiths, demanding in peremptory terms the return of the clothes and books, or immediate payment for the same. It appears that he had discovered the identical suit at the pawnbroker’s. The reply of Goldsmith is not known; it was out of his power to furnish either the clothes or the money; but he probably offered once more to make the muse stand his bail. His reply only increased the ire of the wealthy man of trade, and drew from him another letter still more harsh than the first, using the epithets of knave and sharper, and containing threats of prosecution and a prison.
The following letter from poor Goldsmith gives the most touching picture of an inconsiderate but sensitive man, harassed by care, stung by humiliations, and driven almost to despondency.
“Sir–I know of no misery but a jail to which my own imprudences and your letter seem to point. I have seen it inevitable these three or four weeks, and, by heavens! request it as a favor–as a favor that may prevent something more fatal. I have been some years struggling with a wretched being–with all that contempt that indigence brings with it–with all those passions which make contempt insupportable. What, then, has a jail that is formidable. I shall at least have the society of wretches, and such is to me true society. I tell you, again and again, that I am neither able nor willing to pay you a farthing, but I will be punctual to any appointment you or the tailor shall make: thus far, at least, I do not act the sharper, since, unable to pay my own debts one way, I would generally give some security another. No, sir; had I been a sharper–had I been possessed of less good-nature and native generosity, I might surely now have been in better circumstances.
“I am guilty, I own, of meannesses which poverty unavoidably brings with it: my reflections are filled with repentance for my imprudence, but not with any remorse for being a villain; that may be a character you unjustly charge me with. Your books, I can assure you, are neither pawned nor sold, but in the custody of a friend, from whom my necessities obliged me to borrow some money: whatever becomes of my person, you shall have them in a month. It is very possible both the reports you have heard and your own suggestions may have brought you false information with, respect to my character; it is very possible that the man whom you now regard with detestation may inwardly burn with grateful resentment. It is very possible that, upon a second perusal of the letter I sent you, you may see the workings of a mind strongly agitated with gratitude and jealousy. If such circumstances should appear, at least spare invective till my book with Mr. Dodsley shall be published, and then, perhaps, you may see the bright side of a mind, when my professions shall not appear the dictates of necessity, but of choice.
“You seem to think Dr. Milner knew me not. Perhaps so; but he was a man I shall ever honor; but I have friendships only with the dead! I ask pardon for taking up so much time; nor shall I add to it by any other professions than that I am, sir, your humble servant,
“OLIVER GOLDSMITH.
“P.S.–I shall expect impatiently the result of your resolutions.”
The dispute between the poet and the publisher was afterward imperfectly adjusted, and it would appear that the clothes were paid for by a short compilation advertised by Griffiths in the course of the following month; but the parties were never really friends afterward, and the writings of Goldsmith were harshly and unjustly treated in the “Monthly Review.”
We have given the preceding anecdote in detail, as furnishing one of the many instances in which Goldsmith’s prompt and benevolent impulses outran all prudent forecast, and involved him in difficulties and disgraces which a more selfish man would have avoided. The pawning of the clothes, charged upon him as a crime by the grinding bookseller, and apparently admitted by him as one of “the meannesses which poverty unavoidably brings with it,” resulted, as we have shown, from a tenderness of heart and generosity of hand in which another man would have gloried; but these were such natural elements with him that he was unconscious of their merit. It is a pity that wealth does not oftener bring such “meannesses” in its train.
And now let us be indulged in a few particulars about these lodgings in which Goldsmith was guilty of this thoughtless act of benevolence. They were in a very shabby house, No. 12, Green Arbor Court, between the Old Bailey and Fleet Market. An old woman was still living in 1820 who was a relative of the identical landlady whom Goldsmith relieved by the money received from the pawnbroker. She was a child about seven years of age at the time that the poet rented his apartment of her relative, and used frequently to be at the house in Green Arbor Court. She was drawn there, in a great measure, by the good-humored kindness of Goldsmith, who was always exceedingly fond of the society of children. He used to assemble those of the family in his room, give them cakes and sweetmeats, and set them dancing to the sound of his flute. He was very friendly to those around him, and cultivated a kind of intimacy with a watchmaker in the court, who possessed much native wit and humor. He passed most of the day, however, in his room, and only went out in the evenings. His days were no doubt devoted to the drudgery of the pen, and it would appear that he occasionally found the booksellers urgent taskmasters. On one occasion a visitor was shown up to his room, and immediately their voices were heard in high altercation, and the key was turned within the lock. The landlady, at first, was disposed to go to the assistance of her lodger; but a calm succeeding, she forbore to interfere.
Late in the evening the door was unlocked; a supper ordered by the visitor from a neighboring tavern, and Goldsmith and his intrusive guest finished the evening in great good-humor. It was probably his old taskmaster Griffiths, whose press might have been wailing, and who found no other mode of getting a stipulated task from Goldsmith than by locking him in, and staying by him until it was finished.
But we have a more particular account of these lodgings in Green Arbor Court from the Rev. Thomas Percy, afterward Bishop of Dromore, and celebrated for his relics of ancient poetry, his beautiful ballads, and other works. During an occasional visit to London, he was introduced to Goldsmith by Grainger, and ever after continued one of his most steadfast and valued friends. The following is his description of the poet’s squalid apartment: “I called on Goldsmith at his lodgings in March, 1759, and found him writing his ‘Inquiry’ in a miserable, dirty-looking room, in which there was but one chair; and when, from civility, he resigned it to me, he himself was obliged to sit in the window. While we were conversing together some one tapped gently at the door, and, being desired to come in, a poor, ragged little girl, of a very becoming demeanor, entered the room, and, dropping a courtesy, said, ‘My mamma sends her compliments and begs the favor of you to lend her a chamber-pot full of coals.'”
“We are reminded in this anecdote of Goldsmith’s picture of the lodgings of Beau Tibbs, and of the peep into the secrets of a makeshift establishment given to a visitor by the blundering old Scotch woman.
“By this time we were arrived as high as the stairs would permit us to ascend, till we came to what he was facetiously pleased to call the first floor down the chimney; and, knocking at the door, a voice from within demanded ‘Who’s there?’ My conductor answered that it was him. But this not satisfying the querist, the voice again repeated the demand, to which he answered louder than before; and now the door was opened by an old woman with cautious reluctance.
“When we got in he welcomed me to his house with great ceremony; and, turning to the old woman, asked where was her lady. ‘Good troth,’ replied she, in a peculiar dialect, ‘she’s washing your twa shirts at the next door, because they have taken an oath against lending the tub any longer.’ ‘My two shirts,’ cried he, in a tone that faltered with confusion; ‘what does the idiot mean?’ ‘I ken what I mean weel enough,’ replied the other; ‘she’s washing your twa shirts at the next door, because–‘ ‘Fire and fury! no more of thy stupid explanations,’ cried he; ‘go and inform her we have company. Were that Scotch hag to be forever in my family, she would never learn politeness, nor forget that absurd poisonous accent of hers, or testify the smallest specimen of breeding or high life; and yet it is very surprising, too, as I had her from a Parliament man, a friend of mine from the Highlands, one of the politest men in the world; but that’s a secret.'” [Footnote: Citizen of the World, Letter iv.]
Let us linger a little in Green Arbor Court, a place consecrated by the genius and the poverty of Goldsmith, but recently obliterated in the course of modern improvements. The writer of this memoir visited it not many years since on a literary pilgrimage, and may be excused for repeating a description of it which he has heretofore inserted in another publication. “It then existed in its pristine state, and was a small square of tall and miserable houses, the very intestines of which seemed turned inside out, to judge from the old garments and frippery that fluttered from every window. It appeared to be a region of washerwomen, and lines were stretched about the little square, on which clothes were dangling to dry.
“Just as we entered the square, a scuffle took place between two viragoes about a disputed right to a washtub, and immediately the whole community was in a hubbub. Heads in mob caps popped out of every window, and such a clamor of tongues ensued that I was fain to stop my ears. Every Amazon took part with one or other of the disputants, and brandished her arms, dripping with soapsuds, and fired away from her window as from the embrasure of a fortress; while the screams of children nestled and cradled in every procreant chamber of this hive, waking with the noise, set up their shrill pipes to swell the general concert.” [Footnote: Tales of a Traveler.]
While in these forlorn quarters, suffering under extreme depression of spirits, caused by his failure at Surgeons’ Hall, the disappointment of his hopes, and his harsh collisions with Griffiths, Goldsmith wrote the following letter to his brother Henry, some parts of which are most touchingly mournful.
“DEAR SIR–Your punctuality in answering a man whose trade is writing is more than I had reason to expect; and yet you see me generally fill a whole sheet, which is all the recompense I can make for being so frequently troublesome. The behavior of Mr. Wells and Mr. Lawder is a little extraordinary. However, their answering neither you nor me is a sufficient indication of their disliking the employment which I assigned them. As their conduct is different from what I had expected, so I have made an alteration in mine. I shall, the beginning of next month, send over two hundred and fifty books, [Footnote: The Inquiry into Polite Literature. His previous remarks apply to the subscription.] which are all that I fancy can be well sold among you, and I would have you make some distinction in the persons who have subscribed. The money, which will amount to sixty pounds, may be left with Mr. Bradley as soon as possible. I am not certain but I shall quickly have occasion for it.
“I have met with no disappointment with respect to my East India voyage, nor are my resolutions altered; though, at the same time, I must confess, it gives me some pain to think I am almost beginning the world at the age of thirty-one. Though I never had a day’s sickness since I saw you, yet I am not that strong, active man you once knew me. You scarcely can conceive how much eight years of disappointment, anguish, and study have worn me down. If I remember right you are seven or eight years older than me, yet I dare venture to say, that, if a stranger saw Us both, he would pay me the honors of seniority. Imagine to yourself a pale, melancholy visage, with two great wrinkles between the eyebrows, with an eye disgustingly severe, and a big wig; and you may have a perfect picture of my present appearance. On the other hand, I conceive you as perfectly sleek and healthy, passing many a happy day among your own children or those who knew you a child.
“Since I knew what it was to be a man, this is a pleasure I have not known. I have passed my days among a parcel of cool, designing beings, and have contracted all their suspicious manner in my own behavior. I should actually be as unfit for the society of my friends at home, as I detest that which I am obliged to partake of here. I can now neither partake of the pleasure of a revel, nor contribute to raise its jollity. I can neither laugh nor drink; have contracted a hesitating, disagreeable manner of speaking, and a visage that looks ill-nature itself; in short, I have thought myself into a settled melancholy, and an utter disgust of all that life brings with it. Whence this romantic turn that all our family are possessed with? Whence this love for every place and every country but that in which we reside–for every occupation but our own? this desire of fortune, and yet this eagerness to dissipate? I perceive, my dear sir, that I am at intervals for indulging this splenetic manner, and following my own taste, regardless of yours.
“The reasons you have given me for breeding up your son a scholar are judicious and convincing; I should, however, be glad to know for what particular profession he is designed If he be assiduous and divested of strong passions (for passions in youth always lead to pleasure), he may do very well in your college; for it must be owned that the industrious poor have good encouragement there, perhaps better than in any other in Europe. But if he has ambition, strong passions, and an exquisite sensibility of contempt, do not send him there, unless you have no other trade for him but your own. It is impossible to conceive how much may be done by proper education at home. A boy, for instance, who understands perfectly well Latin, French, arithmetic, and the principles of the civil law, and can write a fine hand, has an education that may qualify him for any undertaking; and these parts of learning should be carefully inculcated, let him be designed for whatever calling he will.
“Above all things, let him never touch a romance or novel; these paint beauty in colors more charming than nature, and describe happiness that man never tastes. How delusive, how destructive, are those pictures of consummate bliss! They teach the youthful mind to sigh after beauty and happiness that never existed; to despise the little good which fortune has mixed in our cup, by expecting more than she ever gave; and, in general, take the word of a man who has seen the world, and who has studied human nature more by experience than precept; take my word for it, I say, that books teach us very little of the world. The greatest merit in a state of poverty would only serve to make the possessor ridiculous–may distress, but cannot relieve him. Frugality, and even avarice, in the lower orders’ of mankind, are true ambition. These afford the only ladder for the poor to rise to preferment. Teach then, my dear sir, to your son, thrift and economy. Let his poor wandering uncle’s example be placed before his eyes. I had learned from books to be disinterested and generous before I was taught from experience the necessity of being prudent. I had contracted the habits and notions of a philosopher, while I was exposing myself to the approaches of insidious cunning; and often by being, even with my narrow finances, charitable to excess, I forgot the rules of justice, and placed myself in the very situation of the wretch who thanked me for my bounty. When I am in the remotest part of the world, tell him this, and perhaps he may improve from my example. But I find myself again falling into my gloomy habits of thinking.
“My mother, I am informed, is almost blind; even though I had the utmost inclination to return home, under such circumstances I could not, for to behold her in distress without a capacity of relieving her from it would add much to my splenetic habit. Your last letter was much too short; it should have answered some queries I had made in my former. Just sit down as I do, and write forward until you have filled all your paper. It requires no thought, at least from the ease with which my own sentiments rise when they are addressed to you. For, believe me, my head has no share in all I write; my heart dictates the whole. Pray give my love to Bob Bryanton, and entreat him from me not to drink. My dear sir, give me some account about poor Jenny. [Footnote: His sister, Mrs. Johnston; her marriage, like that of Mrs. Hodson, was private, but in pecuniary matters much less fortunate.] Yet her husband loves her; if so, she cannot be unhappy.
“I know not whether I should tell you–yet why should I conceal these trifles, or, indeed, anything from you? There is a book of mine will be published in a few days; the life of a very extraordinary man; no less than the great Voltaire. You know already by the title that it is no more than a catchpenny. However, I spent but four weeks on the whole performance, for which I received twenty pounds. When published, I shall take some method of conveying it to you, unless you may think it dear of the postage, which may amount to four or five shillings. However, I fear you will not find an equivalent of amusement.
“Your last letter, I repeat it, was too short; you should have given me your opinion of the design of the heroi-comical poem which I sent you. You remember I intended to introduce the hero of the poem as lying in a paltry alehouse. You may take the following specimen of the manner, which. I flatter myself is quite original. The room in which he lies may be described somewhat in this way:
“‘The window, patched with paper, lent a ray That feebly show’d the state in which he lay; The sanded floor that grits beneath the tread, The humid wall with paltry pictures spread; The game of goose was there exposed to view, And the twelve rules the royal martyr drew; The Seasons, framed with listing, found a place. And Prussia’s monarch show’d his lampblack face. The morn was cold: he views with keen desire A rusty grate unconscious of a fire;
An unpaid reckoning on the frieze was scored, And five crack’d teacups dress’d the chimney board.’
“And now imagine, after his soliloquy, the landlord to make his appearance in order to dun him for the reckoning:
“‘Not with that face, so servile and so gay, That welcomes every stranger that can pay: With sulky eye he smoked the patient man, hen pull’d his breeches tight, and thus began,’ etc.
[Footnote: The projected poem, of which the above were specimens, appears never to have been completed.]
“All this is taken, you see, from nature. It is a good remark of Montaigne’s, that the wisest men often hare friends with whom they do not care how much they play the fool. Take my present follies as instances of my regard. Poetry is a much easier and more agreeable species of composition than prose; and could a man live by it, it were not unpleasant employment to be a poet. I am resolved to leave no space, though I should fill it up only by telling you, what you very well know already, I mean that I am your most affectionate friend and brother,
“OLIVER GOLDSMITH.”
The Life of Voltaire, alluded to in the latter part of the preceding letter, was the literary job undertaken to satisfy the demands of Griffiths. It was to hare preceded a translation of the Henriade, by Ned Purdon, Goldsmith’s old schoolmate, now a Grub Street writer, who starved rather than lived by the exercise of his pen, and often tasked Goldsmith’s scanty means to relieve his hunger. His miserable career was summed up by our poet in the following lines written some years after the tune we are treating of, on hearing that he had suddenly dropped dead in Smithfield:
“Here lies poor Ned Purdon, from misery freed, Who long was a bookseller’s hack;
He led such a damnable life in this world, I don’t think he’ll wish to come back.”
The memoir and translation, though advertised to form a volume, were not published together; but appeared separately in a magazine.
As to the heroi-comical poem, also, cited in the foregoing letter, it appears to have perished in embryo. Had it been brought to maturity we should have had further traits of autobiography, the room already described was probably his own squalid quarters in Green Arbor Court; and in a subsequent morsel of the poem we have the poet himself, under the euphonious name of Scroggin:
“Where the Red Lion peering o’er the way, Invites each passing stranger that can pay; Where Calvert’s butt and Parson’s black champagne Regale the drabs and bloods of Drury Lane: There, in a lonely room, from bailiffs snug, The muse found Scroggin stretch’d beneath a rug; A nightcap deck’d his brows instead of bay, A cap by night, a stocking all the day!”
It is to be regretted that this poetical conception was not carried out; like the author’s other writings, it might have abounded with pictures of life and touches of nature drawn from his own observation and experience, and mellowed by his own humane and tolerant spirit; and might have been a worthy companion or rather contrast to his Traveler and Deserted Village, and have remained in the language a first-rate specimen of the mock-heroic.
CHAPTER ELEVEN
PUBLICATION OF THE INQUIRY–ATTACKED BY GRIFFITHS’ REVIEW–KENRICK THE LITERARY ISHMAELITE–PERIODICAL LITERATURE–GOLDSMITH’S ESSAYS–GARRICK AS A MANAGER–SMOLLETT AND HIS SCHEMES–CHANGE OF LODGINGS–THE ROBIN HOOD CLUB
Toward the end of March, 1759, the treatise on which Goldsmith had laid so much stress, on which he at one time had calculated to defray the expenses of his outfit to India, and to which he had adverted in his correspondence with Griffiths, made its appearance. It was published by the Dodsleys, and entitled An Inquiry into the Present State of Polite Learning in Europe.
In the present day, when the whole field of contemporary literature is so widely surveyed and amply discussed, and when the current productions of every country are constantly collated and ably criticised, a treatise like that of Goldsmith would be considered as extremely limited and unsatisfactory; but at that time it possessed novelty in its views and wideness in its scope, and being indued with the peculiar charm of style inseparable from the author, it commanded public attention and a profitable sale. As it was the most important production that had yet come from Goldsmith’s pen, he was anxious to have the credit of it; yet it appeared without his name on the title-page. The authorship, however, was well known throughout the world of letters, and the author had now grown into sufficient literary importance to become an object of hostility to the underlings of the press. One of the most virulent attacks upon him was in a criticism on this treatise, and appeared in the “Monthly Review,” to which he himself had been recently a contributor. It slandered him as a man while it decried him as an author, and accused him, by innuendo, of “laboring under the infamy of having, by the vilest and meanest actions, forfeited all pretensions to honor and honesty,” and of practicing “those acts which bring the sharper to the cart’s tail or the pillory.”
It will be remembered that the “Review” was owned by Griffiths the bookseller, with whom Goldsmith had recently had a misunderstanding. The criticism, therefore, was no doubt dictated by the lingerings of resentment; and the imputations upon Goldsmith’s character for honor and honesty, and the vile and mean actions hinted at, could only allude to the unfortunate pawning of the clothes. All this, too, was after Griffiths had received the affecting letter from Goldsmith, drawing a picture of his poverty and perplexities, and after the latter had made him a literary compensation. Griffiths, in fact, was sensible of the falsehood and extravagance of the attack, and tried to exonerate himself by declaring that the criticism was written by a person in his employ; but we see no difference in atrocity between him who wields the knife and him who hires the cut-throat. It may be well, however, in passing, to bestow our mite of notoriety upon the miscreant who launched the slander. He deserves it for a long course of dastardly and venomous attacks, not merely upon Goldsmith, but upon most of the successful authors of the day. His name was Kenrick. He was originally a mechanic, but, possessing some degree of talent and industry, applied himself to literature as a profession. This he pursued for many years, and tried his hand in every department of prose and poetry; he wrote plays and satires, philosophical tracts, critical dissertations, and works on philology; nothing from his pen ever rose to first-rate excellence, or gained him a popular name, though he received from some university the degree of Doctor of Laws. Dr. Johnson characterized his literary career in one short sentence. “Sir, he is one of the many who have made themselves _public_ without making themselves _known_.”
Soured by his own want of success, jealous of the success of others, his natural irritability of temper increased by habits of intemperance, he at length abandoned himself to the practice of reviewing, and became one of the Ishmaelites of the press. In this his malignant bitterness soon gave him a notoriety which his talents had never been able to attain. We shall dismiss him for the present with the following sketch of him by the hand of one of his contemporaries:
“Dreaming of genius which he never had, Half wit, half fool, half critic, and half mad; Seizing, like Shirley, on the poet’s lyre, With all his rage, but not one spark of fire; Eager for slaughter, and resolved to tear From other’s brows that wreath he most not wear Next Kenrick came: all furious and replete With brandy, malice, pertness, and conceit; Unskill’d in classic lore, through envy blind To all that’s beauteous, learned, or refined; For faults alone behold the savage prowl, With reason’s offal glut his ravening soul; Pleased with his prey, its inmost blood he drinks, And mumbles, paws, and turns it–till it stinks.”
The British press about this time was extravagantly fruitful of periodical publications. That “oldest inhabitant,” the “Gentleman’s Magazine,” almost coeval with St. John’s gate which graced its title-page, had long been elbowed by magazines and reviews of all kinds; Johnson’s Rambler had introduced the fashion of periodical essays, which he had followed up in his Adventurer and Idler. Imitations had sprung up on every side, under every variety of name; until British literature was entirely overrun by a weedy and transient efflorescence. Many of these rival periodicals choked each other almost at the outset, and few of them have escaped oblivion.
Goldsmith wrote for some of the most successful, such as the “Bee,” the “Busy-Body,” and the “Lady’s Magazine.” His essays, though characterized by his delightful style, his pure, benevolent morality, and his mellow, unobtrusive humor, did not produce equal effect at first with more garish writings of infinitely less value; they did not “strike,” as it is termed; but they had that rare and enduring merit which rises in estimation on every perusal. They gradually stole upon the heart of the public, were copied into numerous contemporary publications, and now they are garnered up among the choice productions of British literature.
In his Inquiry into the State of Polite Learning, Goldsmith had given offense to David Garrick, at that time the autocrat of the Drama, and was doomed to experience its effect. A clamor had been raised against Garrick for exercising a despotism over the stage, and bringing forward nothing but old plays to the exclusion of original productions. Walpole joined in this charge. “Garrick,” said he, “is treating the town as it deserves and likes to be treated; with scenes, fireworks, and _his own writings_. A good new play I never expect to see more; nor have seen since the Provoked Husband, which came out when I was at school.” Goldsmith, who was extremely fond of the theater, and felt the evils of this system, inveighed in his treatise against the wrongs experienced by authors at the hands of managers. “Our poet’s performance,” said he, “must undergo a process truly chemical before it is presented to the public. It must be tried in the manager’s fire; strained through a licenser, suffer from repeated corrections, till it may be a mere _caput mortuum_ when it arrives before the public.” Again. “Getting a play on even in three or four years is a privilege reserved only for the happy few who have the arts of courting the manager as well as the muse; who have adulation to please his vanity, powerful patrons to support their merit, or money to indemnify disappointment. Our Saxon ancestors had but one name for a wit and a witch. I will not dispute the propriety of uniting those characters then; but the man who under present discouragements ventures to write for the stage, whatever claim he may have to the appellation of a wit, at least has no right to be called a conjurer.” But a passage which perhaps touched more sensibly than all the rest on the sensibilities of Garrick was the following.
“I have no particular spleen against the fellow who sweeps the stage with the besom, or the hero who brushes it with his train. It were a matter of indifference to me whether our heroines are in keeping, or our candle snuffers burn their fingers, did not such make a great part of public care and polite conversation. Our actors assume all that state off the stage which they do on it; and, to use an expression borrowed from the green room, every one is _up_ in his part. I am sorry to say it, they seem to forget their real characters.”
These strictures were considered by Garrick as intended for himself, and they were rankling in his mind when Goldsmith waited upon him and solicited his vote for the vacant secretaryship of the Society of Arts, of which the manager was a member. Garrick, puffed up by his dramatic renown and his intimacy with the great, and knowing Goldsmith only by his budding reputation, may not have considered him of sufficient importance to be conciliated. In reply to his solicitations, he observed that he could hardly expect his friendly exertions after the unprovoked attack he had made upon his management. Goldsmith replied that he had indulged in no personalities, and had only spoken what he believed to be the truth. He made no further apology nor application; failed to get the appointment, and considered Garrick his enemy. In the second edition of his treatise he expunged or modified the passages which had given the manager offense; but though the author and actor became intimate in after years, this false step at the outset of their intercourse was never forgotten.
About this time Goldsmith engaged with Dr. Smollett, who was about to launch the “British Magazine.” Smollett was a complete schemer and speculator in literature, and intent upon enterprises that had money rather than reputation in view. Goldsmith has a good-humored hit at this propensity in one of his papers in the “Bee,” in which he represents Johnson, Hume, and others taking seats in the stagecoach bound for Fame, while Smollett prefers that destined for Riches.
Another prominent employer of Goldsmith was Mr. John Newbery, who engaged him to contribute occasional essays to a newspaper entitled the “Public Ledger,” which made its first appearance on the 12th of January, 1760. His most valuable and characteristic contributions to this paper were his Chinese Letters, subsequently modified into the Citizen of the World. These lucubrations attracted general attention; they were reprinted in the various periodical publications of the day, and met with great applause. The name of the author, however, was as yet but little known.
Being now in easier circumstances, and in the receipt of frequent sums from the booksellers, Goldsmith, about the middle of 1760, emerged from his dismal abode in Green Arbor Court, and took respectable apartments in Wine-Office Court, Fleet Street.
Still he continued to look back with considerate benevolence to the poor hostess, whose necessities he had relieved by pawning his gala coat, for we are told that “he often supplied her with food from his own table, and visited her frequently with the sole purpose to be kind to her.”
He now became a member of a debating club, called the Robin Hood, which used to meet near Temple Bar, and in which Burke, while yet a Temple student, had first tried his powers. Goldsmith spoke here occasionally, and is recorded in the Robin Hood archives as “a candid disputant, with a clear head and an honest heart, though coming but seldom to the society.” His relish was for clubs of a more social, jovial nature, and he was never fond of argument. An amusing anecdote is told of his first introduction to the club by Samuel Derrick, an Irish acquaintance of some humor. On entering, Goldsmith was struck with the self-important appearance of the chairman ensconced in a large gilt chair. “This,” said he, “must be the Lord Chancellor at least.” “No, no,” replied Derrick, “he’s only master of the _rolls_.”–The chairman was a _baker_.
CHAPTER TWELVE
NEW LODGINGS–VISITS OF CEREMONY–HANGERS-ON–PILKINGTON AND THE WHITE MOUSE–INTRODUCTION TO DR. JOHNSON–DAVIES AND HIS BOOKSHOP–PRETTY MRS. DAVIES–FOOTE AND HIS PROJECTS–CRITICISM OF THE CUDGEL
In his new lodgings in Wine-Office Court, Goldsmith began to receive visits of ceremony and to entertain his literary friends. Among the latter he now numbered several names of note, such as Guthrie, Murphy, Christopher Smart, and Bickerstaff. He had also a numerous class of hangers-on, the small-fry of literature; who, knowing his almost utter incapacity to refuse a pecuniary request, were apt, now that he was considered flush, to levy continual taxes upon his purse.
Among others, one Pilkington, an old college acquaintance, but now a shifting adventurer, duped him in the most ludicrous manner. He called on him with a face full of perplexity. A lady of the first rank having an extraordinary fancy for curious animals, for which she was willing to give enormous sums, he had procured a couple of white mice to be forwarded to her from India. They were actually on board of a ship in the river. Her grace had been apprised of their arrival, and was all impatience to see them. Unfortunately, he had no cage to put them in, nor clothes to appear in before a lady of her rank. Two guineas would be sufficient for his purpose, but where were two guineas to be procured!
The simple heart of Goldsmith was touched; but, alas! he had but half a guinea in his pocket. It was unfortunate, but after a pause his friend suggested, with some hesitation, “that money might be raised upon his watch; it would but be the loan of a few hours.” So said, so done; the watch was delivered to the worthy Mr. Pilkington to be pledged at a neighboring pawnbroker’s, but nothing further was ever seen of him, the watch, or the white mice. The next that Goldsmith heard of the poor shifting scapegrace, he was on his deathbed, starving with want, upon which, forgetting or forgiving the trick he had played upon him, he sent him a guinea. Indeed, he used often to relate with great humor the foregoing anecdote of his credulity, and was ultimately in some degree indemnified by its suggesting to him the amusing little story of Prince Bonbennin and the White House in the Citizen of the World.
In this year Goldsmith became personally acquainted with Dr. Johnson, toward whom he was drawn by strong sympathies, though their natures were widely different. Both had struggled from early life with poverty, but had struggled in different ways. Goldsmith, buoyant, heedless, sanguine, tolerant of evils and easily pleased, had shifted along by any temporary expedient; cast down at every turn, but rising again with indomitable good-humor, and still carried forward by his talent at hoping. Johnson, melancholy, and hypochondriacal, and prone to apprehend the worst, yet sternly resolute to battle with and conquer it, had made his way doggedly and gloomily, but with a noble principle of self-reliance and a disregard of foreign aid. Both had been irregular at college, Goldsmith, as we have shown, from the levity of his nature and his social and convivial habits; Johnson, from his acerbity and gloom. When, in after life, the latter heard himself spoken of as gay and frolicsome at college, because he had joined in some riotous excesses there, “Ah, sir!” replied he, “I was mad and violent. It was bitterness which they mistook for frolic. _I was miserably poor, and I thought to fight my way by my literature and my wit_. So I disregarded all power and all authority.”
Goldsmith’s poverty was never accompanied by bitterness; but neither was it accompanied by the guardian pride which kept Johnson from falling into the degrading shifts of poverty. Goldsmith had an unfortunate facility at borrowing, and helping himself along by the contributions of his friends; no doubt trusting, in his hopeful way, of one day making retribution. Johnson never hoped, and therefore never borrowed. In his sternest trials he proudly bore the ills he could not master. In his youth, when some unknown friend, seeing his shoes completely worn out, left a new pair at his chamber door, he disdained to accept the boon, and threw them away.
Though like Goldsmith an immethodical student, he had imbibed deeper draughts of knowledge, and made himself a riper scholar. While Goldsmith’s happy constitution and genial humors carried him abroad into sunshine and enjoyment, Johnson’s physical infirmities and mental gloom drove him upon himself; to the resources of reading and meditation; threw a deeper though darker enthusiasm into his mind, and stored a retentive memory with all kinds of knowledge.
After several years of youth passed in the country as usher, teacher, and an occasional writer for the press, Johnson, when twenty-eight years of age, came up to London with a half-written tragedy in his pocket; and David Garrick, late his pupil, and several years his junior, as a companion, both poor and penniless, both, like Goldsmith, seeking their fortune in the metropolis. “We rode and tied,” said Garrick sportively in after years of prosperity, when he spoke of their humble wayfaring. “I came to London,” said Johnson, “with twopence halfpenny in my pocket.” “Eh, what’s that you say?” cried Garrick, “with twopence halfpenny in your pocket?” “Why, yes; I came with twopence halfpenny in _my_ pocket, and thou, Davy, with but three halfpence in thine.” Nor was there much exaggeration in the picture; for so poor were they in purse and credit that after their arrival they had, with difficulty, raised five pounds, by giving their joint note to a bookseller in the Strand.
Many, many years had Johnson gone on obscurely in London, “fighting his way by his literature and his wit”; enduring all the hardships and miseries of a Grub Street writer; so destitute at one time that he and Savage the poet had walked all night about St. James’s Square, both too poor to pay for a night’s lodging, yet both full of poetry and patriotism, and determined to stand by their country; so shabby in dress at another time, that when he dined at Cave’s, his bookseller, when there was prosperous company, he could not make his appearance at table, but had his dinner handed to him behind a screen.
Yet through all the long and dreary struggle, often diseased in mind as well as in body, he had been resolutely self-dependent, and proudly self-respectful; he had fulfilled his college vow, he had “fought his way by his literature and his wit.” His Rambler and Idler had made him the great moralist of the age, and his Dictionary and History of the English Language, that stupendous monument of individual labor, had excited the admiration of the learned world. He was now at the head of intellectual society; and had become as distinguished by his conversational as his literary powers. He had become as much an autocrat in his sphere as his fellow-wayfarer and adventurer Garrick had become of the stage, and had been humorously dubbed by Smollett, “The Great Cham of Literature.”
Such was Dr. Johnson, when on the 31st of May, 1761, he was to make his appearance as a guest at a literary supper given by Goldsmith, to a numerous party at his new lodgings in Wine-Office Court. It was the opening of their acquaintance. Johnson had felt and acknowledged the merit of Goldsmith as an author, and been pleased by the honorable mention made of himself in the “Bee” and the Chinese Letters. Dr. Percy called upon Johnson to take him to Goldsmith’s lodgings; he found Johnson arrayed with unusual care in a new suit of clothes, a new hat, and a well-powdered wig; and could not but notice his uncommon spruceness. “Why, sir,” replied Johnson, “I hear that Goldsmith, who is a very great sloven, justifies his disregard of cleanliness and decency by quoting my practice, and I am desirous this night to show him a better example.”
The acquaintance thus commenced ripened into intimacy in the course of frequent meetings at the shop of Davies, the bookseller, in Russell Street, Covent Garden. As this was one of the great literary gossiping places of the day, especially to the circle over which Johnson presided, it is worthy of some specification. Mr. Thomas Davies, noted in after times as the biographer of Garrick, had originally been on the stage, and though a small man had enacted tyrannical tragedy, with a pomp and magniloquence beyond his size, if we may trust the description given of him by Churchill in the Rosciad:
“Statesman all over–in plots famous grown, _He mouths a sentence as ours mouth a bone_.”
This unlucky sentence is said to have crippled him in the midst of his tragic career, and ultimately to have driven him from the stage. He carried into the bookselling craft somewhat of the grandiose manner of the stage, and was prone to be mouthy and magniloquent.
Churchill had intimated, that while on the stage he was more noted for his pretty wife than his good acting:
“With him came mighty Davies; on my life, That fellow has a very pretty wife.”
“Pretty Mrs. Davies,” continued to be the loadstar of his fortunes. Her tea-table became almost as much a literary lounge as her husband’s shop. She found favor in the eyes of the Ursa Major of literature by her winning ways, as she poured out for him cups without stint of his favorite beverage. Indeed it is suggested that she was one leading cause of his habitual resort to this literary haunt. Others were drawn thither for the sake of Johnson’s conversation, and thus it became a resort of many of the notorieties of the day. Here might occasionally be seen Bennet Langton, George Stevens, Dr. Percy, celebrated for his ancient ballads, and sometimes Warburton in prelatic state. Garrick resorted to it for a time, but soon grew shy and suspicious, declaring that most of the authors who frequented Mr. Davies’ shop went merely to abuse him.
Foote, the Aristophanes of the day, was a frequent visitor; his broad face beaming with fun and waggery, and his satirical eye ever on the lookout for characters and incidents for his farces. He was struck with the odd habits and appearance of Johnson and Goldsmith, now so often brought together in Davies’ shop. He was about to put on the stage a farce called The Orators, intended as a hit at the Robin Hood debating club, and resolved to show up the two doctors in it for the entertainment of the town.
“What is the common price of an oak stick, sir?” said Johnson to Davies. “Sixpence,” was the reply. “Why, then, sir, give me leave to send your servant to purchase a shilling one. I’ll have a double quantity; for I am told Foote means to take me off, as he calls it, and I am determined the fellow shall not do it with impunity.”
Foote had no disposition to undergo the criticism of the cudgel wielded by such potent hands, so the farce of The Orators appeared without the caricatures of the lexicographer and the essayist.
CHAPTER THIRTEEN
ORIENTAL PROJECTS–LITERARY JOBS–THE CHEROKEE CHIEFS–MERRY ISLINGTON AND THE WHITE CONDUIT HOUSE–LETTERS ON THE HISTORY OF ENGLAND–JAMES BOSWELL–DINNER OF DAVIES–ANECDOTES OF JOHNSON AND GOLDSMITH
Notwithstanding his growing success, Goldsmith continued to consider literature a mere makeshift, and his Vagrant imagination teemed with schemes and plans of a grand but indefinite nature. One was for visiting the East and exploring the interior of Asia. He had, as has been before observed, a vague notion that valuable discoveries were to be made there, and many useful inventions in the arts brought back to the stock of European knowledge. “Thus, in Siberian Tartary,” observes he in one of his writings, “the natives extract a strong spirit from milk, which is a secret probably unknown to the chemists of Europe. In the most savage parts of India they are possessed of the secret of dying vegetable substances scarlet, and that of refining lead into a metal which, for hardness and color, is little inferior to silver.”
Goldsmith adds a description of the kind of person suited to such an enterprise, in which he evidently had himself in view.
“He should be a man of philosophical turn, one apt to deduce consequences of general utility from particular occurrences; neither swollen with pride, nor hardened by prejudice; neither wedded to one particular system, nor instructed only in one particular science; neither wholly a botanist, nor quite an antiquarian; his mind should be tinctured with miscellaneous knowledge, and his manners humanized by an intercourse with men. He should be in some measure an enthusiast to the design; fond of traveling, from a rapid imagination and an innate love of change; furnished with a body capable of sustaining every fatigue, and a heart not easily terrified at danger.”
In 1761, when Lord Bute became prime minister on the accession of George the Third, Goldsmith drew up a memorial on the subject, suggesting the advantages to be derived from a mission to those countries solely for useful and scientific purposes; and, the better to insure success, he preceded his application to the government by an ingenious essay to the same effect in the “Public Ledger.”
His memorial and his essay were fruitless, his project most probably being deemed the dream of a visionary. Still it continued to haunt his mind, and he would often talk of making an expedition to Aleppo some time or other, when his means were greater, to inquire into the arts peculiar to the East, and to bring home such as might be valuable. Johnson, who knew how little poor Goldsmith was fitted by scientific lore for this favorite scheme of his fancy, scoffed at the project when it was mentioned to him. “Of all men,” said he, “Goldsmith is the most unfit to go out upon such an inquiry, for he is utterly ignorant of such arts as we already possess, and, consequently, could not know what would be accessions to our present stock of mechanical knowledge. Sir, he would bring home a grinding barrow, which you see in every street in London, and think that he had furnished a wonderful improvement.”
His connection with Newbery the bookseller now led him into a variety of temporary jobs, such as a pamphlet on the Cock-lane Ghost, a Life of Beau Nash, the famous Master of Ceremonies at Bath, etc.; one of the best things for his fame, however, was the remodeling and republication of his Chinese Letters under the title of The Citizen of the World, a work which has long since taken its merited stand among the classics of the English language. “Few works,” it has been observed by one of his biographers, “exhibit a nicer perception, or more delicate delineation of life and manners. Wit, humor, and sentiment pervade every page; the vices and follies of the day are touched with the most playful and diverting satire; and English characteristics, in endless variety, are hit off with the pencil of a master.”
In seeking materials for his varied views of life, he often mingled in strange scenes and got involved in whimsical situations. In the summer of 1762 he was one of the thousands who went to see the Cherokee chiefs, whom he mentions in one of his writings. The Indians made their appearance in grand costume, hideously painted and besmeared. In the course of the visit Goldsmith made one of the chiefs a present, who, in the ecstasy of his gratitude, gave him an embrace that left his face well bedaubed with oil and red ocher.
Toward the close of 1762 he removed to “merry Islington,” then a country village, though now swallowed up in omnivorous London. He went there for the benefit of country air, his health being injured by literary application and confinement, and to be near his chief employer, Mr. Newbery, who resided in the Canonbury House. In this neighborhood he used to take his solitary rambles, sometimes extending his walks to the gardens of the White Conduit House, so famous among the essayists of the last century. While strolling one day in these gardens, he met three females of the family of a respectable tradesman to whom he was under some obligation. With his prompt disposition to oblige, he conducted them about the garden, treated them to tea, and ran up a bill in the most open-handed manner imaginable; it was only when he came to pay that he found himself in one of his old dilemmas–he had not the wherewithal in his pocket. A scene of perplexity now took place between him and the waiter, in the midst of which came up some of his acquaintances, in whose eyes he wished to stand particularly well. This completed his mortification. There was no concealing the awkwardness of his position. The sneers of the waiter revealed it. His acquaintances amused themselves for some tune at his expense, professing their inability to relieve him. When, however, they had enjoyed their banter, the waiter was paid, and poor Goldsmith enabled to convoy off the ladies with flying colors.
Among the various productions thrown off by him for the booksellers during this growing period of his reputation was a small work in two volumes, entitled The History of England, in a Series of Letters from a Nobleman to his Son. It was digested from Hume, Rapin, Carte, and Kennet. These authors he would read in the morning; make a few notes; ramble with a friend into the country about the skirts of “merry Islington”; return to a temperate dinner and cheerful evening; and, before going to bed, write off what had arranged itself in his head from the studies of the morning. In this way he took a more general view of the subject, and wrote in a more free and fluent style than if he had been mousing at the time among authorities. The work, like many others written by him in the earlier part of his literary career, was anonymous. Some attributed it to Lord Chesterfield, others to Lord Orrery, and others to Lord Lyttelton. The latter seemed pleased to be the putative father, and never disowned the bantling thus laid at his door; and well might he have been proud to be considered capable of producing what has been well pronounced “the most finished and elegant summary of English history in the same compass that has been or is likely to be written.”
The reputation of Goldsmith, it will be perceived, grew slowly; he was known and estimated by a few; but he had not those brilliant though fallacious qualities which flash upon the public and excite loud but transient applause. His works were more read than cited; and the charm of style, for which he was especially noted, was more apt to be felt than talked about. He used often to repine, in a half-humorous, half-querulous manner, at his tardiness in gaining the laurels which he felt to be his due. “The public,” he would exclaim, “will never do me justice; whenever I write anything they make a point to know nothing about it.”
About the beginning of 1763 he became acquainted with Boswell, whose literary gossipings were destined to have a deleterious effect upon his reputation. Boswell was at that time a young man, light, buoyant, pushing, and presumptuous. He had a morbid passion for mingling in the society of men noted for wit and learning, and had just arrived from Scotland, bent upon making his way into the literary circles of the metropolis. An intimacy with Dr. Johnson, the great literary luminary of the day, was the crowning object of his aspiring and somewhat ludicrous ambition. He expected to meet him, at a dinner to which he was invited at Davies the bookseller’s, but was disappointed. Goldsmith was present, but he was not as yet sufficiently renowned to excite the reverence of Boswell. “At this time,” says he in his notes, “I think he had published nothing with his name, though it was pretty generally understood that one Dr. Goldsmith was the author of An Inquiry into the Present State of Polite Learning in Europe, and of The Citizen of the World, a series of letters supposed to be written from London by a Chinese.”
A conversation took place at table between Goldsmith and Mr. Robert Dodsley, compiler of the well-known collection of modern poetry, as to the merits of the current poetry of the day. Goldsmith declared there was none of superior merit. Dodsley cited his own collection in proof of the contrary. “It is true,” said he, “we can boast of no palaces nowadays, like Dryden’s Ode to St. Cecilia’s Day, but we have villages composed of very pretty houses.” Goldsmith, however, maintained that there was nothing above mediocrity, an opinion in which Johnson, to whom it was repeated, concurred, and with reason, for the era was one of the dead levels of British poetry.
Boswell has made no note of this conversation; he was a Unitarian in his literary devotion, and disposed to worship none but Johnson. Little Davies endeavored to console him for his disappointment, and to stay the stomach of his curiosity, by giving him imitations of the great lexicographer; mouthing his words, rolling his head, and assuming as ponderous a manner as his petty person would permit. Boswell was shortly afterward made happy by an introduction to Johnson, of whom he became the obsequious satellite. From him he likewise imbibed a more favorable opinion of Goldsmith’s merits, though he was fain to consider them derived in a great measure from his Magnus Apollo. “He had sagacity enough,” says he, “to cultivate assiduously the acquaintance of Johnson, and his faculties were gradually enlarged by the contemplation of such a model. To me and many others it appeared that he studiously copied the manner of Johnson, though, indeed, upon a smaller scale.” So on another occasion he calls him “one of the brightest ornaments of the Johnsonian school.” “His respectful attachment to Johnson,” adds he, “was then at its height; for big own literary reputation had not yet distinguished him so much as to excite a vain desire of competition with his great master.”
What beautiful instances does the garrulous Boswell give of the goodness of heart of Johnson, and the passing homage to it by Goldsmith. They were speaking of a Mr. Levett, long an inmate of Johnson’s house and a dependent on his bounty; but who, Boswell thought, must be an irksome charge upon him. “He is poor and honest,” said Goldsmith, “which is recommendation enough to Johnson.”
Boswell mentioned another person of a very bad character, and wondered at Johnson’s kindness to him. “He is now become miserable,” said Goldsmith, “and that insures the protection of Johnson.” Encomiums like these speak almost as much for the heart of him who praises as of him who is praised.
Subsequently, when Boswell had become more intense in his literary idolatry, he affected to undervalue Goldsmith, and a lurking hostility to him is discernible throughout his writings, which some have attributed to a silly spirit of jealousy of the superior esteem evinced for the poet by Dr. Johnson. We have a gleam of this in his account of the first evening he spent in company with those two eminent authors at their famous resort, the Mitre Tavern, in Fleet Street. This took place on the 1st of July, 1763. The trio supped together, and passed some time in literary conversation. On quitting the tavern, Johnson, who had now been sociably acquainted with Goldsmith for two years, and knew his merits, took him with him to drink tea with his blind pensioner, Miss Williams, a high privilege among his intimates and admirers. To Boswell, a recent acquaintance whose intrusive sycophancy had not yet made its way into his confidential intimacy, he gave no invitation. Boswell felt it with all the jealousy of a little mind. “Dr. Goldsmith,” says he, in his memoirs, “being a privileged man, went with him, strutting away, and calling to me with an air of superiority, like that of an esoteric over an esoteric disciple of a sage of antiquity, ‘I go to Miss Williams.’ I confess I then envied him this mighty privilege, of which he seemed to be so proud; but it was not long before I obtained the same mark of distinction.”
Obtained! but how? not like Goldsmith, by the force of unpretending but congenial merit, but by a course of the most pushing, contriving, and spaniel-like subserviency. Really, the ambition of the man to illustrate his mental insignificance, by continually placing himself in juxtaposition with the great lexicographer, has something in it perfectly ludicrous. Never, since the days of Don Quixote and Sancho Panza, has there been presented to the world a more whimsically contrasted pair of associates than Johnson and Boswell.
“Who is this Scotch cur at Johnson’s heels?” asked some one when Boswell had worked his way into incessant companionship. “He is not a cur,” replied Goldsmith, “you are too severe; he is only a bur. Tom Davies flung him at Johnson in sport, and he has the faculty of sticking.”
CHAPTER FOURTEEN
HOGARTH A VISITOR AT ISLINGTON–HIS CHARACTER–STREET STUDIES–SYMPATHIES BETWEEN AUTHORS AND PAINTERS–SIR JOSHUA REYNOLDS–HIS CHARACTER–HIS DINNERS–THE LITERARY CLUB-ITS MEMBERS–JOHNSON’S REVELS WITH LANKEY AND BEAU–GOLDSMITH AT THE CLUB
Among the intimates who used to visit the poet occasionally, in his retreat at Islington, was Hogarth the painter. Goldsmith had spoken well of him in his essays in the “Public Ledger,” and this formed the first link in their friendship. He was at this time upward of sixty years of age, and is described as a stout, active, bustling little man, in a sky-blue coat, satirical and dogmatic, yet full of real benevolence and the love of human nature. He was the moralist and philosopher of the pencil; like Goldsmith he had sounded the depths of vice and misery, without being polluted by them; and though his picturings had not the pervading amenity of those of the essayist, and dwelt more on the crimes and vices than the follies and humors of mankind, yet they were all calculated, in like manner, to fill the mind with instruction and precept, and to make the heart better.
Hogarth does not appear to have had much of the rural feeling with which Goldsmith was so amply endowed, and may not have accompanied him in his strolls about hedges and green lanes; but he was a fit companion with whom to explore the mazes of London, in which he was continually on the lookout for character and incident. One of Hogarth’s admirers speaks of having come upon him in Castle Street, engaged in one of his street studies, watching two boys who were quarreling; patting one on the back who flinched, and endeavoring to spirit him up to a fresh encounter. “At him again! D— him, if I would take it of him! at him again!”
A frail memorial of this intimacy between the painter and the poet exists in a portrait in oil, called “Goldsmith’s Hostess.” It is supposed to have been painted by Hogarth in the course of his visits to Islington, and given by him to the poet as a means of paying his landlady. There are no friendships among men of talents more likely to be sincere than those between painters and poets. Possessed of the same qualities of mind, governed by the same principles of taste and natural laws of grace and beauty, but applying them to different yet mutually illustrative arts, they are constantly in sympathy and never in collision with each other.
A still more congenial intimacy of the kind was that contracted by Goldsmith with Mr. afterward Sir Joshua Reynolds. The latter was now about forty years of age, a few years older than the poet, whom he charmed by the blandness and benignity of his manners, and the nobleness and generosity of his disposition, as much as he did by the graces of his pencil and the magic of his coloring. They were men of kindred genius, excelling in corresponding qualities of their several arts, for style in writing is what color is in painting; both are innate endowments, and equally magical hi their effects. Certain graces and harmonies of both may be acquired by diligent study and imitation, but only in a limited degree; whereas by their natural possessors they are exercised spontaneously, almost unconsciously, and with ever-varying fascination. Reynolds soon understood and appreciated the merits of Goldsmith, and a sincere and lasting friendship ensued between them.
At Reynolds’ house Goldsmith mingled in a higher range of company than he had been accustomed to. The fame of this celebrated artist, and his amenity of manners, were gathering round him men of talents of all kinds, and the increasing affluence of his circumstances enabled him to give full indulgence to his hospitable disposition. Poor Goldsmith had not yet, like Dr. Johnson, acquired reputation enough to atone for his external defects and his want of the air of good society. Miss Reynolds used to inveigh against his personal appearance, which gave her the idea, she said, of a low mechanic, a journeyman tailor. One evening at a large supper party, being called upon to give as a toast the ugliest man she knew, she gave Dr. Goldsmith, upon which a lady who sat opposite, and whom she had never met before, shook hands with her across the table, and “hoped to become better acquainted.”
We have a graphic and amusing picture of Reynolds’ hospitable but motley establishment, in an account given by a Mr. Courtenay to Sir James Mackintosh; though it speaks of a time after Reynolds had received the honor of knighthood. “There was something singular,” said he, “in the style and economy of Sir Joshua’s table that contributed to pleasantry and good humor, a coarse, inelegant plenty, without any regard to order and arrangement. At five o’clock precisely, dinner was served, whether all the invited guests were arrived or not. Sir Joshua was never so fashionably ill-bred as to wait an hour perhaps for two or three persons of rank or title, and put the rest of the company out of humor by this invidious distinction. His invitations, however, did not regulate the number of his guests. Many dropped in uninvited. A table prepared for seven or eight was of ten compelled to contain fifteen or sixteen. There was a consequent deficiency of knives, forks, plates, and glasses. The attendance was in the same style, and those who were knowing in the ways of the house took care on sitting down to call instantly for beer, bread, or wine, that they might secure a supply before the first course was over. He was once prevailed on to furnish the table with decanters and glasses at dinner, to save time and prevent confusion. These gradually were demolished in the course of service, and were never replaced. These trifling embarrassments, however, only served to enhance the hilarity and singular pleasure of the entertainment. The wine, cookery and dishes were but little attended to; nor was the fish or venison ever talked of or recommended. Amid this convivial animated bustle among his guests, our host sat perfectly composed; always attentive to what was said, never minding what was ate or drank, but left every one at perfect liberty to scramble for himself.”
Out of the casual but frequent meeting of men of talent at this hospitable board rose that association of wits, authors, scholars, and statesmen, renowned as the Literary Club. Reynolds was the first to propose a regular association of the kind, and was eagerly seconded by Johnson, who proposed as a model a club which he had formed many years previously in Ivy Lane, but which was now extinct. Like that club the number of members was limited to nine. They were to meet and sup together once a week, on Monday night, at the Turk’s Head on Gerard Street, Soho, and two members were to constitute a meeting. It took a regular form hi the year 1764, but did not receive its literary appellation until several years afterward.
The original members were Reynolds, Johnson, Burke, Dr. Nugent, Bennet Langton, Topham Beauclerc, Chamier, Hawkins, and Goldsmith; and here a few words concerning some of the members may be acceptable. Burke was at that time about thirty-three years of age; he had mingled a little in politics, and been Under Secretary to Hamilton at Dublin, but was again a writer for the booksellers, and as yet but in the dawning of his fame. Dr. Nugent was his father-in-law, a Roman Catholic, and a physician of talent and instruction. Mr. afterward Sir John Hawkins was admitted into this association from having been a member of Johnson’s Ivy Lane club. Originally an attorney, he had retired from the practice of the law, in consequence of a large fortune which fell to him in right of his wife, and was now a Middlesex magistrate. He was, moreover, a dabbler in literature and music, and was actually engaged on a history of music, which he subsequently published in five ponderous volumes. To him we are also indebted for a biography of Johnson, which appeared after the death of that eminent man. Hawkins was as mean and parsimonious as he was pompous and conceited. He forbore to partake of the suppers at the club, and begged therefore to be excused from paying his share of the reckoning. “And was he excused?” asked Dr. Burney of Johnson. “Oh, yes, for no man is angry at another for being inferior to himself. We all scorned him and admitted his plea. Yet I really believe him to be an honest man at bottom, though to be sure he is penurious, and he is mean, and it must be owned he has a tendency to savageness.” He did not remain above two or three years in the club; being in a manner elbowed out in consequence of his rudeness to Burke.
Mr. Anthony Chamier was secretary in the War Office, and a friend of Beauclerc, by whom he was proposed. We have left our mention of Bennet Langton and Topham Beauclerc until the last, because we have most to say about them. They were doubtless induced to join the club through their devotion to Johnson, and the intimacy of these two very young and aristocratic young men with the stern and somewhat melancholy moralist is among the curiosities of literature.
Bennet Langton was of an ancient family, who held their ancestral estate of Langton in Lincolnshire, a great title to respect with Johnson. “Langton, sir,” he would say, “has a grant of free warrant from Henry the Second; and Cardinal Stephen Langton, in King John’s reign, was of this family.”
Langton was of a mild, contemplative, enthusiastic nature. When but eighteen years of age he was so delighted with reading Johnson’s Rambler that he came to London chiefly with a view to obtain an introduction to the author. Boswell gives us an account of his first interview, which took place in the morning. It is not often that the personal appearance of an author agrees with the preconceived ideas of his admirer. Langton, from perusing the writings of Johnson, expected to find him a decent, well dressed, in short a remarkably decorous philosopher. Instead of which, down from his bed chamber about noon, came, as newly risen, a large uncouth figure, with a little dark wig which scarcely covered his head, and his clothes hanging loose about him. But his conversation was so rich, so animated, and so forcible, and his religious and political notions so congenial with those in which Langton had been educated, that he conceived for him that veneration and attachment which he ever preserved.
Langton went to pursue his studies at Trinity College, Oxford, where Johnson saw much of him during a visit which he paid to the university. He found him in close intimacy with Topham Beauclerc, a youth two years older than himself, very gay and dissipated, and wondered what sympathies could draw two young men together of such opposite characters. On becoming acquainted with Beauclerc he found that, rake though he was, he possessed an ardent love of literature, an acute understanding, polished wit, innate gentility and high aristocratic breeding. He was, moreover, the only son of Lord Sidney Beauclerc and grandson of the Duke of St. Albans, and was thought in some particulars to have a resemblance to Charles the Second. These were high recommendations with Johnson, and when the youth testified a profound respect for him and an ardent admiration of his talents the conquest was complete, so that in a “short time,” says Boswell, “the moral pious Johnson and the gay dissipated Beauclerc were companions.”
The intimacy begun in college chambers was continued when the youth came to town during the vacations. The uncouth, unwieldy moralist was flattered at finding himself an object of idolatry to two high-born, high-bred, aristocratic young men, and throwing gravity aside, was ready to join in their vagaries and play the part of a “young man upon town.” Such at least is the picture given of him by Boswell on one occasion when Beauclerc and Langton having supped together at a tavern determined to give Johnson a rouse at three o’clock in the morning. They accordingly rapped violently at the door of his chambers in the Temple. The indignant sage sallied forth in his shirt, poker in hand, and a little black wig on the top of his head, instead of helmet; prepared to wreak vengeance on the assailants of his castle; but when his two young friends, Lankey and Beau, as he used to call them, presented themselves, summoning him forth to a morning ramble, his whole manner changed. “What, is it you, ye dogs?” cried he. “Faith, I’ll have a frisk with you!”
So said so done. They sallied forth together into Covent Garden; figured among the green grocers and fruit women, just come in from the country with their hampers; repaired to a neighboring tavern, where Johnson brewed a bowl of _bishop_, a favorite beverage with him, grew merry over his cups, and anathematized sleep in two lines from Lord Lansdowne’s drinking song:
“Short, very short, be then thy reign, For I’m in haste to laugh and drink again.”
They then took boat again, rowed to Billingsgate, and Johnson and Beauclerc determined, like “mad wags,” to “keep it up” for the rest of the day. Langton, however, the most sober-minded of the three, pleaded an engagement to breakfast with some young ladies; whereupon the great moralist reproached him with “leaving his social friends to go and sit with a set of wretched _unideal_ girls.”
This madcap freak of the great lexicographer made a sensation, as may well be supposed, among his intimates. “I heard of your frolic t’other night,” said Garrick to him; “you’ll be in the ‘Chronicle.'” He uttered worse forebodings to others. “I shall have my old friend to bail out of the round-house,” said he. Johnson, however, valued himself upon having thus enacted a chapter in the Rake’s Progress, and crowed over Garrick on the occasion. “_He_ durst not do such a thing!” chuckled he, “his _wife_ would not _let_ him!”
When these two young men entered the club, Langton was about twenty-two, and Beauclerc about twenty-four years of age, and both were launched on London life. Langton, however, was still the mild, enthusiastic scholar, steeped to the lips in Greek, with fine conversational powers and an invaluable talent for listening. He was upward of six feet high, and very spare. “Oh! that we could sketch him,” exclaims Miss Hawkins, in her Memoirs, “with his mild countenance, his elegant features, and his sweet smile, sitting with one leg twisted round the other, as if fearing to occupy more space than was equitable; his person inclining forward, as if wanting strength to support his weight, and his arms crossed over his bosom, or his hands locked together on his knee.” Beauclerc, on such occasions, sportively compared him to a stork in Raphael’s Cartoons, standing on one leg. Beauclerc was more “a man upon town,” a lounger in St. James’s Street, an associate with George Selwyn, with Walpole, and other aristocratic wits; a man of fashion at court; a casual frequenter of the gaming-table; yet, with all this, he alternated in the easiest and happiest manner the scholar and the man of letters; lounged into the club with the most perfect self-possession, bringing with him the careless grace and polished wit of high-bred society, but making himself cordially at home among his learned fellow members.
The gay yet lettered rake maintained his sway over Johnson, who was fascinated by that air of the world, that ineffable tone of good society in which he felt himself deficient, especially as the possessor of it always paid homage to his superior talent. “Beauclerc,” he would say, using a quotation from Pope, “has a love of folly, but a scorn of fools; everything he does shows the one, and everything he says the other.” Beauclerc delighted in rallying the stern moralist of whom others stood in awe, and no one, according to Boswell, could take equal liberty with him with impunity. Johnson, it is well known, was often shabby and negligent in his dress, and not overcleanly in his person. On receiving a pension from the crown, his friends vied with each other in respectful congratulations. Beauclerc simply scanned his person with a whimsical glance, and hoped that, like Falstaff, “he’d in future purge and live cleanly like a gentleman.” Johnson took the hint with unexpected good humor, and profited by it.
Still Beauclerc’s satirical vein, which darted shafts on every side, was not always tolerated by Johnson. ‘”Sir,” said he on one occasion, “you never open your mouth but with intention to give pain; and you have often given me pain, not from the power of what you have said, but from seeing your intention.”
When it was at first proposed to enroll Goldsmith among the members of this association, there seems to have been some demur; at least so says the pompous Hawkins. “As he wrote for the booksellers, we of the club looked on him as a mere literary drudge, equal to the task of compiling and translating, but little capable of original and still less of poetical composition.”
Even for some time after his admission, he continued to be regarded in a dubious light by some of the members. Johnson and Reynolds, of course, were well aware of his merits, nor was Burke a stranger to them; but to the others he was as yet a sealed book, and the outside was not prepossessing. His ungainly person and awkward manners were against him with men accustomed to the graces of society, and he was not sufficiently at home to give play to his humor and to that bonhomie which won the hearts of all who knew him. He felt strange and out of place in this new sphere; he felt at times the cool satirical eye of the courtly Beauclerc scanning him, and the more he attempted to appear at his ease the more awkward he became.